Dilettanti
Dilettanti

Author: Bruce Redford

Publisher: Getty Publications

Published: 2008-08-07

Total Pages: 240

ISBN-13: 0892369248

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Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.

The Life of Henry More
The Life of Henry More

Author: Richard Ward

Publisher: Springer Science & Business Media

Published: 2013-03-07

Total Pages: 456

ISBN-13: 9401142238

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This edition of the Life of Henry More by Richard Ward is the outcome of twin initiatives: from Rupert Hall and from delegates at the conference on the Cambridge Platonists held at Nantes in 1993. The project took shape at a meeting of the editorial team at Christ's College in 1994. The editors wish to express their thanks to the Master and Fellows of Christ's College for permission to print the unpublished manuscript section of Ward's Life and for their generosity in supporting the project. We also thank the British Academy for the Major Research Award towards the cost of producing the printed copy. We thank John L. Dawson, Manager of the Literary and Linguistic Computing Centre of the University of Cambridge and his staff, Beatrix Bown and Rosemary Rodd, for their technical assistance with the physical preparation of the text. Thanks also to Douglas de Lacey for his help with Greek and Latin orthography, and to James Binns for his help in identifying some quotations. We are particularly grateful to Beatrix Bown for her unfailingly patient work in transcribing and correcting the printed and manuscript texts. S. H. 06j/t . J;pt:. l. ~0i37. J£ti7tU 7. 2 /mz,·rtlln J Ll1t'tz,//Utn LO, ~ "IEl-I"/(/ll 2 O. Engraved portrait of Henry More, by D. Loggan: Frontispiece to The Life of Henry More, by Richard Ward, London, 1710. vii TABLE OF CONTENTS Preface V List of Illustrations: VIll Introduction: I. Richard Ward IX II.

Savage Fortune
Savage Fortune

Author: Lyn Boothman

Publisher: Boydell & Brewer

Published: 2006

Total Pages: 338

ISBN-13: 1843831996

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"The eighty-three documents presented here, varied in length and character, are not all concerned with Suffolk, but they are all connected with the eventful lives of Sir Thomas (later Viscount) Savage and his wife Elizabeth Savage (later Countress Rivers), who married in 1602 and whose homes included Melford Hall." "Thomas and Elizabeth both inherited considerable estates in Suffolk, Essex and Cheshire. Within a tight circle of aristocratic Catholics, they became prominent servants of the royal family during the reigns of James I and Charles I. After Thomas's death in 1635, Elizabeth remained an intimate of the queen, but her two houses of St. Osyth's and Melford Hall were sacked in 1642, and she remained chronically short of money up to her death in 1651." "The central document is a remarkable inventory of 1635-6, taken after Thomas died, listing the contents of Melford Hall in Suffolk, Rocksavage in Cheshire and a town house on Tower Hill in London."--BOOK JACKET.

Emotion in the Tudor Court
Emotion in the Tudor Court

Author: Bradley J. Irish

Publisher: Northwestern University Press

Published: 2018-01-15

Total Pages: 248

ISBN-13: 0810136414

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Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.