In the last few decades lithography has become the major book production process, but its versatility and potential for short-run, do it yourself publishing were first exploited early in the 19th century. The arrival of desk top publishing has stimulated an interest in this once neglected, but now very relevant, area of printing history, and Twyman's meticulous research presents the reader with a minute account of the subject. He describes the design and production of a wide range of publications, from a broad variety of sources, for whom lithography promised a flexibility unobtainable from letterpress. However, some of his most interesting accounts and demonstrations are of hopes disappointed and a return to letterpress.
An eclectic view of the book and manuscript collecting and bibliographical activity during nineteenth century Britain is presented. Subjects range from the wealthy, bibliographically knowledgeable members of the aristocrats to others who impoverished themselves and their families in their obsession. Discusses how these collections were instrumental in the advocacy of the public library movement.