A Case for Mr. Paul Savoy, first published in 1933, is a classic ‘golden-age’ murder mystery and introduces private detective Paul Savoy, who would appear in several additional novels by author Jackson Gregory. Gregory (1882-1943) penned more than 40 western and detective novels, several of which were made into Hollywood films.
"'The new Sayers' is not merely admirable; it is adorable. There were, in Miss Sayers's more recent books, signs that a strange element was struggling to be free. In one this element seemed like philosophy; in one like fantasy. It has now become perfectly freed itself, and become perfectly united with her other capacities. The Nine Tailors is consequently not a tale of murder, but an experience of life."--Charles Williams, review of The Nine Tailors by Dorothy Sayers, January 17, 1934. English editor, literary critic, poet, novelist, theologian, and Inkling, Charles Williams (1885-1945) wrote popular-press reviews of detective fiction in its golden age of popularity (early thirties) for such newspapers as The Westminster Chronicle & News-Gazette and The Daily Mail. This book presents all of Williams' published reviews of detective fiction--covering works by Agatha Christie, Sax Rohmer, Ellery Queen, Dashiel Hammett and E. Phillips Oppenheim, to name a few. It begins with a discussion of Williams as a detective fiction reviewer, then presents the reviews year-by-year, from 1930 to 1935, and concludes with a discussion of the end of the golden age of detective fiction. An appendix lists the authors that Williams reviewed, which books were reviewed, the date that they were reviewed, and additional information on each author.
Lists writers of western fiction, with a biography, a bibliography of the writer's works, and a critical essay on each writer. Sometimes comments by the author himself are included.
Movies and books have romanticized the life of the cowboy. To most, the heroes of countless Westerns fall into one of three categories: the strong, silent, asexual deliverer of damsels in distress; the slick and gaudy guitar-strummer; and the virile, violent drifter. In truth, real cowboys had little in common with the fictionalized characters of literature and the silver screen. The "reel" cowboys of yesteryear are recalled in Part One of this work. The make-believe West of Gene Autry, Buck Jones, Harry Carey, and many others is contrasted with the real American West. Part Two discusses the many movies based on the writings of Western writers. The works of Zane Grey, Louis LAmour, Max Brand, Luke Short, Ernest Haycox and many others have been transformed to the silver screen, often with great success. Next examined are the movies based upon three writers of the great Northwest: James Oliver Curwood, Jack London and Rex Beach. A concluding section looks at cinema cowboys on the so-called "sawdust trail." Will Rogers, Tom Mix, Jack Hoxie were among those reel cowboys who performed in circuses and Wild West shows.