Captain Gus Rodgers of the Texas Rangers is dying—and before he goes, he needs Jim's help to free his grandson from a Mexican prison. Trouble is, the Federale general holding him wants the head of the boy's brother, Billy, who has already confessed to murdering the general's daughter. Gus believes Billy deserves to die. The old ranger's just worried he won't live long enough to do the deed—which is where Jim Glass comes in. Gus's wild grandsons may be a lot of things—brutal, ignorant, and dangerous, to name three—but they may not actually be guilty of this particular crime. And when the truth comes out, there's bound to be a war. And no one's going to escape unbloodied . . .
When the Bullet Hits Your Funny Bone: the Essence of a U.S. Navy SEAL is a collection of true events about the author's time in U.S. Navy SEAL Teams and how SEALs use their humor to cope with all sorts of tragic events that they experience in their professional careers. This book offers the reader a personal glimpse into the minds of America's most elite warriors. The stories explain how SEALs bond with each other to become brothers-in-arms through their difficult training and tactical missions. This book also explains why SEALs use extreme humor, on themselves and others, in order to cope with a job that places these professional warriors face to face with death on almost a daily basis There are are those who say that it is not logical to run into the face of danger, perhaps that explains why most people think that SEALs are crazy. We prefer to look danger in the eye and not run from it, perhaps this also explains why there are not so many of us. When The Bullet Hits Your Funny Bone takes the reader on an emotional roller-coaster ride of tragedy and laughter, giving the reader a complete inner circle view into the professional and personal lives of America's most elite warriors.
In early 2003, three sheriffs set out to prove that Pat Garrett killed Billy the Kid, thereby also proving that Brushy Bill of Hico, Texas was not the real Kid. Along their way, the sheriffs enlisted New Mexico Governor Bill Richardson's support and took two communities on a wild ride through court battles to dig up Billy and his mother. Governor Richardson found an attorney willing to work free and provide Billy with a voice. Follow "Billy" as he speaks for himself in court, requesting that he and his mother be dug up to examine the DNA in their dusty remains for evidence that they were related. And follow the small towns of Fort Sumner and Silver City, New Mexico as they fight to retain the integrity of their municipal cemeteries and keep the legend of Billy the Kid from crumbling away. Author Jay Miller followed the strange unfolding of events, digging to find the source of the money that financed an official murder investigation and the court action against two courageous small towns struggling to prevent the exhumations.
A myth-busting novel about America’s most infamous and beloved outlaw, Billy the Kid, from a critically acclaimed historical novelist According to legend, Billy the Kid killed twenty-one men, one for every year of his short life; stole from wealthy cattle barons to give to the poor; and wooed just about every senorita in the American Southwest. In Lucky Billy, John Vernon digs deeply into the historical record to find a truth more remarkable than the legend, and draws a fresh, nuanced portrait of this outlaw’s dramatic and violent life. Billy the Kid met his celebrated end at the hands of Pat Garrett, his one-time carousing partner turned sheriff, who tracked Billy down after the jail break that made him famous. In Vernon’s telling, the crucial event of Billy’s life was the Lincoln County War, a conflict between a ring of Irishmen in control of Lincoln, New Mexico, and a newcomer from England, John Tunstall, who wanted to break their grip on the town. Billy signed on with Tunstall. The conflict spun out of control with Tunstall’s murder, and in a series of revenge killings, an obscure hired gunman called Kid Antrim became Billy the Kid. Besides a full complement of gunfights, jail breaks, and bawdy behavior, Lucky Billy is a provocative picture of the West at a critical juncture between old and new. It is also a portrait of an American icon made human, caught in the middle, more lost than brave, more nadve than principled, more of an accidental survivor than simply the cold-blooded killer of American myth.
The White Sands Region, New Mexico, 1908. It is twenty-seven years after the alleged death of Billy the Kid and rumors abound throughout New Mexico and the United States that the Kid is still alive. Those who believe him dead, are labeling the Kid's killer, Pat Garrett, a traitor. While Sheriff Garrett expected a hero's reception for his assassination of William H. Bonney, alias, The Kid, Garrett has become the most despised man in the state. Instead, assassins are now lining up to gun him down. Garrett watches as the Kid's exploits become the stuff of legend, of dime novels and of myth. And the myth continues that the Kid is alive. When an assassin's bullet finds Garrett, many secrets go to the grave with him. Among those secrets is the identity of his own killer.
Not a story about me through their eyes then. Find the beginning, the slight silver key to unlock it, to dig it out. Here then is a maze to begin, be in. (p. 20) Funny yet horrifying, improvisational yet highly distilled, unflinchingly violent yet tender and elegiac, Michael Ondaatje’s ground-breaking book The Collected Works of Billy the Kid is a highly polished and self-aware lens focused on the era of one of the most mythologized anti-heroes of the American West. This revolutionary collage of poetry and prose, layered with photos, illustrations and “clippings,” astounded Canada and the world when it was first published in 1969. It earned then-little-known Ondaatje his first of several Governor General’s Awards and brazenly challenged the world’s notions of history and literature. Ondaatje’s Billy the Kid (aka William H. Bonney / Henry McCarty / Henry Antrim) is not the clichéd dimestore comicbook gunslinger later parodied within the pages of this book. Instead, he is a beautiful and dangerous chimera with a voice: driven and kinetic, he also yearns for blankness and rest. A poet and lover, possessing intelligence and sensory discernment far beyond his life’s 21 year allotment, he is also a resolute killer. His friend and nemesis is Sheriff Pat Garrett, who will go on to his own fame (or infamy) for Billy’s execution. Himself a web of contradictions, Ondaatje’s Garrett is “a sane assassin sane assassin sane assassin sane assassin sane assassin sane” (p. 29) who has taught himself a language he’ll never use and has trained himself to be immune to intoxication. As the hero and anti-hero engage in the counterpoint that will lead to Billy’s predetermined death, they are joined by figures both real and imagined, including the homesteaders John and Sallie Chisum, Billy’s lover Angela D, and a passel of outlaws and lawmakers. The voices and images meld, joined by Ondaatje’s own, in a magnificent polyphonic dream of what it means to feel and think and freely act, knowing this breath is your last and you are about to be trapped by history. I am here with the range for everything corpuscle muscle hair hands that need the rub of metal those senses that that want to crash things with an axe that listen to deep buried veins in our palms those who move in dreams over your women night near you, every paw, the invisible hooves the mind’s invisible blackout the intricate never the body’s waiting rut. (p. 72)
Although his story has been told countless times--by performers from Ma Rainey, Cab Calloway, and the Isley Brothers to Ike and Tina Turner, James Brown, and Taj Mahal--no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan," Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in 1895. How the legend grew is a story in itself, and Brown tracks it through variants of the song "Stack Lee"--from early ragtime versions of the '20s, to Mississippi John Hurt's rendition in the '30s, to John Lomax's 1940s prison versions, to interpretations by Lloyd Price, James Brown, and Wilson Pickett, right up to the hip-hop renderings of the '90s. Drawing upon the works of James Baldwin, Richard Wright, and Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, one whose transformation reflects changing views of black musical forms, and African Americans' altered attitudes toward black male identity, gender, and police brutality. This book takes you to the heart of America, into the soul and circumstances of a legend that has conveyed a painful and elusive truth about our culture.
