Bibliography of Early Secular American Music (18th Century)
Author: Oscar George Sonneck
Publisher:
Published: 1949
Total Pages: 616
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Oscar George Sonneck
Publisher:
Published: 1949
Total Pages: 616
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1945
Total Pages: 617
ISBN-13:
DOWNLOAD EBOOKAuthor: Oscar George Theodore Sonneck
Publisher:
Published: 1945
Total Pages: 616
ISBN-13:
DOWNLOAD EBOOKAuthor: Oscar George Sonneck
Publisher:
Published: 1905
Total Pages: 212
ISBN-13:
DOWNLOAD EBOOKAuthor: Oscar G. Sonneck
Publisher:
Published: 1993-03-01
Total Pages: 617
ISBN-13: 9780781296984
DOWNLOAD EBOOKBonded Leather binding
Author: Oscar G. T. Sonneck
Publisher:
Published: 2012-02-01
Total Pages: 617
ISBN-13: 9781422717141
DOWNLOAD EBOOKHigh quality reprint of Bibliography Of Early Secular American Music (18th Century) by Oscar G. T. Sonneck.
Author: Oscar George Theodore Sonneck
Publisher:
Published: 1971
Total Pages: 616
ISBN-13:
DOWNLOAD EBOOKAuthor: Oscar George Sonneck
Publisher:
Published: 1905
Total Pages: 216
ISBN-13:
DOWNLOAD EBOOKAuthor: J. Bunker Clark
Publisher: A-R Editions, Inc.
Published: 1977-01-01
Total Pages: 156
ISBN-13: 089579098X
DOWNLOAD EBOOKAuthor: Laura Lohman
Publisher: Routledge
Published: 2021-05-17
Total Pages: 170
ISBN-13: 1000388956
DOWNLOAD EBOOKThis book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society. Supporting growing interest among scholars and performers spanning numerous disciplines, this book contributes quality new scholarship to spur further research on this overshadowed period of American music and dance. Organized in three parts, the chapters offer methodological and interpretative guidance and model varied approaches to contemporary scholarship. The first part introduces important bibliographic tools and models their use in focused examinations of individual objects of material musical culture. The second part illustrates methods of situating dance and its music in early American society as relevant to scholars working in multiple disciplines. The third part examines contemporary performance of early American music and dance from three distinct perspectives ranging from ethnomusicological fieldwork and phenomenology to the theatrical stage. Dedicated to scholar Kate Van Winkle Keller, this volume builds on her legacy of foundational contributions to the study of early American secular music, dance, and society. It provides an essential resource for all those researching and performing music and dance from the revolutionary era through the early nineteenth century.