Deals extensively with major foci of Christian worship: Initiation, Eucharist, Ordination, Marriage, Reconciliation, Ministry to the Sick and Dying, Burial, the Daily Office, and the Calendar.
Christian Worship (revised and expanded in this third edition) is the complete reference handbook on the meaning, expression, and conducting of worship, from its foundational elements to the very latest contemporary issues. Taking into account cultural and denominational differences, this broad resource clearly directs all church members in the number one priority of worshipping God. Among the subjects addressed are: Banners and Symbolism (Do they have a place in worship?); Children in Worship; Copyright Laws (Does your church comply?); Drama; and Elements of Worship (What are the specific roles of music, prayer, Scripture reading, baptism, preaching, and the Lord's Supper?).
An Important Study on the Worship of the Early Church This introduction to the origins of Christian worship illuminates the importance of ancient liturgical patterns for contemporary Christian practice. Andrew McGowan takes a fresh approach to understanding how Christians came to worship in the distinctive forms still familiar today. Deftly and expertly processing the bewildering complexity of the ancient sources into lucid, fluent exposition, he sets aside common misperceptions to explore the roots of Christian ritual practices--including the Eucharist, baptism, communal prayer, preaching, Scripture reading, and music--in their earliest recoverable settings. Now in paper.
"The Oxford History of Christian Worship is a comprehensive and authoritative history, lavishly illustrated, of the origins and development of Christian worship up to the present day. Following contemporary methods in scholarship, it attends to social and cultural contexts and examines the worship traditions from both Eastern and Western Christianity, ancient and modern. It offers a chronological account, while encompassing spatial and confessional variations, from Baptists in Britain to Roman Catholics in Mexico, from Orthodox in Ethiopia to Pentecostals in the United States, from Lutheran and Reformed in Europe to united churches in India and Australia. The material details of Christian worship, such as music, architecture, and the visual arts, are considered within specific cultural contexts throughout the volume as well as studied thematically in individual chapters."--BOOK JACKET.
The bestselling author of Christ-Centered Preaching provides a useful and accessible resource that traces the history of Christian worship and calls contemporary congregations to gospel faithfulness.
Volume 1: Jewish prayers from table and synagogue; Subapostolic Era: the Didache, Clement of Rome, Ignatius of Antioch, Pastor Hermas; Second Century: Justin Martyr, Irenaeus of Lyons, Melito of Sardis; Third Century: Tertullian, Cyprian of Carthage, Hippolytus of Rome, the Didascalia of the Apostles, Origen, the Apostolic Church Order; and others.
“What is at stake is authenticity. . . . Sooner or later Christians tire of public meetings that are profoundly inauthentic, regardless of how well (or poorly) arranged, directed, performed. We long to meet, corporately, with the living and majestic God and to offer him the praise that is his due.”—D. A. CarsonWorship is a hot topic, but the ways that Christians from different traditions view it vary greatly. What is worship? More important, what does it look like in action, both in our corporate gatherings and in our daily lives? These concerns—the blending of principle and practice—are what Worship by the Book addresses.Cutting through cultural clichés, D. A. Carson, Mark Ashton, Kent Hughes, and Timothy Keller explore, respectively:· Worship Under the Word· Following in Cranmer’s Footsteps· Free Church Worship: The Challenge of Freedom· Reformed Worship in the Global City “This is not a comprehensive theology of worship,” writes Carson. “Still less is it a sociological analysis of current trends or a minister’s manual chockfull of ‘how to’ instructions.” Rather, this book offers pastors, other congregational leaders, and seminary students a thought-provoking biblical theology of worship, followed by a look at how three very different traditions of churchmanship might move from this theological base to a better understanding of corporate worship. Running the gamut from biblical theology to historical assessment all the way to sample service sheets, Worship by the Book shows how local churches in diverse traditions can foster corporate worship that is God-honoring, Word-revering, heartfelt, and historically and culturally informed.
A 2000 year history of Christian worship in its social contexts around the globe combining sociological theory, social history and the latest developments in the study of liturgy. The focus of this book sets it apart from existing studies which tend to offer textual or theological approaches to worship.
Sing! has grown from Keith and Kristyn Getty’s passion for congregational singing; it’s been formed by their traveling and playing and listening and discussing and learning and teaching all over the world. And in writing it, they have five key aims: • to discover why we sing and the overwhelming joy and holy privilege that comes with singing • to consider how singing impacts our hearts and minds and all of our lives • to cultivate a culture of family singing in our daily home life • to equip our churches for wholeheartedly singing to the Lord and one another as an expression of unity • to inspire us to see congregational singing as a radical witness to the world They have also added a few “bonus tracks” at the end with some more practical suggestions for different groups who are more deeply involved with church singing. God intends for this compelling vision of His people singing—a people joyfully joining together in song with brothers and sisters around the world and around his heavenly throne—to include you. He wants you,he wants us, to sing.
The purpose and scope of this bibliography is to survey the literature concerning church music, primarily in publications from 1980 to the present, while including materials that have been published and serve as primary resources earlier than that. The emphasis is on Protestant church music, largely those published in the English language. The selected lists include over 700 titles, and contain citations with annotations of reference works and bibliographies. The annotations offer an indication of the scope, content, and special features of each work. This study will fill the research and reference needs of music students, scholars, and church musicians, as well as providing research and college libraries with a reference for building their church music collections.