Winner - American Graphic Design Award, Graphic Design USA Conveying the authors' love of the letterpress process and product, this book presents the technical, historical, aesthetic and practical information necessary for both students and instructors. The 2nd edition of For the Love of Letterpress includes an updated gallery of contemporary images of letterpress printing, as well as a new chapter of letterpress assignments from the United States, United Kingdom and Europe. Both additions attest to the dynamic and continued relevance of the media. The authors show how contemporary digital processes have expanded the boundaries of traditional letterpress. By writing with passion and experience, they indicate why a 15th century printing technology based upon crafting with one's hands, still has appeal and value to 21st century artists and designers. Whether incorporated into an academic curriculum or used for self-study, For the Love of Letterpress is a must for students who wish to learn letterpress and instructors seeking inspiration and reference.
Now an energy-rich sultanate, for centuries a important trading port in the South China Sea, Brunei has taken a different direction than its Persian Gulf peers. Immigration is restricted, and Brunei’s hydrocarbon wealth is invested conservatively, mostly outside the country. Today home to some 393,000 inhabitants and comprising 5,765 square kilometers in area, Brunei first appears in the historical record at the end of the 10th century. After the Spanish attack of 1578, Brunei struggled to regain and expand its control on coastal West Borneo and to remain within the trading networks of the South China Sea. It later fell under British sway, and a residency was established in 1906, but it took the discovery of oil in Seria in 1929 before the colonial power began to establish the bases of a modern state. Governed by an absolute monarchy, Bruneians today nonetheless enjoy a high level of social protection and rule of law. Ranking second (after Singapore) in Southeast Asia in terms of standards of living, the sultanate is implementing an Islamic penal code for the first time of its history. Focusing on Brunei’s political economy, history and geography, this book aims to understand the forces behind Brunei’s to-and-fro of tradition and modernisation.
"For more than a century, Nashville's Hatch Show Print has produced show-posters for entertainers of all stripes, from country musicians to magicians, professional wrestlers to rock stars. Hatch Show Print: The History of a Great American Poster Shop is the fully illustrated tour of this iconic institution, offering a glimpse into the history of American entertainment through dynamic and distinctive posters from the 1800s to today." "In this day of new media dominance, the hand-carved, hand-set, hand-inked, and hand-cranked ethic and aesthetic of a Hatch Show Print poster is beyond compare. Complete with over 175 illustrations, including historical photographs and scores of beautiful posters, Hatch Show Print is a dazzling document of this legendary print shop." --Book Jacket.
This is the story of Wal Cryer, a freshly-minted letterpress printer from Sydney. In November 1913, at the tender age of 21, he packed his bags and jumped on board a steamer to try his luck working his way across America as a printer.It is a story about what society looked like at that time: that uniquely fragile era just before the Great War, which hovered tentatively on the brink of modernity, when, if you ventured out onto the road you could be trampled to death by a horse, or run over by a car. It is also a story with a romantic undercurrent, as he left behind a fiancé in Sydney, to whom he sent a veritable treasure-trove of postcards as he wended his way across the Mid-west, facing both unemployment queues and tough bosses - and getting work in Chicago before heading to New York and then via several ships back to Australia when the war broke out. (There is also the mysterious "L" which we will touch upon, ever so discreetly.)It is, therefore, the story of a collision of two cultures (America's and Australia's), which could not have been more different and which still are today!Finally, it is the story of how printing at that time was beginning to penetrate into the nooks and crannies of people's everyday lives, in ways both amusing and pervasive, that we now take for granted today. None of this would have been brought to light, however, if it wasn't for a remarkable discovery - not only the diary itself, tucked away in a long-forgotten cupboard, but also a much-battered album bulging with post-cards. This then is a look down a time-tunnel, 1914 under a microscope!There is, however, yet another deeper theme underpinning all this - what is the nature of the relationship we have with our grandparents?
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Whether you're discovering printmaking for the first time or you're looking for fresh ideas to reinvigorate your practice, you'll find plenty of inspiration in The Printmaking Ideas Book. From traditional methods such as screenprinting, etching and lithography to contemporary techniques such as risography and digital collage, this book is packed with new ideas, methods and tips on every page. Brimming with experimental, arresting and beautiful examples of printmaking from all over the world, it will take your creativity further and awaken new ideas.
Originally published in 1931, this concise manual of presswork has guided generations of printers through the basic operation of platen presses. Everything is covered here, from hand-setting type to adjusting the press bed to regulating ink coverage and impression depth.
A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.