Prominent Families of New York
Author: Lyman Horace Weeks
Publisher:
Published: 1898
Total Pages: 64
ISBN-13:
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Anne Frank's Tales from the Secret Annexe
Author: Anne Frank
Publisher: Halban Publishers
Published: 2010
Total Pages: 236
ISBN-13:
DOWNLOAD EBOOK"In these tales the reader can observe Anne's writing prowess grow from that of a young girl's into the observations of a perceptive, edgy, witty and compassionate woman"--Jacket flaps.
Le Deuxième Sexe
Author: Simone de Beauvoir
Publisher: Vintage
Published: 1989
Total Pages: 791
ISBN-13: 0679724516
DOWNLOAD EBOOKThe classic manifesto of the liberated woman, this book explores every facet of a woman's life.
Alice
Author: Hugo Vickers
Publisher: Macmillan
Published: 2002-03-28
Total Pages: 498
ISBN-13: 0312288867
DOWNLOAD EBOOKThe life of the mother-in-law of the present queen of England ... bridging the tumultuous history of 20th century Europe and intertwined with the tragedy and glory of that era.
Josephine
Author: Jean-Claude Baker
Publisher: Rowman & Littlefield
Published: 2001
Total Pages: 594
ISBN-13: 0815411723
DOWNLOAD EBOOKThis revelatory biography of Folies Bergere dancer Josephine Baker (1906-1975) is a study of struggle, truimph and tragedy.
The "new Woman" Revised
Author: Ellen Wiley Todd
Publisher: Univ of California Press
Published: 1993-01-01
Total Pages: 464
ISBN-13: 9780520074712
DOWNLOAD EBOOKIn the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
Women and Politics in Iran: Veiling, Unveiling and Reveiling
Author: Hamideh Sedghi
Publisher:
Published: 2014-05-14
Total Pages: 359
ISBN-13: 9780511296574
DOWNLOAD EBOOKWhy were urban women veiled in the early 1900s, unveiled from 1936 to 1979, and reveiled after the 1979 revolution? This question forms the basis of Hamideh Sedghi's original and unprecedented contribution to politics and Middle Eastern studies. Using primary and secondary sources, Sedghi offers new knowledge on women's agency in relation to state power. In this rigorous analysis she places contention over women at the centre of the political struggle between secular and religious forces and demonstrates that control over women's identities, sexuality, and labor has been central to the consolidation of state power. Sedghi links politics and culture with economics to present an integrated analysis of the private and public lives of different classes of women and their modes of resistance to state power.
Palisades Park
Author: Alan Brennert
Publisher: Macmillan
Published: 2013-04-09
Total Pages: 433
ISBN-13: 0312643721
DOWNLOAD EBOOKSharing a family life in the 1930s near the legendary Palisades Amusement Park, a family of dreamers explores ambitions and cultural boundaries that are challenged by the realities of the Great Depression, multiple wars, and the park's eventual closing in 1971.
Radical Chic and Mau-Mauing the Flak Catchers
Author: Tom Wolfe
Publisher: Farrar, Straus and Giroux
Published: 2010-04-01
Total Pages: 141
ISBN-13: 142996118X
DOWNLOAD EBOOKRadical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase 'radical chic' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program's money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
Published: 2005-10-01
Total Pages: 292
ISBN-13: 0892367857
DOWNLOAD EBOOKToday we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
