Plays by George Colman the Younger and Thomas Morton

Plays by George Colman the Younger and Thomas Morton

Author: Barry Sutcliffe

Publisher: Cambridge University Press

Published: 1983-09-08

Total Pages: 292

ISBN-13: 9780521240192

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This volume contains edited texts of five plays by two late eighteenth-century dramatists. The plays have been chosen to represent the range of the two playwrights and the variety of dramatic material on offer during the period. The full-length plays and afterpieces by George Colman the Younger and Thomas Morton were as popular as Sheridan's works in their time, but today are seldom performed or read. This discrepancy lies at the heart of Barry Sutcliffe's extensive introduction, which explores the critical and social background to the dramatic activity of the period and relates the dramas to the shifting demands of the theatre audiences for whom these plays were written.


William Godwin and the Theatre

William Godwin and the Theatre

Author: David O'Shaughnessy

Publisher: Routledge

Published: 2015-10-06

Total Pages: 246

ISBN-13: 1317323734

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William Godwin is one of the most important figures of the Romantic period. He wrote four plays at the end of the 18th/beginning of the 19th centuries. This book has two main objectives: to provide the first comprehensive discussion of these four plays, and to consider the notion of theatricality in relation to Godwin’s political project.


Culture in Eighteenth-Century England

Culture in Eighteenth-Century England

Author: Jeremy Black

Publisher: A&C Black

Published: 2007-02-01

Total Pages: 314

ISBN-13: 9781852855345

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He also shows the different currents at work, belying any simple picture of England and the English as confident and self-assured."--BOOK JACKET.


Scheherazade's Children

Scheherazade's Children

Author: Philip F. Kennedy

Publisher: NYU Press

Published: 2013-11-08

Total Pages: 468

ISBN-13: 1479857092

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Scheherazade’s Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book’s metamorphoses on stage and screen as well as in literature—from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book’s complex history. Polemical issues are thereby given unprecedented and enlightening interpretations. Organized under the rubrics of Translating, Engaging, and Staging, these essays view the Nights corpus as a uniquely accretive cultural bundle that absorbs the works upon which it has exerted influence. In this view, the Arabian Nights is a dynamic, living and breathing cross-cultural phenomenon that has left its mark on fields as disparate as the European novel and early Indian cinema. While scholarly, the writers’ approach is also lively and entertaining, and the book is richly illustrated with unusual materials to deliver a sparkling and highly original exploration of the Arabian Nights’ radiating influence on world literature, performance, and culture.


Staging Governance

Staging Governance

Author: Daniel O'Quinn

Publisher: JHU Press

Published: 2020-03-03

Total Pages: 427

ISBN-13: 1421429209

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Between 1770 and 1800, transformations in the relationship between metropolitan British society and its colonial holdings, and in the concept of the nation itself, left Britons with a new sense of themselves. Over the same period, the consolidation of the middle classes was accompanied by growing social constraints on sexuality and family life. Staging Governance locates the intersection of these two trends in the representation of British India on the London stage. Theatrical productions, especially those representing colonial life, pushed the limits of public discourse on sexuality and colonialism even as the government made efforts to shape and narrow them. At the same time, official discourse on colonial practices, such as the public trials of Clive and Hastings, became theatrical events themselves. Exploring this rapidly shifting world through a series of original readings of dramatic texts and important moments of oratory, Staging Governance demonstrates how the perceived crises of imperial and domestic Britain joined these spheres in the popular imagination. The economics of political and sexual exchange not only became entwined but functioned as mutual supports during a period of social, cultural, and political readjustment.


American Presidents Attend the Theatre

American Presidents Attend the Theatre

Author: Thomas A. Bogar

Publisher: McFarland

Published: 2015-06-14

Total Pages: 443

ISBN-13: 1476606803

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Not every presidential visit to the theatre is as famous as Lincoln's last night at Ford's, but American presidents attended the theatre long before and long after that ill-fated night. In 1751, George Washington saw his first play, The London Merchant, during a visit to Barbados. John Quincy Adams published dramatic critiques. William McKinley avoided the theatre while in office, on professional as well as moral grounds. Richard Nixon met his wife at a community theatre audition. Surveying 255 years, this volume examines presidential theatre-going as it has reflected shifting popular tastes in America.