These 40 Rhythmical Studies in unison for band are based entirely on division of measure, with easy key signatures. They are filled with practical rhythms, in a style that makes division of measure interesting.
These 40 Rhythmical Studies in unison for band are based entirely on division of measure, with easy key signatures. They are filled with practical rhythms, in a style that makes division of measure interesting.
These 40 Rhythmical Studies in unison for band are based entirely on division of measure, with easy key signatures. They are filled with practical rhythms, in a style that makes division of measure interesting.
These 40 Rhythmical Studies in unison for band are based entirely on division of measure, with easy key signatures. They are filled with practical rhythms, in a style that makes division of measure interesting.
The material in the Gekeler Method for Oboe is divided in two parts. The studies in Part I are for the purpose of developing musical style and interpretation; those in Part II are for the study of scales and intervals, and for improvement of articulation.
Rhythm Etudes is a presentation of progressive supplementary material of unique construction, accommodating itself to various levels of individual ability. The book is designed for use in ensemble warm-up periods, sectional rehearsals, and private instruction. By combining two or more exercises, harmony and rhythmic independence becomes automatic. This will help move the student beyond the mechanical stages of playing rhythms.
Beloved for his 32 Rose Etudes for Clarinet book, C. Rose -- full name Chrysogone Cyrille Rose was an important French clarinetist, and served as principal clarinet at the Paris Opera. He was a teacher and composer of pedagogical material for the clarinet, much of which (like this 32 Etudes) is still widely in use today. Cyrille Rose was taught by Hyacinthe Klosé. He studied under Klosé at the Paris Conservatoire, winning the First Prize in 1847. He taught many famous clarinet players, such as: Louis Cahuzac, Paul Jean, Manuel Gomez, Francisco Gomez, Henri Lefèbvre, Henri Paradis, Henri Selmer, and Alexandre Selmer.
These 40 Rhythmical Studies in unison for band are based entirely on division of measure, with easy key signatures. They are filled with practical rhythms, in a style that makes division of measure interesting.
The Forty-eight Studies have long been one of the standard teaching tools for oboists and saxophonists seeking to develop their skills to an advanced level. Newly engraved from the original publication, this edition presents a clean copy of Ferling's compositions without the editorial markings incorporated into other versions available today. Apparent omissions in the original publication are indicated by parentheses or dotted lines. This faithful presentation gives the performer a much wider variety of interpretive choices, allowing these studies to fulfill their mission of teaching musicianship, as well as playing technique.