Steve Hutchison reviews 300 action horror films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror science fiction films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror adventure films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror fantasy films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Steve Hutchison reviews 300 horror comedies and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
The following recommendations represent the top 13% of 2250 horror movie reviews. I use a classification method that combines genres, subgenres, ambiances, and antagonists. My evaluation ratings are stars, story, creativity, action, quality, creepiness, and rewatchability
Steve Hutchison reviews 300 action horror films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
I review 300 of my favorite horror movie sequels. The movies are ranked. Their position in the list is established by the sum of 8 ratings: stars, gimmick, rewatchability, story, creativity, acting, quality, and creepiness.
Why do humans feel the need to scream at horror films? In Why Horror Seduces, author Matthias Clasen looks to evolutionary social science to show how the horror genre is a product of human nature.
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.