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Explicit and Forbidden Erotica Short Stories for Adults will take you on a thrilling, tantalizing journey of pure pleasure. Delve into the world of Dirty Taboo Pleasures, Bedtime Dark Romance and much more! Enjoy the forbidden delights of adult erotica stories that are sure to satisfy your deepest desires. Allowing you to explore new depths of passion, these tasty treats can be savoured anytime you need a little extra indulgence in your life.
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This is an easy-to-read retelling of William Shakespeare's "1 Henry VI." People who read this version first will find the original much easier to read.
Homer created the epic poems ""Iliad"" and ""Odyssey."" The "Iliad" tells only a small part of the story of the Trojan War. For example, the "Iliad" does not tell the story of the Trojan Horse although Homer knew about the Trojan Horse and assumed that his audience knew its story. Other, shorter epic poems that made up the Epic Cycle told the rest of the story of the Trojan War. The ""Iliad"" and the ""Odyssey"" have survived to the present time, but the other epic poems of the Epic Cycle have been lost since ancient times. Fortunately, Quintus of Smyrna wrote an epic poem that retold the tales recounted in the lost epic poems of the Epic Cycle. He told the story of the Trojan War from the end of the ""Iliad ""to when Odysseus sets sail for home in the "Odyssey" after Troy has fallen. In this retelling, as in all my retellings, I have tried to make the work of literature accessible to modern readers.
This work offers bibliographical descriptions of all printings of erotic fiction in English issued clandestinely during the period 1800-1930. By 'clandestine' is meant books whose publishers and printers attempt to hide their identities, usually by offering title pages whose misleading places and dates of publication may shock and amuse, but which always aim to mystify. Using internal and external evidence, an attempt is made to establish who were the printers, booksellers and publishers, English and Continental, involved in this trade. The printing families or 'groups' into which a large percentage of the material falls are classified, accompanied by illustrations which identify the main printing characteristics ('house styles') of the groups. Bibliographical descriptions follow a checklist of clandestine catalogues; these provide valuable evidence for dating, pricing and 'sales pitch' and information on items of which no copies can now be traced. The work concludes with a series of appendices which provide significant external evidence, and three indexes: of themes, titles and names. Peter Mendes' original research builds on and significantly extends the essential pioneer work of the Victorian collector and bibliographer H.S. Ashbee ('Pisanus Fraxi').
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