A carefully graded selection of compositions of varied styles, progressing from easy to medium difficulty and designed to develop well-rounded musicianship.
57 delightful baroque flute and guitar duets. Guitar accompaniments in standard notation and tablature. Features the music of only the best of the best of the baroque era: Johann Sebastian Bach, Arcangelo Corelli, George Frederick Handel, Henry Purcell, Georg Philipp Telemann, Antonio Vivaldi.
This collection features a selection of classical pieces by the world's most renowned composers: Johann Sebastian Bach, George Frideric Handel, Johannes Pachelbel, Antonio Vivaldi, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Richard Wagner, Johannes Brahms, Johann Strauss, Pyotr Tchaikovsky, Giuseppe Verdi, Edvard Grieg and Edward Elgar. This selection of pieces is intended for absolute beginners. While other books have a accompaniment part for teachers, in this book the accompaniment has been over simplified for beginner students. Includes: 1812 Overture A Little Night Music The Blue Danube Bridal Chorus Canon in D Dance of the Flowers Greensleeves In the Hall of the Mountain King Jesu, Joy Of Man Desiring La Donna e Mobile Land of Hope and Glory Lullaby Ode to Joy Spring - Four Seasons Water Music Disclaimer: this edition does not include an insert. The pieces are presented for duet and then, at the end of the book, the parts for the soloist instrument."
22 classical and traditional pieces arranged for equal flute and violin players of intermediate standard.There are a few easier pieces but most explore the range of notes and techniques expected of players that are Grades 4+, and some are quite tricky! The pieces are arranged for players of equal standard, so each player gets to play the tune! The violin part is mostly playable in first position. The flute part ventures into third octave. Most are in easy keys. There are 22 pieces in the book, some are longer, but most are short - one page, several are two or three pages. We've tried to be as varied as possible and have included both classical and traditional tunes, slow and fast pieces, easy and difficult, ones to play straight away and others to work on, but we hope you find them all enjoyable and fun. Arrangements include extracts from: Beethoven's Für Elise, Prokofiev's The Duck from Peter and the Wolf, Dvorák's Humoresque, Holst's Jupiter from The Planets, Loch Lomond, Grieg's Morning from Peer Gynt, Elgar's March from Pomp and Circumstance, Chopin's Prelude Op.28, Boccherini's Minuet, Bizet's Air de Toréador from Carmen, Beethoven's Minuet in G, Glinka's Intermezzo, Tchaikovsky's Andante Cantabile from Symphony No.5 , Brahms' Waltz Op.39 and more, some of which we expect you're unlikely to know because we wanted to include an element of musical exploration and adventure. Have fun!If you're looking for easier duets, you might like 'Easy Traditional Duets for Flute and Violin'.Look out for music arranged for mixed instruments: Flute, Clarinet, Bassoon, Oboe, Saxophone, Recorder, Trumpet, Trombone, Tuba, Violin, Cello and Double Bass! We have a spectacular variety of duet books, a gargantuan selection of festive books (including Halloween!) and even downloadable playalong and backing tracks and sheet music on our website. Just visit http://WildMusicPublications.com
(Intermediate Band Method). One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales, arpeggios, technical studies, studies for musicianship, articulation studies, solos, duets, and studies devoted to the special needs of each instrument, this series provides a fantastic wealth of material for all student musicians.
(World's Greatest Classical Music). This clean edition of newly engraved works for flute and piano contains ten of the flutist's favorite Romantic masterpieces. Pieces include: Serenade in D Major (selected movements) (Beethoven) * Entr'acte from Carmen (Bizet) * Variations on a Theme by Rossini (Chopin) * The Swan (Saint-Saens) * Divertissement (Kuhnau) * Three Romances (Schumann) * and more. Information about the composers and individual pieces, and a foreword by the editor supplement the volume.
Volume III of Playing Outside the Lines is the third of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in the first two books of the series, Volume III dives into more complicated Irish traditional flute ornamentation such as rolls, short rolls, crans, and breath-ornament techniques. Volume III contains ornamentation fingering charts; advanced ornamentation options, explanations, and placement guidelines; 62 accompanying audio tracks; and more than 170 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. “A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author.” —Viviana Guzman, The Flute View Magazine “An invaluable resource for any flutist.” —Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra “Leslie Anne Harrison’s Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy.” —Robert Dick, Performer and Author of The Other Flute