Among these eye-catching, up-to-date fonts are Futurama Italic, Cubist, Double Vision, Neo Prisma, Stupendous, Twinkle Toes, and Mitzi Deco. Perfect for giving a trendy, dynamic look to advertisements, newsletters, signs, and other projects.
Easy to use and rich in applications, this CD-ROM and book collection features 24 fonts reminiscent of the exuberant print styles found on turn-of-the-century posters and broadsides. Black-and-white fonts include attention-getting Panjandrum and Houdini, exotic Tokyo, and glamorous Diamond Inlay, as well as Cavalcade, Cinderella, Ringmaster, and others.
Learn to create modern quilts more quickly and easily than ever with this popular method, featuring thirteen projects and twenty-five bonus ideas. Do you believe rules were meant to be broken? If so, this improvisational quilt-as-you-go technique is for you. Instead of dealing with precise paper patterns and cutting measurements, you’ll learn how to piece fabric onto small, manageable batting blocks. Let your creative juices flow as you quilt directly on the blocks (not the whole quilt!), whether in large abstract zigzags or small structured stitches. After the blocks have been joined, all you need to do is add backing fabric and binding, and—voila—it’s finished! A modern approach to quilting that’s fresh, fun, and simpler than it sounds; it will change the way you quilt (for the better) Great for moms or anyone with a busy schedule—these thirteen projects are easy to transport because they make it simple to pick up where you left off Go your own way: This method allows you to use a pattern or improvise, creating a wide variety of design options Save money! Learn how to finish your own quilts without the use of a longarm professional “Quilting is easier than ever with Jera Brandvig’s modern spin on the popular quilt-as-you-go technique.” —Modern Quilts Unlimited “Quilt-as-you-go (QAYG) is one of those techniques that every quilter is curious about trying, but can be daunting as the process is so different to the traditional process of making a quilt top and then quilting it. . . . The book introduces the technique very thoroughly, so you can clearly understand the difference between traditional piecing and quilting and QAYG. Then there’s a great selection of gorgeous quilts that are sure to appeal to the modern quilter. A must if you’ve ever thought about trying QAYG and haven’t had a clue where to start.” —Make Modern Magazine
With the rise of science, we moderns believe, the world changed irrevocably, separating us forever from our primitive, premodern ancestors. But if we were to let go of this fond conviction, Bruno Latour asks, what would the world look like? His book, an anthropology of science, shows us how much of modernity is actually a matter of faith. What does it mean to be modern? What difference does the scientific method make? The difference, Latour explains, is in our careful distinctions between nature and society, between human and thing, distinctions that our benighted ancestors, in their world of alchemy, astrology, and phrenology, never made. But alongside this purifying practice that defines modernity, there exists another seemingly contrary one: the construction of systems that mix politics, science, technology, and nature. The ozone debate is such a hybrid, in Latour’s analysis, as are global warming, deforestation, even the idea of black holes. As these hybrids proliferate, the prospect of keeping nature and culture in their separate mental chambers becomes overwhelming—and rather than try, Latour suggests, we should rethink our distinctions, rethink the definition and constitution of modernity itself. His book offers a new explanation of science that finally recognizes the connections between nature and culture—and so, between our culture and others, past and present. Nothing short of a reworking of our mental landscape, We Have Never Been Modern blurs the boundaries among science, the humanities, and the social sciences to enhance understanding on all sides. A summation of the work of one of the most influential and provocative interpreters of science, it aims at saving what is good and valuable in modernity and replacing the rest with a broader, fairer, and finer sense of possibility.