1949 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings.

1949 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings.

Author: Whitney Museum of American Art

Publisher: Hassell Street Press

Published: 2021-09-09

Total Pages: 28

ISBN-13: 9781014250926

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Complete Graphic Work of Jack Levine

The Complete Graphic Work of Jack Levine

Author: Jack Levine

Publisher: Courier Corporation

Published: 1984-01-01

Total Pages: 114

ISBN-13: 0486244814

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This volume features the never-before-published prints of corrupt politicians, gangsters, Hebrew sages, fascist generals, mythological figures, and much more by the major American artist and social commentator, Jack Levine. Plate-by-plate commentaries. Introduction. Biographical Outline. 84 black-and-white illustrations.


Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings [1948]

Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings [1948]

Author: Whitney Museum of American Art

Publisher: Hassell Street Press

Published: 2021-09-09

Total Pages: 28

ISBN-13: 9781014120205

DOWNLOAD EBOOK

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Charles White

Charles White

Author: Sarah Kelly Oehler

Publisher: Yale University Press

Published: 2018-06-19

Total Pages: 249

ISBN-13: 0300232985

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A revelatory reassessment of one of the most influential American artists of the 20th century Charles White (1918–1979) is best known for bold, large-scale paintings and drawings of African Americans, meticulously executed works that depict human relationships and socioeconomic struggles with a remarkable sensitivity. This comprehensive study offers a much-needed reexamination of the artist’s career and legacy. With handsome reproductions of White’s finest paintings, drawings, and prints, the volume introduces his work to contemporary audiences, reclaims his place in the art-historical narrative, and stresses the continuing relevance of his insistent dedication to producing positive social change through art. Tracing White’s career from his emergence in Chicago to his mature practice as an artist, activist, and educator in New York and Los Angeles, leading experts provide insights into White’s creative process, his work as a photographer, his political activism and interest in history, the relationship between his art and his teaching, and the importance of feminism in his work. A preface by Kerry James Marshall addresses White’s significance as a mentor to an entire generation of practitioners and underlines the importance of this largely overlooked artist.


Writings on Art

Writings on Art

Author: Mark Rothko

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 204

ISBN-13: 9780300114409

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The first collection of Mark Rothko's writings, which range the entire span of his career While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell, and Ad Reinhardt, have been published, Mark Rothko's writings have only recently come to light, beginning with the critically acclaimed The Artist's Reality: Philosophies of Art. Rothko's other written works have yet to be brought together into a major publication. Writings on Art fills this significant void; it includes some 90 documents--including short essays, letters, statements, and lectures--written by Rothko over the course of his career. The texts are fully annotated, and a chronology of the artist's life and work is also included. This provocative compilation of both published and unpublished writings from 1934--69 reveals a number of things about Rothko: the importance of writing for an artist who many believed had renounced the written word; the meaning of transmission and transition that he experienced as an art teacher at the Brooklyn Jewish Center Academy; his deep concern for meditation and spirituality; and his private relationships with contemporary artists (including Newman, Motherwell, and Clyfford Still) as well as journalists and curators. As was revealed in Rothko's The Artist's Reality, what emerges from this collection is a more detailed picture of a sophisticated, deeply knowledgeable, and philosophical artist who was also a passionate and articulate writer.


Ad Reinhardt

Ad Reinhardt

Author: Ad Reinhardt

Publisher: Richter Verlag

Published: 2011

Total Pages: 200

ISBN-13:

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The paintings of the American artist, Ad Reinhardt were from the start defined by their clear geometrical forms. Reinhardt, who before his training as a painter had received a degree in art history, rejected any kind of fusion between art and life or any mystification of painting. Around 1953 he did his first black paintings in which every tendency to colour seemed to fade. From 1960 his paintings were all only black, which he himself described as the 'last paintings that anyone can paint. 'The encounter between Ad Reinhardt and Josef Albers in 1952 - 1953 and their ensuing dialogues on the meaning of colour within the painting process were For The young Reinhardt an important impulse on his path towards his black paintings. Presented in this book is his oeuvre from the end of the 1930s To The late works; their special relevance can be recognised in juxtaposition with the works of Josef Albers.