Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.
By: Lawrence Dalton, Pub. 1946, Reprinted 2021, 408 pages, ISBN #978-1-63914-018-3. Randolph County was created in 1835 from Lawrence County and is located within the Ozark region along the Missouri border. This book is not too different from other county history books of this era. With such topics as towns, trade and transportation, labor, farming, politics, and race relations - all important in the development of the county - are carefully discussed. This type of county history book can help one develop ideas or paths to those missing ancestors by showing the customs and traditions of the local residents. A particular useful feature of this book are the biographical sketches of the following persons: Athy, Bryan, Campbell, Dalton (3), Decker, Davis-Spikes, Hite, Hogan (2), Ingram, Jarrett, Johnston, Johnson, Haynes, Holt, Lamb, McCarroll, Mock, Marlette, Maynard, Martin, Rickman, Ruff, Shride, Stubblefield, Schoonover, Smith, Shaver, Spikes, Taylor, McColgan, Thompson, Lemmons, Price, Wyatt and White.
Offers a guide to census indexes, including federal, state, county, and town records, available in print and online; arranged by year, geographically, and by topic.
Philip Peter Visinard was born in Germany in 1684. He married Allena Neff in 1710 and in 1731 he brought his wife and two of his sons to America settling in Pennsylvania. Later his descendants moved to North Carolina and on to Indiana and later further west. Information on many of his descendants who later changed their names to various forms of Whisnsant are included in this book along with some families which can not be positively connected to this family. Several children's lines are followed giving as much information was readily available or submitted. Descendants now live in North Carolina, Georgia, Texas, Oklahoma, and elsewhere throughout the United States.
In the first book-length study of Arkansas slavery in more than sixty years, A Weary Land offers a glimpse of enslaved life on the South’s western margins, focusing on the intersections of land use and agriculture within the daily life and work of bonded Black Arkansans. As they cleared trees, cultivated crops, and tended livestock on the southern frontier, Arkansas’s enslaved farmers connected culture and nature, creating their own meanings of space, place, and freedom. Kelly Houston Jones analyzes how the arrival of enslaved men and women as an imprisoned workforce changed the meaning of Arkansas’s acreage, while their labor transformed its landscape. They made the most of their surroundings despite the brutality and increasing labor demands of the “second slavery”—the increasingly harsh phase of American chattel bondage fueled by cotton cultivation in the Old Southwest. Jones contends that enslaved Arkansans were able to repurpose their experiences with agricultural labor, rural life, and the natural world to craft a sense of freedom rooted in the ability to own land, the power to control their own movement, and the right to use the landscape as they saw fit.
Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.