"Short stories are tiny windows into other worlds and other minds and other dreams. They are journeys you can make to the far side of the universe and still be back in time for dinner."The short story is one of the finest forms of writing. As short as a paragraph at times, or as lengthy as a novel, short stories are widely read and immensely lauded. Some of the most exceptional writers have dabbled in this form penning beautiful, unforgettable stories.This storybook is especially great for traveling, bedtime, and reading aloud at home. Also available in paperback format!-Great bedtime stories -Excellent for beginning and early readers-short stories that are great for a quick bedtime story
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
What is the difference between a writer who never finds an agent or sells their manuscript to a publisher and an author who becomes a best seller? The first fifteen pages. If you have been sending out queries and wonder why your manuscript hasn't grabbed the interest of an agent, the answer might be in the first fifteen pages you submitted. Why? Because quite simply, most submissions are missing one or more of the crucial elements of storytelling that capture and hold readers attention. The job, the explicit goal, of those critical first fifteen pages, is to hook agents, editors, and ultimately readers. Those first pages need to grab us if not by the collar, at least by the sleeve and say, "I've got you. Keep reading." If your first fifteen pages don't do that, your manuscript won't make it past an agent's slush pile, and your book will never land in the hands of a reader or brighten the screen of their Kindles. As a literary agent, I've read thousands of queries and thousands of beginning pages. I've learned what makes a submission sing, sending me back to the author's query to find an email so I can ask for more. And, I've learned what causes me, more often than not, to push Send on a "passed with love" email. I loathe having to send those "thanks but no thanks" responses to a writer's work. I don't know any agent who looks forward to the opportunity to gleefully kill the dreams of someone who has spent years toiling away on a book. Fifteen pages may seem an unfairly short or arbitrary number of pages to determine if the writing or the story is worth pursuing. But honestly, by reading the first fifteen pages of a manuscript, I know what I need to know, which is: - If the writing is fresh, beautifully wrought, moving, or exceptional. - What drove the story into being - the inciting incident. - Who the main characters are and what makes them interesting and distinct. - When and where the story is set - the time frame, place or historical period. - The genre - is the story a romance set in Tuscany, a WWII revisionist history, a coming of age LGBTQ, a YA dystopian set in the past, or commercial fiction about life after death? - If the point of view feels right for the story. - If the writer is the only person who has read the manuscript (a dead give away is a manuscript riddled with grammatical errors with big holes in the story.) And, most importantly, we know if it is a story we are passionate about or at least excited enough about after fifteen pages to ask for the full manuscript. If we aren't into your story by page fifteen, our attention wanders, and after that, it is very difficult to get the reader back. I can hear many of you groaning, "My story is special. I need more time to develop my characters to give a backstory to build tension to pile on all the things I learned in writing classes " Actually, you don't. All you need to introduce the essential elements - the who, what, where, when and most importantly the why of your story - are the first fifteen pages. In this book, I back up my reasons for concentrating on the first fifteen pages by sharing examples from the bestselling novels in a variety of genres. You don't have to take my word for it. Read the first two chapters of this book and then pick up your favorite book in your favorite genre. Read the first fifteen pages. See for yourself what drew you to the book and why you kept reading. This book is for beginning writers AND for those who have a pile of thanks but no thanks rejections sitting in their inbox. It is for the novice writer with an inkling of a book idea AND for those who've heard crickets from all the queries they've sent out. It is for those who dream of being on a bestseller list or winning a major book award, AND for those who want to write the best book possible and see where it takes them.
Imagine this. You cannot believe your luck that the new girl in school who is as beautiful as the sunrise, is willing to date you! You fall deeply in love with her. On a fine day while having a romantic candle-light dinner with your gorgeous girlfriend under the star-lit sky, with a cold wind blowing, she just . . . disappears, into thin air. Baffling, isn’t it? That’s exactly what happened to Siddharth a.k.a. Sid. Where did she go? What happened? How can this happen? Read the novella to find out the mystery of the invisible girlfriend! Invisible Girlfriend is a unique tale of love that you have never encountered before!
If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...
Everyone needs to be rescued sometimes. Everyone but Hannah Montgomery, that is. She just needs a vacation. Three weeks Down Under, a vacation in New Zealand to sort out her life, figure out what she wants, seems just right. Oh, and to relax. She should definitely put that on the agenda. She certainly isn't looking for a sexy fling with a professional rugby player, no matter how attractive he is. Hannah doesn't do casual. But maybe just this once ... As much as he's shared with Hannah, Drew Callahan has kept one very big secret. He's the captain of New Zealand's All Blacks rugby team, and the most famous rugby player on earth. And learning the truth, now that she's back home again, has made Hannah warier than ever. Drew knows that she's right for him. But how can he convince her to let down her guard enough to explore what they could have together? Go Down Under in this steamy New Zealand sports romance. Fans of Jill Shalvis, Catherine Bybee, and Kristin Higgins will enjoy this book.
A poignant, funny, openhearted novel about coming out, first love, and being your one and only best and true self. Julián Luna has a plan for his life: Graduate. Get into UCLA. And have the chance to move away from Corpus Christi, Texas, and the suffocating expectations of others that have forced Jules into an inauthentic life. Then in one reckless moment, with one impulsive tweet, his plans for a low-key nine months are thrown--literally--out the closet. The downside: the whole world knows, and Jules has to prepare for rejection. The upside: Jules now has the opportunity to be his real self. Then Mat, a cute, empathetic Twitter crush from Los Angeles, slides into Jules's DMs. Jules can tell him anything. Mat makes the world seem conquerable. But when Jules's fears about coming out come true, the person he needs most is fifteen hundred miles away. Jules has to face them alone. Jules accidentally propelled himself into the life he's always dreamed of. And now that he's in control of it, what he does next is up to him.
The first novel-writing guide from the best-selling Save the Cat! story-structure series, which reveals the 15 essential plot points needed to make any novel a success. Novelist Jessica Brody presents a comprehensive story-structure guide for novelists that applies the famed Save the Cat! screenwriting methodology to the world of novel writing. Revealing the 15 "beats" (plot points) that comprise a successful story--from the opening image to the finale--this book lays out the Ten Story Genres (Monster in the House; Whydunit; Dude with a Problem) alongside quirky, original insights (Save the Cat; Shard of Glass) to help novelists craft a plot that will captivate--and a novel that will sell.
From an impressive sisterhood of YA writers comes an edge-of-your-seat anthology of historical fiction and fantasy featuring a diverse array of daring heroines. Crisscross America — on dogsleds and ships, stagecoaches and trains — from pirate ships off the coast of the Carolinas to the peace, love, and protests of 1960s Chicago. Join fifteen of today’s most talented writers of young adult literature on a thrill ride through history with American girls charting their own course. They are monsters and mediums, bodyguards and barkeeps, screenwriters and schoolteachers, heiresses and hobos. They're making their own way in often-hostile lands, using every weapon in their arsenals, facing down murderers and marriage proposals. And they all have a story to tell. With stories by: J. Anderson Coats Andrea Cremer Y. S. Lee Katherine Longshore Marie Lu Kekla Magoon Marissa Meyer Saundra Mitchell Beth Revis Caroline Richmond Lindsay Smith Jessica Spotswood Robin Talley Leslye Walton Elizabeth Wein
From the cozy confines of a tiny seaside village to the glittering crush of the a fashionable London soiree comes an enthralling tale of a thoroughly mismatched couple . . . poised to discover the rapture of love. There was no doubt about it. What Miss Harriet Pomeroy needed was a man. Someone powerful and clever who could help her rout the unscrupulous thieves who were using her beloved caves to hide their loot. But when Harriet summoned Gideon Westbrook, Viscount St. Justin, to her aid, she could not know that she was summoning the devil himself. . . . Dubbed the Beast of Blackthorne Hall for his scarred face and lecherous past, Gideon was strong and fierce and notoriously menacing. Yet Harriet could not find it in her heart to fear him. For in his tawny gaze she sensed a savage pain she longed to soothe . . . and a searing passion she yearned to answer. Now, caught up in the Beast’s clutches, Harriet must find a way to win his heart–and evade the deadly trap of a scheming villain who would see them parted for all time.
