A collection of 120 full-color prints of Victorian-era paintings of fairies, angels, and other benevolent spirits. Includes brief biographic entries on the artists and an alphabetic list of the works. Accompanying CD-ROM contains royalty-free images in JPEG format with Dover Design Manager software for browsing, printing, cropping, and rotating the images.
Award-winning illustrator and painter Marjorie Sarnat presents an outstanding refresher course in creative thinking, suitable for artists of every level. In this guide, she shares the tips and techniques she's discovered in the course of her personal experiences and explorations. These 300 quick, easily grasped text passages detail methods for adding inspiration and innovation to your creative process. The new, hands-on approaches to materials, painting surfaces, and texture applications can help you find a fresh angle for your style or break through a creative block. Every "secret" in this book is expressed in practical terms geared toward boosting your artistic abilities. From sharpening your drawing skills and applying media in unique ways to creating intriguing visual illusions and refining your choices of color and composition, this guide is loaded with advice and fresh ideas. You'll also find cost-saving ways to obtain and manage your art tools and supplies as well as scores of ideas for making art with creative kids.
Richly detailed compendium offers glimpses of social history as reflected by historical periodicals, trade catalogs, architectural graphics, William Morris patterns, Crystal Palace exhibits, and many other sources. Includes color and black-and-white images, detailed bibliographies, and artist biographies.
Vast collection of prompts, ideas, and insights provides a reading companion for students as well as amateur and professional visual artists, helping them find better ways to organize, manage, and develop inspiration.
Far from being just children's literature, Victorian Fantasy is an art form that flourished in opposition to the repressive social and intellectual conditions of Victorianism. In this fully revised and expanded edition, Stephen Prickett explores the way in which Victorian writers used non-realistic techniques--nonsense, dreams, visions, and the creation of other worlds--to extend our understanding of this world. In particular, Prickett focuses on six writers (Lear, Carroll, Kingsley, MacDonald, Kipling, and Nesbit), tracing the development of their art form, their influences on each other, and how these writers used fantasy to question the ideology of Victorian culture and society.
"Few books of the past 200 years have captured the imagination of illustrators like Carroll's tale of Wonderland. This original compilation features the interpretations of dozens of artists, including Arthur Rackham, Charles Robinson, and original illustrator John Tenniel. Editor Jeff Menges discusses the artists and their work, and noted collector Mark Burstein shares a bibliophile's perspective"--
What begins as a meditation on "the museum" by one of the world's leading art historians becomes, in this book, a far-reaching critical examination of how art history and museums have guided and controlled not only the way we look at art but the ways in which we understand modernity itself. Originally delivered as the 2001 Slade Lectures in the Fine Arts at Oxford University, the book makes its deeply complex argument remarkably accessible and powerfully clear. Concentrating on a period from the beginning of the nineteenth century to the beginning of the twentieth, Donald Preziosi presents case studies of major institutions that, he argues, have defined--and are still defining--the possible limits of museological and art historical theory and practice. These include Sir John Soane's Museum in London, preserved in its 1837 state; the Crystal Palace Exhibition of 1851; and four museums founded by Europeans in Egypt in the late nineteenth century, which divided up that country's history into "ethnically marked" aesthetic hierarchies and genealogies that accorded with Europe's construction of itself as the present of the world's past, and the "brain of the earth's body." Through this epistemological and institutional archaeology, Preziosi unearths the outlines of the more radical Enlightenment project that academic art history, professional museology, and art criticism have rendered marginal or invisible. Finally, he sketches a new theory about art, artifice, and visual signification in the cracks and around the margins of the "secular theologisms" of the globalized imperial capital called modernity. Addressed equally to the theoretical and philosophical foundations of art history,museology, history, and anthropology, this book goes to the heart of recent debates about race, ethnicity, nationality, colonialism, and multiculturalisms--and to the very foundations of modernity and modern modes of knowledge production.
This guide to Victorian Literature and Culture provides students with the ideal introduction to literature and its context from 1837-1900, including: - the historical, cultural and intellectual background including politics and economics, popular culture, philosophy - major writers and genres including the Brontes, Dickens, Eliot, Hardy, Trollope, Thackeray, Conan Doyle, Ibsen, Shaw, Hopkins, Rossetti and Tennyson - concise explanations of key terms needed to understand the literature and criticism - key critical approaches - a chronology mapping historical events and literary works and further reading including websites and electronic resources.
First published in 2004. Walter Benjamin famously defined modernity as “the world dominated by its phantasmagorias”. The chapters in this book focus on one such phantasmagoria, namely that of ‘modernity’ itself. From the late seventeenth century until today, the ‘modern’ has served as a key category by which to understand an ever-changing present. Art and architecture have played a key role in this pursuit as the means by which the modern was to manifest itself. The aim of this anthology is to trace the modern project through its multifarious manifestations, in order to understand contemporary culture in a deeper sense than facile discussions of modernism and post-modernism often grant. Drawing on architectural and urban history as well as philosophy and sociology, the chapters outline the complex and conflicting roots of modernity by tracing its manifestations in architecture and the city. The book is divided into three parts, each exploring a distinct aspect of modernity. While part one scrutinizes the much-abused concepts of ‘modernity’ , ‘modernism’ and ‘the modern’ , parts two and three look at the manifestations of the modern in architecture and the city respectively. Focusing particularly on the transition between historicism and modernism, the chapters offer a re-interpretation of early modern architectural and urban culture as it came to expression in people such as Cerda, Semper, Bötticher, Scott, Baudelaire, the Goncourt brothers, Benjamin, Warburg, Kracauer, Mackintosh, Behrens, Taut, and Le Corbusier. For all their differences, these were thinkers and practitioners whose undisputed modernity arose from a deep preoccupation with history. A re-reading of their legacy may throw light on the neglected reciprocity between modernity and its historical conditions of becoming.
