l’m hoping that this book encourages children to be themselves and to search out their strengths. It’s their unique quality that will make them shine. Zora was initially led to believe she was destined for greatness. She was, but not as a show dog. Her personality and cuteness stand out. She makes sure she gets the attention of anyone she comes in contact with. She captures the heart of all who have the privilege of meeting her.
“ I mean to live and die by my own mind,” Zora Neale Hurston told the writer Countee Cullen. Arriving in Harlem in 1925 with little more than a dollar to her name, Hurston rose to become one of the central figures of the Harlem Renaissance, only to die in obscurity. Not until the 1970s was she rediscovered by Alice Walker and other admirers. Although Hurston has entered the pantheon as one of the most influential American writers of the 20th century, the true nature of her personality has proven elusive. Now, a brilliant, complicated and utterly arresting woman emerges from this landmark book. Carla Kaplan, a noted Hurston scholar, has found hundreds of revealing, previously unpublished letters for this definitive collection; she also provides extensive and illuminating commentary on Hurston’s life and work, as well as an annotated glossary of the organizations and personalities that were important to it. From her enrollment at Baltimore’s Morgan Academy in 1917, to correspondence with Marjorie Kinnan Rawlings, Langston Hughes, Dorothy West and Alain Locke, to a final query letter to her publishers in 1959, Hurston’s spirited correspondence offers an invaluable portrait of a remarkable, irrepressible talent.
Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes’s poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics. Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized world—one without hunger, war, racism, and class oppression.
Zora Neale Hurston was confident, charismatic, and determined to be extraordinary. As a young woman, Hurston lived and wrote alongside such prominent authors as Langston Hughes and Alain Locke during the Harlem Renaissance. But unfortunately, despite writing the luminary work Their Eyes Were Watching God, she was always short of money. Though she took odd jobs as a housemaid and as the personal assistant to an actress, Zora often found herself in abject poverty. Through it all, Zora kept writing. And though none of her books sold more than a thousand copies while she was alive, she was rediscovered a decade later by a new generation of readers, who knew they had found an important voice of American Literature.
Though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore. Even avid readers of Hurston’s prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime—and some to public acclaim—they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston’s dramatic works stand on their own merits and independently of her fiction. Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a “real Negro theater” that embraces all the richness of black life.
The life, work, and legacy of one of the twentieth century’s most published African American women. This book explores the life and legacy of Zora Neale Hurston (1891–1960), the most-published African American woman of the first half of the twentieth century. Famous today as the author of Their Eyes Were Watching God, Hurston was also an anthropologist and a folklorist. In this new biography, Cheryl Hopson casts Hurston as a modern woman on the move, particularly as a collector of stories in and around the Jim Crow South. Hopson details her rejection by the Harlem Renaissance as well as her recovery by Black feminists such as Alice Walker years after her death. The result is an accessible and fresh account of the celebrated writer’s life and work.
The central and precipitating event in this first-rate historical novel by the author of The Kingmakers is the genocide of the Armenians carried out by the Turks in 1915. As a girl of 12, Zora Kazorian witnesses her mother's murder and the slaughter of her neighbors at the hands of the Turkish butcher Kemal Gokalp, aka the Gray Wolf. After a long struggle, she escapes to America with her 10-year-old brother Arra. Years of a different kind of struggle ensue, and in the end the Kazorians achieve brilliant success in their new country-she as an opera diva and he as a businessman. But success is not enough. Zora burns with a need to right the old wrong, or at least gain an admission that it occurred; most people quickly forgot about the massacre, a fact that was not lost on Hitler. So, 40 years later, Zora arranges an accounting with the perpetrators. Richly and authentically detailed, with characters of dimension and substance, this novel convincingly illuminates a tragic era. In addition to his vivid characterizations, Sederberg's ability to integrate long stretches of time and wide sweeps of geography and circumstance is impressive.
Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Hurston published four novels, three books of nonfiction, and dozens of short stories, plays, and essays. In addition, she won a long list of fellowships and prizes, including a Guggenheim and a Rosenwald. Yet by the 1950s, Hurston, like most of her Harlem Renaissance peers, had faded into oblivion. An essay by Alice Walker in the 1970s, however, spurred the revival of Hurston’s literary reputation, and her works, including her 1937 novel Their Eyes Were Watching God, have enjoyed an enduring popularity. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston’s work. In addition to publication information, each selection is carefully crafted to capture the author’s thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. Although intended as a bibliographic resource for graduate and undergraduate students, this volume is also aimed toward general readers interested in women’s literature, African American literature, American history, and popular culture. The book will also appeal to scholars and teachers studying twentieth-century American literature, as well as those specializing in anthropology, modernism, and African American studies, with a special focus on the women of the Harlem Renaissance.
