From a tropical resort where visitors can become temporary zombies, to a newly-made zombie determined to protect those he loves, to a cheerleader who won't let death kick her off the team, to a zombie seeking revenge for the ancestors who died on an African slave ship-- Zombiesque invites readers to take a walk on the undead side in these tales from a zombie's point of view.
The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories by both contemporary masters of the macabre and exciting newcomers. As ever, this acclaimed anthology also offers a comprehensive overview of the year in horror, a necrology of recently deceased luminaries, and a list of indispensable addresses horror fans and writers. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction.
The plan was simple. Go to America. Buy a second-hand car. Drive coast-to-coast without giving any money to The ManTM. What could possibly go wrong? Dismayed by the relentless onslaught of faceless American chains muscling in where local businesses had once thrived, Dave Gorman set off on the ultimate American road trip - in search of the true, independent heart of the U S of A. He would eat cherry pie from local diners, re-fuel at dusty gas stations and stock up on supplies from Mom and Pop's grocery store. At least that was the idea. But when did you last see an independent gas station? Gamely, Dave beds down in a Colorado trailer park, sleeps in an Oregon forest treehouse, and even spends Thanksgiving with a Mexican family in Kansas. But when his road trip mutates into an odyssey of near-epic proportions and he finds himself being threatened at gun point in Mississippi, Dave starts to worry about what's going to break down next. The car... or him?
In Mobilities and Cosmopolitanisms in African and Afrodiasporic Literatures, Anna-Leena Toivanen explores the representations and relationship of mobilities and cosmopolitanisms in Franco- and Anglophone African and Afrodiasporic literary texts from the 1990s to the 2010s. Representations of mobility practices are discussed against three categories of cosmopolitanism reflecting the privileged, pragmatic, and critical aspects of the concept. The main scientific contribution of Toivanen’s book is its attempt to enhance dialogue between postcolonial literary studies and mobilities research. The book criticises reductive understandings of ‘mobility’ as a synonym for migration, and problematises frequently made links between mobility and cosmopolitanism. Mobilities and Cosmopolitanisms adopts a comparative approach to Franco- and Anglophone African and Afrodiasporic literatures, often discussed separately despite their common themes and parallel paths.
Enjoy culture in a way that feeds your faith and helps you share it with others. Enjoy culture in a way that feeds your faith and helps you share it with others. Whether it's TV boxsets, Instagram stories or historical novels, we all consume culture. So it’s important that we are neither bewitched by it-buying into everything it tells us-or bewildered by it-lashing out in judgement or retreating into a Christian bubble. Dan Strange encourages Christians to engage with everything they watch, read and play in a positive and discerning way. He also teaches Christians how to think and speak about culture in a way that plugs in to a bigger and better reality-the story of King Jesus, and his cosmic plan for the world. It’s possible to watch TV and read novels and play video games in a way that actually feeds our faith, rather than withers it. It’s even possible for you-yes, you-to be that person who starts off talking to a mate about last night’s football and ends up talking about Jesus. So be equipped to engage with culture in a way that helps your relationship with Christ and points others to him.
The last quarter century has seen a “turn to religion” in Shakespeare studies as well as competing assertions by secular critics that Shakespeare’s plays reflect profound skepticism and even dismissal of the truth claims of revealed religion. This divide, though real, obscures the fact that Shakespeare often embeds both readings within the same play. This book is the first to propose an accommodation between religious and secular readings of the plays. Benson argues that Shakespeare was neither a mere debunker of religious orthodoxies nor their unquestioning champion. Religious inquiry in his plays is capacious enough to explore religious orthodoxy and unorthodoxy, everything from radical belief and the need to tolerate religious dissent to the possibility of God’s nonexistence. Shakespeare’s willingness to explore all aspects of religious and secular life, often simultaneously, is a mark of his tremendous intellectual range. Taking the heterodox as his focus, Benson examines five figures and ideas on the margins of the post-Reformation English church: nonconforming puritans such as Malvolio as well as physical revenants—the walking dead—whom Shakespeare alludes to and features so tantalizingly in Hamlet. Benson applies what Keats called Shakespeare’s “negative capability”—his ability to treat both sides of an issue equally and without prejudice—to show that Shakespeare considers possible worlds where God is intimately involved in the lives of persons and, in the very same play, a world in which God may not even exist. Benson demonstrates both that the range of Shakespeare’s investigation of religious questions is more daring than has previously been thought, and that the distinction between the sacred and the profane, between the orthodox and the unorthodox, is one that Shakespeare continually engages.
Contradictory ideals of egalitarianism and self-reliance haunt America’s democratic state. We need look no further than Donald Trump’s 2016 presidential campaign and victory for proof that early twentieth-century anxieties about individualism, race, and the foreign or intrusive "other" persist today. In Stranger America, Josh Toth tracks and delineates these anxieties in America’s aesthetic production, finally locating a potential narrative strategy for circumnavigating them. Toth’s central focus is, simply, strangeness—or those characters who adamantly resist being fixed in any given category of identity. As with the theorists employed (Nancy, i ek, Derrida, Freud, Hegel), the subjects and literature considered are as encompassing as possible: from the work of Herman Melville, William Faulkner, James Weldon Johnson, and Nella Larsen to that of Philip K. Dick, Woody Allen, Larry David, and Bob Dylan; from the rise of nativism in the early twentieth century to object-oriented ontology and the twenty-first-century zombie craze; from ragtime and the introduction of sound in American cinema to the exhaustion of postmodern metafiction. Toth argues that American literature, music, film, and television can show us the path toward a new ethic, one in which we organize identity around the stranger rather than resorting to tactics of pure exclusion or inclusion. Ultimately, he provides a new narrative approach to otherness that seeks to realize a truly democratic form of community.
