This catalogue is published in conjunction with the Asian premiere of Zóbel: The Future of the Past, exhibited at Ayala Museum from September 14, 2024 to January 26, 2025.
In this radical reassessment, Alun Munslow challenges conventional notions of history and offers a new vision of historical thinking and practice. Deploying a range of concepts such as scepticism, aesthetics, ethics, standpoint, irony, authorship and a new understanding of truth, The Future of History examines history as a form of knowledge in itself, arguing that in the future the multiple forms of its expression will be as significant as its content. This thought-provoking, challenging and unique book offers a way forward for history after postmodernism and is essential reading for anyone asking the question 'what is history?'.
Joseph Zobel is one of the best-known Francophone Caribbean authors, and is internationally recognised for his novel La Rue Cases-Nègres (1950). Through a series of close readings, with supporting references drawn from his published short stories, poetry and diaries, Joseph Zobel: Négritude and the Novel generates new insights into Zobel’s highly original decision to develop Négritude’s project of affirming pride in black identity by turning to the novel.
This volume represents a valuable collective contribution to the research and development of database systems. It contains papers in a variety of topics such as data models, distributed databases, multimedia databases, concurrency control, hypermedia and document processing, user interface, query processing and database applications.
The art of managing innovative companies is disclosed in this unique book which resulted from the first common EU-MITI project. It reveals those practical, simple and effective tools for global success and competitiveness.
'Rewriting' in the context of critical work on Caribbean literature has tended to be used to discuss revisionism from a variety of postcolonial perspectives, such as 'rewriting history' or 'rewriting canonical texts.' By shifting the focus to how Caribbean writers return to their own works in order to rework them, this book offers theoretical considerations to postcolonial studies on 'literariness' in relation to the near-obsessive degree of rewriting to which Caribbean writers have subjected their own literary texts. Focusing specifically on FrankZtienne, this book offers an overview of how the defining aesthetic and thematic components of FrankZtienne's major works have emerged over the course of his forty-year writing career. It reveals the marked development of key notions guiding his literary creation since the 1960s, and demonstrates that rewriting illustrates the central aesthetic of the Spiral which has always shaped his Iuvre. It is, the book argues, the constantly moving form of the Spiral which FrankZtienne explores through his constant reworking of his previously written texts. FrankZtienne and Rewriting negotiates between the literary and material ends of the burgeoning field of postcolonial studies, arguing that literary characteristics in FrankZtienne connect with changing political, social, economic, and cultural circumstances in the Haiti he rewrites.
This book deals with the so-called "Blessing of Jacob" (Genesis 49) in all its aspects, discussing philological, literary and historical problems. After an introductory chapter a thoroughly discussed translation of Genesis 49 and an analysis of its poetical structure are presented, followed by the discussion of the genre-definition "tribal saying" (Stammesspruch), and a synchronic and diachronic analysis of Genesis 49 in its literary context (Gen. 47:29-49:33). The remarkable results of this analysis are finally discussed in relation to Israel's history. It is suggested that only part of the "Blessing" functioned within the (originally much shorter) deathbed account (Gen. 47:29-49:33*), reflecting the historical situation of the time of origin. Afterwards it was thoroughly worked up into its present shape to meet the conditions of later political development.