When the last vestiges of his childhood are taken from him, Zerocalcare discovers unsuspected se-crets about his family. Torn between the soothing numbness of the innocence of youth and the im-possibility to elude society's ever expanding control over people's lives, he'll have to understand where he really comes from, before he understands where he is going. A story that was shortlisted for Italy’s prestigious Strega literary award, a honor that was bestowed on a graphic novel only twice in the award’s history. This is the book that has broken down the barrier between “real book” readers and graphic novel enthusiasts in Europe, having sold over 150,000 copies so far.
Tentacles at My Throat is a coming-of-age story set in three different moments of Zerocalcare’s life: primary school, junior high, and his adult life. It is a complete story told in three parts; three moments that have in common that all-too-familiar feeling of having tentacles at one's throat. Three friends, their schoolgrounds, and a secret. And fifteen years later, the discovery that they all thought there was only one secret, but each had their own. And there was one more, bigger than the others, that none were aware of. This is Zerocalcare's second graphic novel, the one that made him stand out as an intelligent, delicate, merciless narrator when it comes to describing his own weaknesses, which could in fact be everyone's. An honest, touching, intense story with a bit of Stand By Me thrown in for good measure, it’s the book that made Zerocalcare a national success story in 2012 in Italy. The book has been reprinted nineteen times since its initial release, surpassing the 120,000 copies sold mark. Zerocalcare's original animated series “Tear Along the Dotted Line” debuted on Netflix WORLDWIDE November 17, 2021. Season Two currently in production!
La brevitas non è certo una invenzione recente. Incisioni e graffiti, fin da tempi remoti, rappresentano forme espressive concise, lapidarie, affidate a supporti che, per loro natura, non lasciano spazio a messaggi di ampio respiro: pietra, muro, manufatti. Tuttavia, la brevità non coincide necessariamente con la (poca) lunghezza: essa ha, al contrario, una propria retorica, stilistica e poetica, poiché riguarda le caratteristiche di una scrittura che tende a una concisione formale ottenuta attraverso specifici fattori di condensazione, sintesi ed economia. Di conseguenza, a dispetto della – o grazie alla – concisione, le forme brevi rappresentano unità di informazione ad alto contenuto. L’estetica del corto è insomma caratterizzata da una ricercata densità semantica, per cui la brevità “non è un ripiego, bensì un punto di forza” (A. Abruzzese) grazie alla sua intensità comunicativa. I contributi del libro prendono in considerazione la brevitas nell’interazione tra modi semiotici differenti (linguaggio, immagini, simboli, oggetti, voce) in ambiti di varia natura: espografica, giornalismo, pubblicità, cinema, traduzione, interpretazione.
"For five months, the fanatical soldier-terrorists of the Islamic State laid siege to the Kurdish-held city of Koban, in northern Syria, before finally being turned back by the men and women of the Kurdish militias: the Peoples Protection Units (the YPG) and the Women's Protection Units (the YPJ). When an Italian cartoonist travels across Turke, Kurdish-held Iraq, and rebel-held Syria to document their struggle against ISIS, what he finds is anything but simple." - back cover.
Three friends, their schoolgrounds, a secret. And fifteen years later, the discovery that they all thought there was only one secret, but each had their own. And there was one more, bigger than the others, that none were aware of. This is Zerocalcare's second graphic novel, the one that made him stand out as an intelligent, delicate, merciless narrator when it comes to describing his own weaknesses, which may be everyone's. A complete story in three parts at different times in the coming of age of young Calcare; three moments that have in common the all-too-familiar feeling of having tentacles at the throat.
Beyond the peaks and valleys of the Himalaya Mountains lies a magical sanctuary. Protected from the chaos of man, it is home to immortal beings and mystical creatures. When Vijaya, a young human, is brought into the sanctuary for her protection, some immortals fear her presence may lead to their ruin. But as mankind draws ever closer to the sanctuary’s border, Vijaya will have to prove that there is more to being human than the violence her new family fears beyond their borders. David Jesus Vignolli’s debut graphic novel A Girl in the Himalayas explores the astonishing potential of the human spirit.
Appearing together in English for the first time, two masterpieces that take on the jazz age, the Nuremburg trials, postwar commercialism, and the feat of writing a book, presented in one brilliant volume The Death of My Brother Abel and its delirious sequel, Cain, constitute the magnum opus of Gregor von Rezzori’s prodigious career, the most ambitious, extravagant, outrageous, and deeply considered achievement of this wildly original and never less than provocative master of the novel. In Abel and Cain, the original book, long out of print, is reissued in a fully revised translation; Cain appears for the first time in English. The Death of My Brother Abel zigzags across the middle of the twentieth century, from the 1918 to 1968, taking in the Jazz Age, the Anschluss, the Nuremberg trials, and postwar commercialism. At the center of the book is the unnamed narrator, holed up in a Paris hotel and writing a kind of novel, a collage of sardonic and passionate set pieces about love and work, sex and writing, families and nations, and human treachery and cruelty. In Cain, that narrator is revealed as Aristide Subics, or so at least it appears, since Subics’ identity is as unstable as the fictional apparatus that contains him and the times he lived through. Questions abound: How can a man who lived in a time of lies know himself? And is it even possible to tell the story of an era of lies truthfully? Primarily set in the bombed-out, rubble- strewn Hamburg of the years just after the war, the dark confusion and deadly confrontation and of Cain and Abel, inseparable brothers, goes on.
Yoshiro thinks he might never die. A hundred years old and counting, he is one of Japan's many 'old-elderly'; men and women who remember a time before the air and the sea were poisoned, before terrible catastrophe promted Japan to shut itself off from the rest of the world. He may live for decades yet, but he knows his beloved great-grandson - born frail and prone to sickness - might not survive to adulthood. Day after day, it takes all of Yoshiro's sagacity to keep Mumei alive. As hopes for Japan's youngest generation fade, a secretive organisation embarks on an audacious plan to find a cure - might Yoshiro's great-grandson be the key to saving the last children of Tokyo?
'Neurocapitalism' takes us on an extraordinarily original journey through the effects that cutting-edge technology has on cultural, anthropological, socio-economic and political dynamics.
Chronicles the journeys, notions, and acquaintances of reluctant galactic traveler Arthur Dent, accompanied by never-before-published material from the late author's archives as well as commentary by famous fans.
