Zeitgeist in Babel

Zeitgeist in Babel

Author: Ingeborg Hoesterey

Publisher: Indiana University Press

Published: 1991-01-22

Total Pages: 292

ISBN-13: 9780253206114

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Collection of essays which indicate the "complex constellation of greatly differing interpretive formations concerning the term postmodernism."


Media and Communication Research Methods

Media and Communication Research Methods

Author: Arthur Asa Berger

Publisher: SAGE Publications

Published: 2015-10-15

Total Pages: 408

ISBN-13: 148337758X

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Media and Communication Research Methods, Fourth Edition is a concise and practical text designed to give students a step-by-step introduction to conducting media and communication research. Offering real-world insights along with the author’s signature animated style, this text makes the discussion of complex qualitative and quantitative methods easy to comprehend. Packed with detailed examples and practical exercises, the Fourth Edition of this bestselling introductory text includes a new chapter on discourse analysis; expanded discussion of social media, expanded coverage of the research process, and more. Ideal for undergraduate and graduate students conducting research for the first time, this accessible text will help students understand, practice, and master media and communication research.


Structural Idealism

Structural Idealism

Author: Douglas Mann

Publisher: Wilfrid Laurier Univ. Press

Published: 2006-01-01

Total Pages: 322

ISBN-13: 0889207151

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Do we determine our actions, or are our actions ruled by the structure of our society? Does our culture create us, or do we create our culture? Within history and social theory there is a fundamental division of opinion between those who explain human action by considering the intentions, reasons and motives of individuals and those who use broader social structures. Structural Idealism presents a theory of social and historical explanation which argues that “idealists” such as Hegel, who champion human agency, and “materialists” such as Marx, who support social structure, have grasped but part of a larger truth. The book contends that we have to explain human actions simultaneously by both the ideas human actors bring to a situation and the way in which previous actions have created social structures that condition those ideas. Through this realization we can see how all forms of knowledge, from the historical roots of modern philosophy to today’s popular culture, both condition and are conditioned by structural ideals. This book challenges our perception of how cultures and ideals are formed, and shows that while structural ideals allow people to co-operate as they work toward goals — their own or those of their community — these images of perfection, so easily accepted as the unalterable structure of our society, can be changed, and are changed, by individuals. Structural Idealism asks us to think beneath the surface of our society, and will be of special interest to philosophers, sociologists, historians and cultural theorists.


Hostage of the Word

Hostage of the Word

Author: John Schad

Publisher: Liverpool University Press

Published: 2012-12-04

Total Pages: 191

ISBN-13: 1836240775

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Brings together a number of John Schad's very best essays, interleaved with a selection of autobiographical poems and a work that brings together both critical and creative modes of writing.


Lawrence Durrell, Postmodernism and the Ethics of Alterity

Lawrence Durrell, Postmodernism and the Ethics of Alterity

Author: Stefan Herbrechter

Publisher: Rodopi

Published: 1999

Total Pages: 352

ISBN-13: 9789042004818

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This book is of interest for any reader wishing to explore the interface between literature, and critical and cultural theory. It investigates the notions of alterity which underlie the work of Lawrence Durrell and postmodernist theory. Grass (Irmgard Elsner Hunt).


Art as a Social System

Art as a Social System

Author: Niklas Luhmann

Publisher: Stanford University Press

Published: 2000

Total Pages: 444

ISBN-13: 9780804739078

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This is the definitive analysis of art as a social and perceptual system by Germany's leading social theorist of the late 20th century. It combines three decades of research in the social sciences, phenomenology, evolutionary biology, cybernetics, and information theory with an intimate knowledge of art history, literature, aesthetics, and contemporary literary theory.


The Idea of the Postmodern

The Idea of the Postmodern

Author: Hans Bertens

Publisher: Routledge

Published: 2003-09-02

Total Pages: 304

ISBN-13: 1134928653

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At last! Everything you ever wanted to know about postmodernism but were afraid to ask. Hans Bertens' Postmodernism is the first introductory overview of postmodernism to succeed in providing a witty and accessible guide for the bemused student. In clear and straightforward but always elegant prose, Bertens sets out the interdisciplinary aspects, the critical debates and the key theorists of postmodernism. He also explains, in thoughtful and illuminating language, the relationship between postmodernism and poststructuralism, and that between modernism and postmodernism. An enjoyable and indispensible text for today's student.


The Faithful Artist

The Faithful Artist

Author: Cameron J. Anderson

Publisher: InterVarsity Press

Published: 2016-11-10

Total Pages: 304

ISBN-13: 083089442X

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Drawing upon his experiences as both a Christian and an artist, Cameron J. Anderson traces the relationship between the evangelical church and modern art in postwar America. While acknowledging the tensions between faith and visual art, he casts a vision for how Christian artists can faithfully pursue their vocational calling in contemporary culture.


Sublime Desire

Sublime Desire

Author: Amy J. Elias

Publisher: JHU Press

Published: 2003-04-01

Total Pages: 360

ISBN-13: 0801875439

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Co-winner of the Perkins Prize from the Society for the Study of Narrative Literature Has twentieth-century political violence destroyed faith in historical knowledge? What happens to historical fiction when history is seen as either a form of Western imperialism or a form of postmodern simulation? In Sublime Desire, Amy Elias examines our changing relationship to history and how fiction since 1960 reflects that change. She contends that postmodernism is a post-traumatic imagination that is pulled between two desires: the political desire to acknowledge the physical violence of twentieth-century history, and the yearning for an escape from that history into a ravishing realm of historical certainty. Torn between these desires, both historical fiction and historiography after 1960 redefine history as the "sublime," a territory beyond lived experience that is both unknowable and seductive. In the face of a failure of Enlightenment ideals about knowledge and the West's own history of violence, post-World War II history becomes a desire for the "secular sacred" sublime—for awe, certainty, and belief. Sublime Desire is an eloquent melding of theory and practice. Mixing the canonical with the unexpected, Elias analyzes developments in the historical romance genre from Walter Scott's novels to novels written today. She correlates developments in the historical romance to similar changes in historiography and philosophy. Sublime Desire draws engagingly on more than thirty relevant texts, from Tolstoy's War and Peace to Jeanette Winterson's Sexing the Cherry, Charles Johnson's Dreamer, and Charles Frazier's Cold Mountain. But the book also examines theories of postmodern space and time and defines the difference between postmodern and postcolonial historical perspectives. The final chapter draws from trauma theory in Holocaust studies to define how fiction can pose an ethical alternative to aestheticized history while remaining open to pluralism and democratic values. In its range and sophistication, Sublime Desire is a valuable addition to postmodernist studies as well as to studies of the historical romance novel.


Token Professionals and Master Critics

Token Professionals and Master Critics

Author: James J. Sosnoski

Publisher: SUNY Press

Published: 1994-03-08

Total Pages: 316

ISBN-13: 9780791418109

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This book addresses literary critics in mainstream institutions who, though they vastly outnumber their colleagues in more prestigious institutions, have little voice in the profession. It examines the structures through which the institution of literary critical pressures its members to accept orthodoxy/heterodoxy as categories to describe their work, which in turn provokes theory wars. This opposition produces a method/application dichotomy that renders members' pursuits scientistic.