Zeit, Tod und Ewigkeit in der Renaissance Literatur
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Published: 1987
Total Pages: 252
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Author:
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Published: 1987
Total Pages: 252
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DOWNLOAD EBOOKAuthor: Jessica Brantley
Publisher: University of Pennsylvania Press
Published: 2022-11-22
Total Pages: 377
ISBN-13: 0812298454
DOWNLOAD EBOOKIn Medieval English Manuscripts and Literary Forms, Jessica Brantley offers an innovative introduction to manuscript culture that uses the artifacts themselves to open some of the most vital theoretical questions in medieval literary studies. With nearly 200 illustrations, many of them in color, the book offers both a broad survey of the physical forms and cultural histories of manuscripts and a dozen case studies of particularly significant literary witnesses, including the Beowulf manuscript, the St. Albans Psalter, the Ellesmere manuscript of the Canterbury Tales, and The Book of Margery Kempe. Practical discussions of parchment, scripts, decoration, illustration, and bindings mix with consideration of such conceptual categories as ownership, authorship, language, miscellaneity, geography, writing, editing, mediation, illustration, and performance—as well as of the status of the literary itself. Each case study includes an essay orienting the reader to particularly productive categories of analysis and a selected bibliography for further research. Because a high-quality digital surrogate exists for each of the selected manuscripts, fully and freely available online, readers can gain access to the artifacts in their entirety, enabling further individual exploration and facilitating the book’s classroom use. Medieval English Manuscripts and Literary Forms aims to inspire a broad group of readers with some of the excitement of literary manuscript studies in the twenty-first century. The interpretative frameworks surrounding each object will assist everyone in thinking through the implications of manuscript culture more generally, not only for the deeper study of the literature of the Middle Ages, but also for a better understanding of book cultures of any era, including our own.
Author: Catherine Innes-Parker
Publisher: Broadview Press
Published: 2015-07-22
Total Pages: 306
ISBN-13: 1770485589
DOWNLOAD EBOOKThe Wooing of Our Lord and the Wooing Group prayers occupy a key position in the history of English literature and the development of English religious devotion. Dating from the second quarter of the thirteenth century, they are among a group of texts written in English at a time when the language of literature and the court was Anglo-Norman French, and the language of church and state was Latin. The text for which this group is named, The Wooing of Our Lord is also a highly skilled composition, combining beautiful and poetic expression with a profound affective theology. Its first-person female narrator speaks directly to Christ, becoming the voice of the reader whom the text guides through a passionate meditation upon the magnitude of Christ’s love, his sufferings in his Passion, and the response of the individual soul. Catherine Innes-Parker’s graceful new translation is paired with the original Middle English dialect in a facing-page format.
Author: Takami Matsuda
Publisher: Boydell & Brewer Ltd
Published: 1997
Total Pages: 302
ISBN-13: 9780859915076
DOWNLOAD EBOOKThe concept of Purgatory in Middle English didactic writings is explored through examination of visions of the afterlife, sermons, homiletic treatises, and lyrics.
Author: Susanna Greer Fein
Publisher: Medieval Institute Publications
Published: 1998-02-01
Total Pages: 413
ISBN-13: 1580444733
DOWNLOAD EBOOKIn this volume, Fein presents highly emotional Middle English lyrics to a new audience of students and teachers of the Middle Ages. These Middle English poems, drawn widely from two hundred years of literary tradition, lead readers in devotion to God by invoking an emotional response to God's love. In this meditative tradition, readers would be brought closer to intellectually understanding God through their affective responses. With its copious footnotes, introductions, and glosses, this volume is ideal for classes on medieval spirituality and English lyrical poetry alike.
Author: Megan L Cook
Publisher: Medieval Institute Publications
Published: 2019-10-31
Total Pages: 210
ISBN-13: 1580444083
DOWNLOAD EBOOKThis volume joins new editions of both texts of John Lydgate's The Dance of Death, related Middle English verse, and a new translation of Lydgate's French source, the Danse macabre. Together these poems showcase the power of the danse macabre motif, offering a window into life and death in late medieval Europe. In vivid, often grotesque, and darkly humorous terms, these poems ponder life's fundamental paradox: while we know that we all must die, we cannot imagine our own death.
Author: Jessica Brantley
Publisher: University of Chicago Press
Published: 2008-09-15
Total Pages: 491
ISBN-13: 0226071340
DOWNLOAD EBOOKJust as twenty-first-century technologies like blogs and wikis have transformed the once private act of reading into a public enterprise, devotional reading experiences in the Middle Ages were dependent upon an oscillation between the solitary and the communal. In Reading in the Wilderness, Jessica Brantley uses tools from both literary criticism and art history to illuminate Additional MS 37049, an illustrated Carthusian miscellany housed in the British Library. This revealing artifact, Brantley argues, closes the gap between group spectatorship and private study in late medieval England. Drawing on the work of W. J. T. Mitchell, Michael Camille, and others working at the image-text crossroads, Reading in the Wilderness addresses the manuscript’s texts and illustrations to examine connections between reading and performance within the solitary monk’s cell and also outside. Brantley reimagines the medieval codex as a site where the meanings of images and words are performed, both publicly and privately, in the act of reading.
Author: Clifford Davidson
Publisher: Springer
Published: 2016-12-19
Total Pages: 144
ISBN-13: 3319474766
DOWNLOAD EBOOKThis volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry; the devotional images in the Carthusian Miscellany; and meditation for “simple souls” in the Carthusian Nicholas Love’s Mirror of the Blessed Life of Jesus Christ. Emphasis is on such aspects as memory, participative theology, devotional images, meditative practice, and techniques of constructing patterns of sacred imagery.
Author: Robert Edwards
Publisher: Boydell & Brewer Ltd
Published: 1994
Total Pages: 224
ISBN-13: 9780859914079
DOWNLOAD EBOOKThe twelve studies divide into three groups.
Author: Amy Appleford
Publisher: University of Pennsylvania Press
Published: 2015
Total Pages: 336
ISBN-13: 0812246691
DOWNLOAD EBOOKTaking as her focus a body of writings in poetic, didactic, and legal modes that circulated in England's capital between the 1380s—just a generation after the Black Death—and the first decade of the English reformation in the 1530s, Amy Appleford offers the first full-length study of the Middle English "art of dying" (ars moriendi). An educated awareness of death and mortality was a vital aspect of medieval civic culture, she contends, critical not only to the shaping of single lives and the management of families and households but also to the practices of cultural memory, the building of institutions, and the good government of the city itself. In fifteenth-century London in particular, where an increasingly laicized reformist religiosity coexisted with an ambitious program of urban renewal, cultivating a sophisticated attitude toward death was understood as essential to good living in the widest sense. The virtuous ordering of self, household, and city rested on a proper attitude toward mortality on the part both of the ruled and of their secular and religious rulers. The intricacies of keeping death constantly in mind informed not only the religious prose of the period, but also literary and visual arts. In London's version of the famous image-text known as the Dance of Death, Thomas Hoccleve's poetic collection The Series, and the early sixteenth-century prose treatises of Tudor writers Richard Whitford, Thomas Lupset, and Thomas More, death is understood as an explicitly generative force, one capable (if properly managed) of providing vital personal, social, and literary opportunities.