This study, first published in 1998, makes a lively and welcome contribution to the critical analysis of Nietzsche’s seminal classic This Spoke Zarathustra. Through a close textual reading of the neglected and ill-understood part four of the text, the author seeks to show that Nietzsche’s project of self-overcoming is a failure. Offering herself as a philosopher-priestess of the wisdom of pessimism, Francesca Cauchi invokes a complex of responses in the reader, providing a necessary challenge to any and all advocates of life.
In this reading of Nietzsche's most elusive work, Francesca Cauchi claims that Thus Spoke Zarathustra is a moral polemic, one grounded in its own set of moral values that posits its own moral goal - the self-overcoming of Christian morality through the creation of new values.
Friedrich Nietzsche: Thus Spoke Zarathustra. A Book for All and None Also sprach Zarathustra: Ein Buch für Alle und Keinen. Composed in four parts between 1883 and 1885 and published between 1883 and 1891. Translated by Thomas Common, T.N. Foulis, Edinbugh and London, 1909. Vollständige Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2015. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Wassilij Dimitriewitsch Polenow, Meditation auf dem Berg, 1900. Gesetzt aus Minion Pro, 11 pt.
Nietzsche?s classic on the Superman, in a new, more accurate and more acute translation, recaptures his wordplay, emotional color and mock-Biblical tone, his boyish malice, cracked aphorisms, academic irreverence and gutter rhymes.
Thus Spake Zarathustra: A Book for All and None (also translated as Thus Spoke Zarathustra) is a book written during the 1880s by the German philosopher, Friedrich Nietzsche. The title name Thus Spake Zarathustra, is meant to be ironic and cynical, like morbid sarcasm; and is suggestive of the apprehensive atmosphere the book displays. It explains why Zarathustra turned himself into a Prophet, during an era where God is dead (metaphor) in order to quell and stop disorder and confusion in the Middle East. Thus Spake Zarathustra is a very good read (whether you are Atheist or believer). Hard to categorise, the work is a treatise on philosophy, a masterly work of literature, in parts a collection of poetry and in others a parody of and amendment to the Bible.
In arguing that Nietzsche's Thus Spoke Zarathustra is a philosophical explanation of the possibility of modernism, the author shows that literary fiction can do the work of philosophy.
This book explores the historical contextualization of Nietzsche's thought, focusing on Nietzsche's controversial Thus Spoke Zarathustra. The fourth part of Nietzsche's Zarathustra consists of Zarathustra's encounter with eight 'higher men' whom Zarathustra meets in succession on his path during the day. The prophet then invites each individual to his cave for the evening festivities, culminating in a blasphemous festival in which his guests worship an ass as God. Revealing each guest's specific characteristics and very distinct roles, Santaniello also attempts to discern 'who' these guests are or represent (historically) through glimpsing the characteristics specific to each representative guest (as portrayed by Nietzsche), and through careful textual analysis, comparison with Nietzsche's other works, historical evidence, and previous scholarly research. This unique exploration of Thus Spoke Zarathustra offers students and researchers alike an invaluable new contribution to Nietzsche studies.
A study of the enormous influence of the writings of Friedrich Nietzsche on turn-of-the-century German literature. The aim of this book is to explore "that post-Nietzschean archipelago of German literature which no one mind can hope to map, let alone inhabit" (Michael Hamburger) and to introduce it to the English-speaking reader for the firsttime, in accessible form. The study starts from the assumption that the daring imagery and cosmic sweep of Thus Spake Zarathustra provided the impetus for the creation of visionary epics and cosmological poetic universes. The book is original in that it presents for the first time a selection of writers hitherto regarded as impossible of access and reduces their epic scope to manageable proportions while preserving their essential meaning. Among thewriters treated are Alfred Mombert, Theodor Däubler, Rudolf Pannwitz, Ludwig Derleth, Alfred Schuler, Ludwig Klages, Christian Morgenstern, and the members of the Friedrichshagen Circle. Furness draws on the most recent scholarship and provides a fascinating account of a 'lost generation.' The book will be of interest to Nietzsche scholars, to students of Lebensphilosophie, and to those interested in German literature around the turn of the century. It will be of special interest to those drawn to the creation of myths and to radical religious thought. Raymond Furness is professor and former chair of German at St.Andrews University, Scotland. He has published widely on late nineteenth- and early twentieth-century German literature.
