"Zambian Music Legends is a marathon journey into the history of Zambian music. This journey surveys the wonderful art from its traditional function in the distant past to the presenet era where 'Zam-ragga' and hip hop have taken root. The book also plays tribute to the often unsung heroes who have devoted their lives and careers to the growth of the music industry. Music is an essential mass media tool that contributes to the socio-cultural development of society. As a result of this the book further attemps to look at the role music has played in shaping the socio-cultural and economic development of the country"--Cover.
Living for the City is a social history of the Central African Copperbelt, considered as a single region encompassing the neighbouring mining regions of Zambia and the Democratic Republic of Congo. The Haut Katanga and Zambian Copperbelt mine towns have been understood as the vanguard of urban 'modernity' in Africa. Observers found in these towns new African communities that were experiencing what they wrongly understood as a transition from rural 'traditional' society – stable, superstitious and agricultural – to an urban existence characterised by industrial work discipline, the money economy and conspicuous consumption, Christianity, and nuclear families headed by male breadwinners supported by domesticated housewives. Miles Larmer challenges this representation of Copperbelt society, presenting an original analysis which integrates the region's social history with the production of knowledge about it, shaped by both changing political and intellectual contexts and by Copperbelt communities themselves. This title is available as Open Access on Cambridge Core.
In over forty portraits, African writers present extraordinary people from their continent: portraits of the women and men whom they admire, people who have changed and enriched life in Africa. The portraits include inventor, founders of universities, resistance fighters, musicians, environmental activists or writers. African Visionaries is a multi-faceted book, seen through African eyes, on the most impactful people of Africa. Some of the writers contributing to the collection are: Helon Habila, Virginia Phiri, Ellen Banda-Aaku, Véronique Tadjo, Tendai Huchu, Solomon Tsehaye, Patrice Nganang and Sami Tchak.
Political campaigning affects numerous realms under the communication umbrella with each channel seeking to influence as many individuals as possible. In higher education, there is a growing scholarly interest in communication issues and subjects, especially on the role of music, in the political arena. Music and Messaging in the African Political Arena provides innovative insights into providing music and songs as an integral part of sending political messages to a broader spectrum of audiences, especially during political campaigns. The content within this publication covers such topics as framing theory, national identity, and ethnic politics, and is designed for politicians, campaign managers, political communication scholars, researchers, and students.
Looks at the life and music career of prominent soul singer Wilson Pickett, chronicling the performer's rise to stardom and his self-destructive fall into alcohol and drug addiction before ending his career on a high note with a Grammy-nominated album.
CRY FROM THE HEART is a collection of short poems covering a wide range of closely linked themes, sharing thoughts on issues of love, HIV/AIDS, loneliness, street children, prostitution, nature's beauty, African culture and religion.
When a draught leaves all the animals hungry, one by one they try to discover the name of the magical tree that will give them its fruit if asked by name—but only one animal will succeed. This illustrated chapter book retelling of folktale from Zambia is available individually and as part of the Stories from around the World: 4 Tales of Persistence & Grit set.
APPRECIATING THE BEAUTY OF AFRICAN MUSICAL ARTS THROUGH THE NEW BOOK African arts have found a fortress in Nigeria from time immemorial. Obviously, many things are embedded in African music. Indeed it is safe to aver that he who wishes to appreciate and enjoy the splendor of African arts must start from reading about the life and time of African artistes, their contributions to the liberal arts, and the pristine significance of such contributions. Quite a great number of African artistes have striven hard to showcase African arts to the world through their God-given talents and unflinching efforts. Unarguably, in the realms of musical and entertainment arts, no doubt, is King Sunny Ade, one of the greatest artistes that have ever come out of the African continent, who leads the sparkling Band The African Beats from Nigeria, the largest and most populous Black nation in the world. This artiste has through his Juju genre of music, in the last four decades, showcased the beauty of African entertainment arts to the entire world, including Europe, Asia, and America especially with his ever-sparkling live performances. He has titillated the Kings and the Lords, the ruler and the ruled, the high and the mighty. KSA's over 200 albums for which he has won several international accolades and awards across the globe give a vivid picture of the development of contemporary Nigerian music. King Sunny Ade The Legend! is an expos on a musical Titan. Aside from becoming an internationally sought product, his music, over time metamorphosed from being mere entertainment music to freedom-music, which often identifies the societal foible, lacunae in governance styles, contemporaryproblems, etc. Quite often the world renowned music maker has always offered alternative suggestions and tickled the ears of the ruling class, sensitizing those at the helms of governance to make amend for the benefit of the ruled. King Sunny Ade whose musical art works had attracted the eminent attention and comments of many world renowned leaders, including the former United States' President Bill Clinton was rated by a credible British Magazine as one of the 100 greatest guitarists in the world.
