Z Nation: Sea of Death – Part 3 Specialist Israel Johnson and Private Edie Cutter find themselves caught between warring factions as the remnants of the U.S. Navy board the floating zombie fortress The Empress of the Seas to capture the food substitute Soylent Z. With the Captain and his notorious Crew distracted by the fight, Israel and Edie decide their best course of action is to steal the Soylent themselves, not realizing the Navy has a secret weapon they’re about to deploy. Meanwhile, in the depths of the ocean an all-new zombie menace begins to stir. Sea of Death is a prequel set in the world of Syfy's hit zombie series Z Nation, produced by The Asylum. Featuring Z Nation's signature blend of horror, humor and heart, Sea of Death is a six-issue miniseries from acclaimed writer Fred Van Lente (Marvel Zombies, G.I. Joe) and Craig Engler, based on the long running series Z Nation created by Karl Schaefer and Craig Engler.
In issue #6 of Z Nation: Sea of Death, Specialist Israel Johnson and Private Edie Cutler have to flee the zombie filled, capsized cruise ship Empress of the Seas, leading the few surviving passengers to the dubious safety of an offshore oil rig. They’re pursued by the ship’s maniacal Captain and Crew, who are intent on killing the would-be heroes. And the zombie whale that capsized the ship is still waiting in the water to devour whoever wins the final fight to the death. Sea of Death is a prequel set in the world of Syfy's hit zombie series Z Nation, produced by The Asylum. Featuring Z Nation's signature blend of horror, humor and heart, Sea of Death is a six-issue miniseries from acclaimed writer Fred Van Lente (add appropriate credits) and Craig Engler, based on the long running series Z Nation created by Karl Schaefer and Craig Engler.
Why has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, reflect a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of 'domicide' or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.
A new flu strain has been spreading across Africa, Europe, and Asia. Disturbing news footage is flooding the cable news channels. People are worried. People are frightened. But Zed Zane is oblivious. Zed needs to borrow rent money from his parents. He gets up Sunday morning, drinks enough tequila to stifle his pride and heads to his mom's house for a lunch of begging, again.But something is wrong. There's blood in the foyer. His mother's corpse is on the living room floor. Zed's stepdad, Dan is wild with crazy-eyed violence and attacks Zed when he comes into the house. They struggle into the kitchen. Dan's yellow teeth tear at Zed's arm but Zed grabs a knife and stabs Dan, thirty-seven times, or so the police later say.With infection burning in his blood, Zed is arrested for murder but the world is falling apart and he soon finds himself back on the street, fighting for his life among the infected who would kill him and the normal people, who fear him.
People are dying. Then they are waking up hungry. In the small university town of Redwood Grove, people are succumbing to a lethal strain of flu. They are dying—but not for long. Ashley Parker and her boyfriend are attacked by these shambling, rotting creatures that crave human flesh. Their lives will never be the same again. When she awakes Ashley discovers that she is a "wild card"— immune to the virus—and is recruited by a shadowy paramilitary organization that offers her the chance to fight back. Trained by gorgeous vegan Gabriel, and bonding with her fellow wild cards, Ashley begins to discover skills she never knew she had. As the town falls to ever-growing numbers of the infected, Ashley and her team fight to contain the outbreak—but will they be enough?
NATIONAL BESTSELLER • Discover the game-changing theory of the cycles of history and what past generations can teach us about living through times of upheaval—with deep insights into the roles that Boomers, Generation X, and Millennials have to play—now with a new preface by Neil Howe. First comes a High, a period of confident expansion. Next comes an Awakening, a time of spiritual exploration and rebellion. Then comes an Unraveling, in which individualism triumphs over crumbling institutions. Last comes a Crisis—the Fourth Turning—when society passes through a great and perilous gate in history. William Strauss and Neil Howe will change the way you see the world—and your place in it. With blazing originality, The Fourth Turning illuminates the past, explains the present, and reimagines the future. Most remarkably, it offers an utterly persuasive prophecy about how America’s past will predict what comes next. Strauss and Howe base this vision on a provocative theory of American history. The authors look back five hundred years and uncover a distinct pattern: Modern history moves in cycles, each one lasting about the length of a long human life, each composed of four twenty-year eras—or “turnings”—that comprise history’s seasonal rhythm of growth, maturation, entropy, and rebirth. Illustrating this cycle through a brilliant analysis of the post–World War II period, The Fourth Turning offers bold predictions about how all of us can prepare, individually and collectively, for this rendezvous with destiny.
The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.
The science fiction epic of our time has arrived. Three years ago, an object one hundred miles across was spotted on a trajectory for Earth's sun. Now, its journey is almost over. As it approaches, two competing manned vehicles race through almost half a million kilometers of space to reach it first. But when they both arrive on the entity, they learn that it has been sent toward Earth for a reason. An intelligent race is desperately attempting to communicate with our primitive species. And the message is: Help us.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.
