A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
Joe Conzo and David A. Perez luminously recreate the life of widely acclaimed Afro-Cuban and jazz musician Tito Puente in the biography "Mambo Diablo - My Journey with Tito Puente." The authors chronicle the life of the popular and combative New York Puerto Rican multi talented musician and entertainer who climbed from his obscure and poor environment in East Harlem (El Barrio), New York to international fame and recognition. Countless stories have been written about Tito Puente's percussive musical abilities, but rarely has the talent, intuition, mishaps and controversies been presented in a vivid and personal biography. Joe Conzo was Tito's close friend, confidant and chronicler for nearly 40 years - no one was closer to Tito or knew him better, not even his family. Joe tells the story of a man and his music the way it has never been told. David A. Perez sets down Joe's personal recollections and fits them into the context of the social milieu and revolving world. Hundreds of articles have been written about Puente, and three books Powell, Josephine. Tito Puente - When The Drums are Dreaming, Authorhouse, 2007 (Information re: Tito is based on her conversations with Tito Puente. The book is self-published and chronicles many of his activities on the West Coast. There are many inconsistencies, mis-quotes, and errors of fact.) Loza, Steven. Tito Puente and the Making of Latin Music, University of Illinois Press, 1999 (A technical work that is based on interviews with people who knew Tito. The life of Puente is glanced over; the musicians he worked with are almost overlooked. Joe Conzo is among those interviewed.)Payne, Jim. Tito Puente - The King of Latin Music, Hudson Music, 2000. (Is presented as an overview of Tito Puente's music and includes a DVD with footage of Tito discussing his 50-year career. Joe Conzo provided much of the information for this endeavor.) record some of his achievements. None of them touch on the personal life of the man, expose his weaknesses, reveal his intensity for perfection, and describe the musical brilliance in such a delicate and personal way. Joe and David reveal the inner Tito Puente through his music, his musical associations and present a man that is more than a flamboyant percussionist. Tito played piano - and he played it well. Tito played the saxophone and often sat in the sax section of his orchestra. Tito played the vibes and had an incomparable style that was exciting, romantic and jazzy. He composed about 500 tunes, probably more. And, yet in the realm of American jazz historians, writers and critics ignore, brush over and avoid the importance of Tito's music and his contributions. A prime example of this is Ken Burn's television documentary about jazz - he virtually ignores Afro-Cuban music, Afro-Cuban jazz. Joe and David reveal Tito's rightful place in the history of music and give an unbiased, on-the-mark portrait of Puente's complexities like no book before it. Author and journalist Pete Hamill sets the stage for the journey in the preface.
Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
A dog trainer-turned-PI and her pit bull go after a killer—with a little help from a courageous dachshund—in this mystery by a Shamus Award winner. Rachel and Dash have a new client. Well, three new clients. A trio of transvestite working girls want Rachel to investigate the death of one of their own. Rosalinda’s throat was slashed on Halloween right after the Greenwich Village parade. Finding her killer isn’t exactly the NYPD’s top priority—and LaDonna, Chi Chi, and Jasmine are terrified that they’ll be next. With her cash retainer in hand—and very few leads—Rachel starts digging. What is the connection between Rosalinda and a dead butcher? Soon, with the help of Chi Chi’s mini-dachshund, Clint, Rachel is breaking into a plant in the Meatpacking District. But her future is suddenly on the line when she sets herself up as bait to catch the killer. As Rachel follows a twisting trail with only Dash for protection, she discovers that her foray into “the life” could end with her own untimely death. The Long Good Boy is the 6th book in the Rachel Alexander and Dash Mysteries, but you may enjoy reading the series in any order.
A collection of stories about the making of the iconic movie Deliverance, told from the perspective of one of the four main actors in the film, Ronny Cox, who played the character of Drew.
It's been eighteen years…and he still wants her In high school, Malcolm Douglas was a bad boy who stole the heart of small-town girl Celia Patel—as well as her virginity. But life pulled them apart…and just as well, for he'd already broken her heart. Now Malcolm is a world-famous billionaire dedicated to atoning for his sins. When he swoops back into Celia's life, he tells himself he only wants to protect her from recent threats. But the desire between them leaves them as breathless as teenagers. Will Celia ever forgive him? Maybe. If he can make today's pleasure erase yesterday's pain.
JazzTimes has been published continuously since 1970 and is the recipient of numerous awards for journalisim and graphic design. A large crossection of music afficionados and fans alike view JazzTimes as America's premier jazz magazine.In addition to insightful profiles of emerging and iconic stars, each issue contains over 100 reviews of the latest CDs, Books and DVDs. Published ten times annually, JazzTimes provides uncompromising coverage of the American jazz scene.
It is 1969. Iggy and Jake are two rock musicians who decide to leave their mundane jobs and travel west in search of finding that elusive record label. Their journey takes them to Calgary where they plan to hook up with an old-time buddy, only to discover he has been the victim of foul play. Two jaded Calgary PD detectives utilize the talents of the street-wise musicians and they are soon involved in an international drug bust in which their lives and those of their friends are at great risk.
You want ninety? Fine, I'll give you ninety. I'll give them to you coming and going. Teen rocker Ritchie Sudden is pretty sure his life has just jumped the shark. Except he hates being called a teen, his band doesn't play rock, and "jumping the shark" is yet another dumb cliché. Part of Ritchie wants to drop everything and walk away. Especially the part that's serving ninety days in a juvenile detention center. Telling the story of the year leading up to his arrest, Ritchie grabs readers by the throat before (politely) inviting them along for the (max-speed) ride. A battle of the bands looms. Dad split about five minutes before Mom's girlfriend moved in. There's the matter of trying to score with the dangerously hot Ravenna Woods while avoiding the dangerously huge Spence Proffer--not to mention just trying to forget what his sister, Beth, said the week before she died. Acclaimed author Sean Beaudoin's latest offering is raw, razor-sharp, and genuinely hilarious.
Closing the circle examined in "Rap Attack" and "Rap Attack 2, " this book looks at the fatal shootings of Tupac Shakur and the Notorious B.I.G., gangsta rap overload, and the resultant upsurge of nostalgia for old-school hip-hop. 100 illustrations.
