A NEW DISCOVERY! This book contains new concepts not found anywhere else. Use Astrology to predict and control your future. There is no need for a Birth Chart or prior knowledge of the subject. Astrology was first used as an agricultural calender to time farming activities such as sowing, reaping, and harvesting crops. You can use the same universal principles in your life. 1. PROVE IT YOURSELF BEFORE PURCHASE: Fill in the FREE downloadable Life Diary Form from www.CycleOfGrowth.com with past events to test past experiences. (Also contained in the book). Examples are House Moves, Partnership changes, Job changes, Birth of children - etc. 2. READ THE BOOK: to deal with the the future to reap the "harvest" that you desire.
Diaries keep secrets, harbouring our fantasies and fictional histories. They are substitute boyfriends, girlfriends, spouses and friends. But in this age of social media, the role of the diary as a private confidante has been replaced by a culture of public self-disclosure. The Private Life of the Diary: from Pepys to Tweets is an elegantly-told story of the evolution – and perhaps death – of the diary. It traces its origins to seventeenth-century naval administrator, Samuel Pepys, and continues to twentieth-century diarist Virginia Woolf, who recorded everything from her personal confessions about her irritation with her servants to her memories of Armistice Day and the solar eclipse of 1927. Sally Bayley explores how diaries can sometimes record our lives as we live them, but that we often indulge our fondness for self-dramatization, like the teenaged Sylvia Plath who proclaimed herself 'The Girl Who Would be God'. This book is an examination of the importance of writing and self-reflection as a means of forging identity. It mourns the loss of the diary as an acutely private form of writing. And it champions it as a conduit to self-discovery, allowing us to ask ourselves the question: Who or What am I in relation to the world?
Luann Budd offers to help you get started journaling, and she introduces you to the power of writing as a spiritual discipline through helpful tips and examples from her own journals.
"THE CYCLE OF GROWTH" CONTAINS NEW CONCEPTS NOT FOUND ANYWHERE ELSE. The main principle of The Cycle of Growth is that all cyclic processes, no matter how many stages we split them into, are manifestations of the same Whole. When we compare the Cycle of Growth with seeming different areas of study there is remarkable correspondence. The book compares traditional philosophic and esoteric teachings with some of the latest discoveries in Psychology and Science - the most important being the discovery of the Transcendent Planets Uranus, Neptune, and Pluto, the now accepted story of Evolution beginning with The Big Bang, the modern scientific use of Number Zero - which was not recognised in earlier history. We also considers insights given by the trance medium Edgar Cayce - who also gave verifiable information about people he never met. This also reconciles differences when authorities on a subject disagree. ASTROLOGY AND PSYCHOLOGY *- Ancient philosophy did not include knowledge of the psychological concepts that are available to everyone today, although it was present in symbolic form. We also recognise that, as with the Hunter Gatherer, the mental psychology was different to that of today because the Jungian Thinking Function has developed from the general public access to Reading, Writing, and Mathematics - which are also relatively new subjects. *- It is becoming recognised that our experiences in the womb affect our later life. When we compare the Astrological Logarithmic Timescale of a human lifetime from Conception to Death with The "Development of Personality" stages of Freud, Erikson, and Piaget there is exact correspondence. *- The Logarithmic Timescale also adds a "Transcendent Octave" which gives rise to evolutionary development. *- The planet Uranus clearly relates to the Jungian psychological concept of The Individuation Process. *- Now in The Age of Aquarius, we can use recent historical discoveries to understand the other Zodiac Ages. THE TAROT *- The 22 symbols of the Major Arcana match the 12 Cycle of Growth Stages in sequence. NUMEROLOGY *- Traditional philosophical systems and Numerology do not include Number Zero because it is a relatively new discovery - only becoming a number in its own right in the Computer Age. *- The sequence of Numbers corresponds with the process of Evolution - and therefore The Cycle of Growth - from The Big Bang onwards, as demonstrated by the development of all Chemical Elements from basic Hydrogen. THE KABBALAH TREE OF LIFE *- This symbolic system gets closer to the archetypal universal principles than the others and therefore associates with all other areas of study to the enrichment of them all. *- The Astrological symbol of Neptune is a basic depiction of the 3 Pillars of The Tree of Life. With the discovery of Number Zero, we are now able to associate Numbers Zero to 9 with the 10 Sephiroth of The Tree - which was not previously possible. *- With the discovery of the Transcendent Planets we are able to add them to The Tree of Life where there were traditionally no planetary associations. *- "The Lightning Flash" of Kabbalist involution and related Astrological planets exactly matches those of the sequence of stages in The Cycle of Growth. We can now add a Transcendent function to The Tree which was not apparent before. THE BIBLE *- The Life of Jesus and the Genesis Story of Creation relate to our life in the womb and The Transcendent Octave of The Cycle of Growth. *- The 3 Octaves of The Cycle of Growth refer to the first 3 chapters of Genesis. *- The Tree of Life mentioned in Genesis and Revelation (and The Kabbalah) refers to the human Chakra System of energy centres in the human body, and the related hormone-producing endocrine glands.
Sixty years in the making and the capstone of a monumental literary career, The Diaries of Emilio Renzi: A Day in the Life is the final volume of the autobiographical trilogy from the author who is considered Borges’ heir and the vanguard of the Post-Boom generation of Latin American literature. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world. How could we define a perfect day? Maybe it would be better to say: how could I narrate a perfect day? Is that why I write a diary? To capture—or reread—one of those days of unexpected happiness? The final installment of Ricardo Piglia’s lifelong compilation of journals completes the seemingly impossible project of documenting the entire life of a writer. A Day in the Life picks up the thread of Piglia’s life in the 1980s until his death from ALS in 2017. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world and escape the shadows of legendary authors Jorge Luis Borges and Roberto Arlt. Renzi’s peripatetic, drinking, philandering ways don’t abate as he grows older, and we’re exposed to the intrinsic insecurities that continually plague him even as fate tips in his favor and he goes on to win international literary prizes and becomes professor emeritus of Princeton University. His literary success is marred only by the disappointments and tragedies of his personal life as he deals with the death of friends and family, failed relationships, and the constant pecuniary struggles of a writer trying to live solely on his ability to produce art. The final sections of this ambitious project intimately trace the deterioration of Piglia’s body after his diagnosis: My right hand is heavy and uncooperative but I can still write. When I can no longer…. The crowning achievement of a prolific, internationally acclaimed author, this third volume cements Ricardo Piglia’s position as one of the most influential Latin American authors of the last century. Praise for The Diaries of Emilio Renzi: A Day in the Life: “[A] posthumous autobiographical masterpiece…. [P]rofoundly moving. A meditation on both the accumulation and ephemerality of time, Piglia’s final work is a brilliant addition to world literature.” —Publishers Weekly, Starred Review “Filled with literary aperçus and fragments of history: an elegant, affecting close to a masterwork.” —Kirkus Reviews, Starred Review Praise for The Diaries of Emilio Renzi: “Splendidly crafted and interspliced with essays and stories, this beguiling work is to a diary as Piglia is to ‘Emilio Renzi’: a lifelong alter ego, a highly self-conscious shadow volume that brings to bear all of Piglia’s prowess as it illuminates his process of critical reading and the inevitable tensions between art and life. Amid meeting redheads at bars, he dissects styles and structures with a surgeon’s precision, turning his gaze on a range of writers, from Plato to Dashiell Hammett, returning time and again to Pavese, Faulkner, Dostoyevsky, Arlt and Borges. Chock-full of lists of books and films he consumed in those voracious early years of call girls, carbon paper, amphetamines and Heidegger, this is an embarrassment of riches — by turns an inspiring master class in narrative analysis, an accounting of the pesos left in his pockets and a novel of Piglia’s grandfather (named Emilio, natch) with his archive of World War I materials pilfered from Italian corpses…. No previous familiarity with Piglia’s work is needed to appreciate these bibliophilic diaries, adroitly repurposed through a dexterous game of representation and masks that speaks volumes of the role of the artist in society, the artist in his time, the artist in his tradition.” —Mara Faye Lethem, The New York Times Book Review “For the past few years, every Latin American novelist I know has been telling me how lavish, how grand, how transformative was the Argentinian novelist Ricardo Piglia’s final project, a fictional journal in three volumes, Los diarios de Emilio Renzi—Renzi being Piglia’s fictional alter ego. And now here at last is the first volume in English, The Diaries of Emilio Renzi: Formative Years, translated by Robert Croll. It’s something to be celebrated… [It] offer[s] one form of resistance to encroaching fascism: style.” —Adam Thirlwell, BookForum, The Best Books of 2017 “[A] masterpiece…. everything written by Ricardo Piglia, which we read as intellectual fabrications and narrated theories, was partially or entirely lived by Emilio Renzi. The visible, cerebral chronicles hid a secret history that was flesh and bones.” —Jorge Carrión, The New York Times “A valediction from the noted Argentine writer, known for bringing the conventions of hard-boiled U.S. crime drama into Latin American literature...Fans of Cortázar, Donoso, and Gabriel García Márquez will find these to be eminently worthy last words from Piglia." —Kirkus Reviews, Starred Review “When young Ricardo Piglia wrote the first pages of his diaries, which he would work on until the last years of his life, did he have any inkling that they would become a lesson in literary genius and the culmination of one of the greatest works of Argentine literature?” —Samanta Schweblin, author of Fever Dream “Ricardo Piglia, who passed away earlier this year at age seventy-five, is celebrated as one of the giants of Argentine literature, a rightful heir to legends like Borges, Cortázar, Juan Jose Saer, and Roberto Arlt. The Diaries of Emilio Renzi is his life's work...An American equivalent might be if Philip Roth now began publishing a massive, multi-volume autobiography in the guise of Nathan Zuckerman…It is truly a great work...This is a fantastic, very rewarding read—it seems that Piglia has found a form that can admit everything he has to say about his life, and it is a true pleasure to take it in.” —Veronica Esposito, BOMB Magazine “In 1957, Argentinian writer Ricardo Piglia started to write what would become 327 notebooks filled with the thoughts of his alter ego, Emilio Renzi. Piglia’s final literary act before his death in January 2017 was to organize and publish these works as Renzi’s diaries. Formative Years, the first of three volumes, covers the years 1957 to 1967, detailing Renzi’s development into a central figure of Argentine literary culture. In epigrammatic diary entries filled with memorable observations, Piglia details Renzi’s political education, relationships, views on Argentinian politics, and experiences during this remarkably productive era of Latin American fiction. As a fictionalized autobiography, it is, like the work of Karl Ove Knausgaard, of My Struggle fame, part confession and part performance. Renzi meets and corresponds with literary luminaries like Borges, Cortázar, and Márquez, and offers insightful readings of Dostoevsky, Kafka, Faulkner, and Joyce. Ilan Stavans (Quixote: The Novel and the World, 2015) provides a wonderfully informative introduction. Fans of W.G. Sebald and Roberto Bolaño will find the first installment in Piglia’s trilogy to be a fascinating portrait of a writer’s life.” —Alexander Moran, Booklist "Here through the Boom and Bolaño breech storms Ricardo Piglia, not just a great Latin American writer but a great writer of the American continent. Composed across his entire career, The Diaries of Emilio Renzi is Piglia's secret story of his shadow self—a book of disquiet and love and literary obsession that blurs the distinctness of each and the other." —Hal Hlavinka, Community Bookstore (Brooklyn, NY) “In this fictionalized autobiography, Piglia’s ability to succinctly criticize and contextualize major writers from Kafka to Flannery O’Connor is astounding, and the scattering of those insights throughout this diary are a joy to read. This book is essential reading for writers.” —Publishers Weekly “The Diaries of Emilio Renzi is a rare glimpse into the heart of twentieth-century Latin American literature, with the inimitable Ricardo Piglia as tour guide. More than just a traditional diary, Renzi is an illuminating voyage into the hearts of books and writers and history. An inspiring work and an important achievement.” —Mark Haber, Brazos Bookstore (Houston, TX) “The great Argentine writer…. In a career that spanned four decades, during which he became one of Latin America’s most distinctive literary voices.” —Alejandro Chacoff, The New Yorker “The Diaries of Emilio Renzi continue to be a fascinating literary-autobiographical experiment ... and, especially, a wonderful immersion in literature itself. Of particular interest in showing the transition of Latin American (and specifically Argentine) literature—no longer: ‘out of sync, behind, out of place’—Piglia's range extends far beyond that too. Yes, most of this is presumably mainly of interest to the similarly literature-obsessed—but Piglia makes it hard to imagine who wouldn't be.” — M. A. Orthofer, The Complete Review
John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion. The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American masterpiece.
Summer's finally here, and Derek Fallon is looking forward to pelting the UPS truck with water balloons, climbing onto the garage roof, and conducting silly investigations. But when his parents decide to send him to Learning Camp, Derek's dreams of fun come to an end. Ever since he's been labeled a "reluctant reader," his mom has pushed him to read "real" books-something other than his beloved Calvin & Hobbes. As Derek forges unexpected friendships and uncovers a family secret involving himself (in diapers! no less), he realizes that adventures and surprises are around the corner, complete with curve balls. My Life as a Book is a 2011 Bank Street - Best Children's Book of the Year.
The edited, annotated New York Times bestselling diary of President Jimmy Carter--filled with insights into his presidency, his relationships with friends and foes, and his lasting impact on issues that still preoccupy America and the world. Each day during his presidency, Jimmy Carter made several entries in a private diary, recording his thoughts, impressions, delights, and frustrations. He offered unvarnished assessments of cabinet members, congressmen, and foreign leaders; he narrated the progress of secret negotiations such as those that led to the Camp David Accords. When his four-year term came to an end in early 1981, the diary amounted to more than five thousand pages. But this extraordinary document has never been made public--until now. By carefully selecting the most illuminating and relevant entries, Carter has provided us with an astonishingly intimate view of his presidency. Day by day, we see his forceful advocacy for nuclear containment, sustainable energy, human rights, and peace in the Middle East. We witness his interactions with such complex personalities as Ted Kennedy, Henry Kissinger, Joe Biden, Anwar Sadat, and Menachem Begin. We get the inside story of his so-called "malaise speech," his bruising battle for the 1980 Democratic nomination, and the Iranian hostage crisis. Remarkably, we also get Carter's retrospective comments on these topics and more: thirty years after the fact, he has annotated the diary with his candid reflections on the people and events that shaped his presidency, and on the many lessons learned. Carter is now widely seen as one of the truly wise men of our time. Offering an unprecedented look at both the man and his tenure, White House Diary is a fascinating book that stands as a unique contribution to the history of the American presidency.
On Christmas Day, 1926, twelve-year-old Clotilde “Coco” Irvine received a blank diary as a present. Coco loved to write—and to get into scrapes—and her new diary gave her the opportunity to explain her side of the messes she created: “I’m in deep trouble through no fault of my own,” her entries frequently began. The daughter of a lumber baron, Coco grew up in a twenty-room mansion on fashionable Summit Avenue at the peak of the Jazz Age, a time when music, art, and women’s social status were all in a state of flux and the economy was still flying high. Coco’s diary carefully records her adventures, problems, and romances, written with a lively wit and a droll sense of humor. Whether sneaking out to a dance hall in her mother’s clothes or getting in trouble for telling an off-color joke, Coco and her escapades will captivate and delight preteen readers as well as their mothers and grandmothers. Peg Meier’s introduction describes St. Paul life in the 1920s and provides context for the privileged world that Coco inhabits, while an afterword tells what happens to Coco as an adult—and reveals surprises about some of the other characters in the diary.
