A thrilling story about a young black male, his angry triumph over abandonment is made by committing the ultimate sin. In a tale of murder and sexuality, Heart- a southern Black college student filled with bitterness and resentment, finds in the error of his dead beat father's inhumanity the divine stage of manhood: forgiveness. Capturing the essence of the author's experience in this semi-autobiographic tale, an unbelievable plot unfolds.
This is an autobiography about a young girl s determination, tenacity and insurmountable spirit to succeed in spite of life s innumerable challenges and road blocks. This book is about tragedy and triumphs. As a single mother, Candi raised five children alone while maintaining a successful singing career. She made it through four failed abusive marriages with insensitive partners, facing many life threatening moments, yet she managed to survive. She was molested at nine years old by a family member which started a domino effect for most of her adult life, and spiraled downward with multiple bad decisions and choices. This book will give you hope, courage, and the will to get through any of life s battles you too may be facing. This must read book will make you laugh and cry as you take this amazing journey through the life and times of Candi Staton. "
Style-based subcultures, scenes and tribes have pulsated through the history of social, economic and political change. From 1940s zoot-suiters and hepcats; through 1950s rock ’n’ rollers, beatniks and Teddy boys; 1960s surfers, rudeboys, mods, hippies and bikers; 1970s skinheads, soul boys, rastas, glam rockers, funksters and punks; on to the heavy metal, hip-hop, casual, goth, rave, hipster and clubber styles of the 1980s, 90s, noughties and beyond; distinctive blends of fashion and music have become a defining feature of the cultural landscape. Research into these phenomena has traversed the social sciences and humanities, and Subcultures, Popular Music and Social Change assembles important theoretical interventions and empirical studies from this rich, interdisciplinary field. Featuring contributions from major scholars and new researchers, the book explores the historical and cultural significance of subcultural styles and their related music genres. Particular attention is given to the relation between subcultures and their historical context, the place of subcultures within patterns of cultural and political change, and their meaning for participants, confederates and opponents. As well as Anglo-American developments, the book considers experiences across a variety of global sites and locales, giving reference to issues such as class, ethnicity, gender, sexuality, creativity, commerce, identity, resistance and deviance.
Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
This autobiography depicts the author's haunting memories, frustrations of ignorance (darkness) as a child, and the confusion that escorted introverted Rose Rutland into a season of promiscuity as a young woman and an unplanned pregnancy, then ultimately into attempting suicide. It also shows the tricks and tactics of the enemy, how he played and preyed upon her to bring her to that place of hopelessness. This young Black woman, Rose, struggles to understand what is happening to her amid the ignorance (darkness) that slowly overtakes her throughout her life. Ignorance, ranging from parents' love, sibling rivalry, neglect, guns, men, sex, abortion, abuse, lies, secrets, misunderstandings, dreams, visions, angels, God, and eternity. Despite it all, Rose pushes toward the unknown. God wanted this book written to knock on the doors of hearts that are crying out for help, as mine was. Writing this book brought back memories that used to make me cry. Being led of God to write it I cried not for pain of those memories. I wept over the Love God showed through it all. And I laughed at the foolishness of that dead little girl. This book is an answer to someone's cry. May this book increase hope and faith in God, open blind eyes, and set the captives free.
Listen to David Hesmondhalgh discuss the arguments at the core of 'Why Music Matters' with Laurie Taylor on BBC Radio 4's Thinking Allowed here: www.bbc.co.uk/iplayer/episode/b03q9q2n/Thinking_Allowed_Why_Music_Matters_Bhangra_and_Belonging/ In what ways might music enrich the lives of people and of societies? What prevents it from doing so? Why Music Matters explores the role of music in our lives, and investigates the social and political significance of music in modern societies. First book of its kind to explore music through a variety of theories and approaches and unite these theories using one authoritative voice Combines a broad yet theoretically sophisticated approach to music and society with real clarity and accessibility A historically and sociologically informed understanding of music in relation to questions of social power and inequality By drawing on both popular and academic talk about a range of musical forms and practices, readers will engage with a wide musical terrain and a wealth of case studies
Collects Young Avengers (2013) #1-15, Marvel Now! Point One (2012) #1 (Young Avengers story). The Young Avengers, once more with feels! And there came a day unlike any other, when Earth’s mightiest teens found themselves united against a very uncommon threat. On that day, the Young Avengers were reborn – to listen to music, break Tumblr in half and kiss. Like, a lot. Oh, and to fight the foes no adult super hero could understand! Heed the call, then – for now, the Young Avengers hang out! Hawkeye (not the Hawkguy) puts the super in hero. Marvel boy will rock your world. Miss America will kick your &*^ to another dimension. Prodigy is an ex-X-Man know-it-all. Wiccan and Hulkling bring the squee. And Loki? Oh boy, we have a Loki. They’re 18 (give or take), they’re ready to inherit the Earth – but first they must face the mother of all villains. One only they can fight. Uh-oh. Creative gestalt entity Kieron Gillen and Jamie McKelvie (Phonogram, The Wicked +The Divine) bang their collective drum, reinventing the super-hero comic book in their own freakish image.
This book examines the complex and conflicting relationships between LGBT people and our cultural and heritage organisations including libraries, museums and archives. In this unique book established author John Vincent draws together current good practice, and also highlights issues which urgently still need to be addressed. To set the work of libraries, museums and archives in context, Vincent traces the development of LGBT rights in the UK. He goes on to examine some of the reasons for hostility and hatred against this minority group and critically explores provision that has been made by cultural and heritage organisations. He offers examples of good practice - not only from the UK, but from across the world - and draws up an essential 'charter' for future development. This compelling, practical book should be read by managers and staff in libraries, museums and archives around the world looking for guidance on this important issue.
