"There's a dead man at the end of Toby's bed. He says that Toby killed him. Did he? Thrilling ghost story. Len Grimsby is dead and he blames Toby. When Len's ghost appears at the end of his bed, Toby is taken back in time to see the repercussions of his actions and unravel the series of events that led to Len's death. Can he save Len from being killed? And can he manage not to screw everything else up in the process? Gripping ghost story from a critically acclaimed writer."--Publisher description.
The classic graphic novel collaboration from the minds behind LADY KILLER returns in a new softcover format! Antonio Mercer is a private eye by trade, a man bad luck seems to follow, as evidenced by his newest client—the sister of his former lover, Julie Roman, who's now disappeared. And Julie's sister, Jessica, is a real piece of work. Still, Mercer takes the case, getting entangled in the same family drama that drove him away. Well, maybe not exactly the same, because the Romans have made some... unsavory connections. As the bodies start piling up, Mercer has no choice but to see the case through to its end—or become one of its casualties.
This bracing new nonfiction book by the young superstar E´douard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father This bracing new nonfiction book by the young superstar Édouard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father. Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French—at the minimum—of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely fifty years old, who can hardly walk or breathe:“You belong to the category of humans whom politics consigns to an early death.” It’s as simple as that. But hand in hand with searing, specific denunciations are tender passages of a love between father and son, once damaged by shame, poverty and homophobia. Yet tenderness reconciles them, even as the state is killing off his father. Louis goes after the French system with bare knuckles but turns to his long-alienated father with open arms: this passionate combination makes Who Killed My Father a heartbreaking book.
In You Know Who Killed Me, by multiple award-winning author Loren D. Estleman, Amos Walker is at low ebb. Just released from a rehab clinic, the Detroit private detective has to marshal his energies to help solve a murder in Iroquois Heights, his least favorite town. The area is flooded with billboards rented by the widow of Donald Gates, an ordinary suburbanite found shot to death in his basement on New Year's Eve: "YOU KNOW WHO KILLED ME!" they read, above the number of the sheriff's tip line. Complicating matters is a $10,000 reward for information leading to the arrest and conviction of the murderer, offered by an anonymous donor through the dead man's place of worship. Initially hired by the sheriff's department to run down anonymous tips, Walker investigates further. The trail leads to former fellow employee Yuri Yako, a Ukrainian mobster, relocated to the area through the U.S. Marshals' Witness Protection Program. Shadowed by government operatives, at odds with the sheriff, and struggling with his addiction, Walker soldiers on, in spite of bodies piling up and the fact that almost everyone involved with the case is lying to him. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction, science fiction, fantasy, and magical realism. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.
How do you get away with the murder of 11 million people? The answer is simple—and disturbing. You lie to them. Learn how you can become an informed, passionate citizen who demands honesty and integrity from your leaders. In this nonpartisan New York Times bestselling book, Andy Andrews emphasizes that seeking and discerning the truth is of critical importance, and that believing lies is the most dangerous thing you can do. You’ll be challenged to become a more careful student of the past, seeking accurate, factual accounts of events that illuminate choices our world faces now. By considering how the Nazi German regime was able to carry out over eleven million institutional killings between 1933 and 1945, Andrews advocates for an informed population that demands honesty and integrity from its leaders and from each other. This short, thought-provoking book poses questions like: What happens to a society in which truth is absent? How are we supposed to tell the difference between the “good guys" and the “bad guys”? How does the answer to this question affect our country, families, faith, and values? Does it matter that millions of ordinary citizens aren't participating in the decisions that shape the future of our country? Which is more dangerous: politicians with ill intent, or the too-trusting population that allows such people to lead them? This is a wake-up call: we must become informed, passionate citizens or suffer the consequences of our own ignorance and apathy. We can no longer measure a leader’s worth by the yardsticks provided by the left or the right. Instead, we must use an unchanging standard: the pure, unvarnished truth.
Anthony McGowan is the Carnegie Medal 2020 winning author of Lark. He is coming to kill me. Now would be a good time to run. I cannot run. I am too afraid to run. Paul Varderman could be at any normal school - bullies, girls and annoying teachers are just a part of life. Unfortunately 'normal' doesn't apply when it comes to the school's most evil bully, Roth, a twisted and threatening thug with an agenda quite unlike anyone else. When Paul ends up delivering a message from Roth to the leader of a gang at a nearby school, it fuels a rivalry with immediate consequences. Paul attempts to distance himself from the feud, but when Roth hands him a knife it both empowers him and scares him at the same time . . . This thought-provoking and original novel highlights the terrible consequences of peer pressure and violence, and casts a spotlight on the worrying rise in knife crime among teenagers.
"Sober, lucid and often wise." —Nature The Internet is powerful, but it is not safe. As "smart" devices proliferate the risks will get worse, unless we act now. From driverless cars to smart thermostats, from autonomous stock-trading systems to drones equipped with their own behavioral algorithms, the Internet now has direct effects on the physical world. Forget data theft: cutting-edge digital attackers can now literally crash your car, pacemaker, and home security system, as well as everyone else’s. In Click Here to Kill Everybody, best-selling author Bruce Schneier explores the risks and security implications of our new, hyper-connected era, and lays out common-sense policies that will allow us to enjoy the benefits of this omnipotent age without falling prey to the consequences of its insecurity.
Visiting Martin Luther King Jr. at the peak of the Montgomery, Alabama bus boycott, journalist William Worthy almost sat on a loaded pistol. "Just for self defense," King assured him. It was not the only weapon King kept for such a purpose; one of his advisors remembered the reverend's Montgomery, Alabama home as "an arsenal." Like King, many ostensibly "nonviolent" civil rights activists embraced their constitutional right to selfprotection -- yet this crucial dimension of the Afro-American freedom struggle has been long ignored by history. In This Nonviolent Stuff'll Get You Killed, civil rights scholar Charles E. Cobb Jr. describes the vital role that armed self-defense played in the survival and liberation of black communities in America during the Southern Freedom Movement of the 1960s. In the Deep South, blacks often safeguarded themselves and their loved ones from white supremacist violence by bearing -- and, when necessary, using -- firearms. In much the same way, Cobb shows, nonviolent civil rights workers received critical support from black gun owners in the regions where they worked. Whether patrolling their neighborhoods, garrisoning their homes, or firing back at attackers, these courageous men and women and the weapons they carried were crucial to the movement's success. Giving voice to the World War II veterans, rural activists, volunteer security guards, and self-defense groups who took up arms to defend their lives and liberties, This Nonviolent Stuff'll Get You Killed lays bare the paradoxical relationship between the nonviolent civil rights struggle and the Second Amendment. Drawing on his firsthand experiences in the civil rights movement and interviews with fellow participants, Cobb provides a controversial examination of the crucial place of firearms in the fight for American freedom.
When Caryl Chessman appeared on the cover of Time's March 21, 1960 issue, he was the most famous prisoner in America and arguably the best-known in the world. He not only put a face on the issue of capital punishment, he made one of the most remarkable transformations by any American writer. Through access to the papers and letters of his attorneys, George T. Davis and Rosalie Asher, the unpublished manuscripts and papers held by Joseph Longstreth; reminiscences with those who knew him, like Mr. Davis, Mr. Longstreth, his agent and executor; and country music legend Merle Haggard, the first definitive portrait of the enigmatic Caryl Chessman emerges.
