Already A Name In The World Of Science Fiction And Fantasy Writing, Vandana Singh Brings Her Unique Imagination To A Wider Audience With Her First Collection Of Stories. In The Title Story, A Woman Tells Her Husband Of Her Curious Discovery: That She Is Inhabited By Small Alien Creatures. In Another, A Young Girl, Making Her Way To College Through The Streets Of Delhi Comes Across A Mysterious Tetrahedron: Is It A Spaceship? Or A Secret Weapon? Each Story In This Fabulous Collection Opens Up New Vistas &Mdash; From Outer Space To The Inner World&Mdash;And Takes The Reader On An Incredible Journey To Both. The Book Also Includes The Author&Rsquo;S Own Critical Essay On The Future And Importance Of Speculative Fiction As A Genre.
Space and planets are topics of endless fascination to kids and part of every grade-school curriculum. Yet because of the history-making reassignment of Pluto from "planet” to "dwarf planet” on August 24, 2006, all books on the solar system are now out of date. Enter When is a Planet Not a Planet? The Story of Pluto by Elaine Scott, an esteemed writer of non-fiction for children. Scott is the first to put the answer to the title question into terms simple enough for a very young audience to understand, based upon the new definitions determined by the International Astronomical Union. Well-researched and accompanied by large, awe-inspiring photographs and paintings, this exciting new book makes clear what astronomers have argued about for decades.
For Pluto, summer has always started with a trip to the planetarium. It’s the launch to her favorite season, which also includes visits to the boardwalk arcade, working in her mom’s pizzeria, and her best friend Meredith’s birthday party. But this summer, none of that feels possible. A month before the end of the school year, Pluto’s frightened mom broke down Pluto’s bedroom door. What came next were doctor’s appointments, a diagnosis of depression, and a big black hole that still sits on Pluto’s chest, making it too hard to do anything. Pluto can’t explain to her mom why she can’t do the things she used to love. And it isn’t until Pluto’s dad threatens to make her move with him to the city—where he believes his money, in particular, could help—that Pluto becomes desperate enough to do whatever it takes to be the old Pluto again. She develops a plan and a checklist: If she takes her medication, if she goes to the planetarium with her mom for her birthday, if she successfully finishes her summer school work with her tutor, if she goes to Meredith’s birthday party . . . if she does all the things that “normal” Pluto would do, she can stay with her mom in Jersey. But it takes a new therapist, a new tutor, and a new (and cute) friend with a checklist and plan of her own for Pluto to learn that there is no old and new Pluto. There’s just her.
The short stories in this first collection by critically acclaimed writer Daryl Gregory run the gamut from science fiction to contemporary fantasy, with a few stories that defy easy classification. His characters may be neuroscientists, superhero sidekicks, middle-aged heroes of children's stories, or fantatics spreading a virus-borne religion, but they are all convincingly human. - Includes two never-before published short stories - Introduction by Nancy Kress
The greatest dangers hide the brightest treasures in this bold, planet-hopping science fiction adventure series. The crew of the legendary Capricious are rich enough to retire in comfort for the rest of their days, but none of it matters if the galaxy is still in danger. Nilah and Boots, the ship's newest crew-members hear the word of a mysterious cult that may have links back to an ancient and all-powerful magic. To find it, hot-headed Nilah will have to go undercover and find the source of their power without revealing her true identity. Meanwhile, Boots is forced to confront the one person she'd hoped never to see again: her old, turn-coat treasure-hunting partner.
"In a raw seacoast cabin, a young woman watches her boyfriend go out with his brother, late one night, on a mysterious job she realizes she isn t supposed to know about. A man gets a call at work from his sister-in-law, saying that his wife and his daughter never made it to nursery school that day. A mother learns that her teenage daughter has told a teacher about problems in her parents marriage that were meant to be private problems the mother herself tries to ignore. McLaughlin conveys these characters so vividly that readers will feel they are experiencing real life. Often the stories turn on a single, fantastic moment of clarity after which nothing can be the same."--
The most successful and controversial Cuban Science Fiction writer of all time, Yoss (aka José Miguel Sánchez Gómez) is known for his acerbic portraits of the island under Communism. In his bestselling A Planet for Rent, Yoss pays homage to Ray Bradbury’s The Martian Chronicles and 334 by Thomas M. Disch. A critique of Cuba in the nineties, after the fall of the Soviet Union and the dissolution of the Warsaw Pact, A Planet for Rent marks the debut in English of an astonishingly brave and imaginative Latin American voice. Praise for Yoss “One of the most prestigious science fiction authors of the island.” —On Cuba Magazine "A gifted and daring writer." —David Iaconangelo "José Miguel Sánchez [Yoss] is Cuba’s most decorated science fiction author, who has cultivated the most prestige for this genre in the mainstream, and the only person of all the Island’s residents who lives by his pen.” —Cuenta Regresiva Born José Miguel Sánchez Gómez, Yoss assumed his pen name in 1988, when he won the Premio David Award in the science fiction category for Timshel. Together with his peculiar pseudonym, the author's aesthetic of an impentinent rocker has allowed him to stand out amongst his fellow Cuban writers. Earning a degree in Biology in 1991, he went on to graduate from the first ever course on Narrative Techniques at the Onelio Jorge Cardoso Center of Literary Training, in the year 1999. Today, Yoss writes both realistic and science fiction works. Alongside these novels, the author produces essays, Praise for, and compilations, and actively promotes the Cuban science fiction literary workshops, Espiral and Espacio Abierto. When he isn’t translating, David Frye teaches Latin American culture and society at the University of Michigan. Translations include First New Chronicle and Good Government by Guaman Poma de Ayala (Peru, 1615); The Mangy Parrot by José Joaquín Fernandez de Lizardi (Mexico, 1816), for which he received a National Endowment for the Arts Fellowship; Writing across Cultures: Narrative Transculturation in Latin America by Ángel Rama (Uruguay, 1982), and several Cuban and Spanish novels and poems.