When Mr. and Mrs. Shandy stroll out to watch Toby and Trim march in formation to the Widow Wadman's house, they use a familiar occurrence to gauge the day of the week. The sight of Mr. Yorick's congregation emerging from the parish church tells them it is a Sunday; Mrs. Shandy provides the more specific information that it is Sacrament Sunday, which tells Mr. Shandy that it is the first Sunday of the month. Modern readers may slip over this brief exchange, but it is the gateway to a series of inquiries whose answers the original readers of Tristram Shandy would have taken for granted. Drawing on modern historical research and eighteenth-century texts, Yorick's Congregation: The Church of England in the Time of Laurence Sterne answers these inquiries.
Another likely best-seller from Adrian Plass, A Year at St Yorick's will do for the Church of England what the Sacred Diary of Adrian Plass did for charismatic Christians. Remember the Sacred Diarist trying to take spiritual authority over a paper clip? This time Adrian Plass turns his satirical yet affectionate eye on the Church of England, in this spoof collection of monthly parish magazines which lampoons the life of a fictional rural parish. These are tempestuous times for the Church of England (the Toronto Blessing, the ongoing rumbles about disestablishment, the debate about monarchy, divorce and the state), and as ever Adrian's humour is full of wisdom and compassion as well as wild irreverence.
In an attempt to better account for the impressive diversity of positions and relations that characterizes the eighteenth-century world, this collection proposes a new methodological frame, one that is less hierarchical in approach and more focused, instead, on the nature of these interactions, on their Addisonian “usefulness,” declared goals, and (un)intended results. By shifting focus from a cultural-historicist approach to sociability to the rhizomatic nature of eighteenth-century associations, this collection approaches them through new methodological lenses that include social network analysis, assemblage and graph theory, social media and digital humanities scholarship. Imagining the eighteenth-century world as a networked community rather than a competing one reflects a recent interest in novel forms of social interaction facilitated by new social media—from Internet forums to various types of social networking sites—and also signals the increasing involvement of academic communities in digital humanities projects that use new technologies to map out patterns of intellectual exchange. As such, the articles included in this collection demonstrate the benefits of applying interdisciplinary approaches to eighteenth-century sociability, and their role in shedding new light on the way public opinion was formed and ideas disseminated during pre-modern times. The issues addressed by our contributors are of paramount importance for understanding the eighteenth-century culture of sociability. They address, among other things, clubbing practices and social networking strategies (political, cultural, gender-based) in the eighteenth-century world, the role of clubs and other associations in “improving” knowledge and behaviors, conflicting views on publicity, literary and political alliances and their importance for an emerging celebrity culture, the role of cross-national networks in launching pan-European and transatlantic trends, Romantic modes of sociability, as well as the contribution of voluntary associations (clubs, literary salons, communities of readers, etc.) to the formation of the public sphere. This collection demonstrates how relevant social networking strategies were to the context of the eighteenth-century world, and how similar they are to the congeries of new practices shaping the digital public sphere of today.
Offers new readings of Laurence Sterne's Tristram Shandy by considering its design features alongside broader developments in eighteenth-century book production.
These thirteen essays have been collected to honor Melvyn New, professor emeritus (Florida), and are prefaced by a description of his scholarly career of more than forty years. Suggesting the wide range of that career, the first eight essays offer various critical perspectives on a diverse group of eighteenth-century authors. These include a reading of Eliot in the shadow of Pope; a comparison of Gainsborough’s final paintings and Sterne’s Sentimental Journey; a study of Johnson and casuistry; a discussion of Smollett’s view of slavery in Roderick Random; a bibliographical study of a Lyttelton poem; a comparison of Swift and Nietzsche; and two essays about Fielding’s Joseph Andrews. Laurence Sterne, the primary focus of Professor New’s scholarship, is also the focus of the final five essays, which treat Sterne in contexts as disparate as the kabbalah, abolitionist discourse, local English church politics, the use of the fragment, and, finally, the culture of modernity.
Informative, richly detailed, and entertaining, this book portrays daily life in England in 1700–1800, embracing all levels of society—from the aristocracy to the very poor—to describe a nation grappling with modernity. When did Western life begin to strongly resemble our modern world? Despite the tremendous evolution of society and technology in the last 50 years, surprisingly, many aspects of life in the 21st century in the United States directly date back to the 18th century across the Atlantic. Daily Life in Eighteenth-Century England covers specific topics that affect nearly everyone living in England in the 18th century: the government (including law and order); race, class, and gender; work and wages; religion; the family; housing; clothing; and food. It also describes aspects of life that were of greater relevance to some than others, such as entertainment, the city of London, the provinces and beyond, travel and tourism, education, health and hygiene, and science and technology. The book conveys what life was like for the common people in England in the years 1700–1800 through chapters that describe the state of society at the beginning of the century, delineate both change and continuity by the century's end, and identify which segments of society were impacted most by what changes—for example, improvements to roads, a key change in marriage laws, the steam engine, and the booming textile industry. Students and general readers alike will find the content interesting and the additional features—such as appendices, a chronology of major events, and tables of information on comparative incomes and costs of representative items—helpful in research or learning.
Provides a comprehensive overview of all aspects of the poetry, drama, fiction, and literary and cultural criticism produced from the Restoration of the English monarchy to the onset of the French Revolution Comprises over 340 entries arranged in A-Z format across three fully indexed and cross-referenced volumes Written by an international team of leading and emerging scholars Features an impressive scope and range of subjects: from courtship and circulating libraries, to the works of Samuel Johnson and Sarah Scott Includes coverage of both canonical and lesser-known authors, as well as entries addressing gender, sexuality, and other topics that have previously been underrepresented in traditional scholarship Represents the most comprehensive resource available on this period, and an indispensable guide to the rich diversity of British writing that ushered in the modern literary era 3 Volumes www.literatureencyclopedia.com
