A darkly comic, fiercely tragic, and strikingly original odyssey into contemporary American life by “the Jimi Hendrix of American short fiction” (Interview). The thirteen masterful tales in this collection by the award-winning author of Airships and Bats Out of Hell explore lost moments in time with intensity, emotion, and an eye to the past. In “Uncle High Lonesome,” a young man recalls an uncle’s drinking binges and the rage unleashed, hinting at dark waters of distress. Fishing is transformed into a life-altering, almost mystical event in “A Creature in the Bay of St. Louis.” And in “Snerd and Niggero,” a deep friendship between two men is inspired by the loss of a woman they both loved. Viewed through memory and time’s distance, Barry Hannah’s characters are brightly illuminated figures from a lost time, whose occasionally bleak lives are still uncommonly true. “Barry Hannah’s writing is raw and exhilarating, tortured, radiant, vicious, aggressive, funny, and streaked with rage, pain and bright poetic truth.” —The Philadelphia Inquirer on Airships
“A wildly colorful, darkly comic, and ultimately sinister tale of madness and murder” from the award-winning master of Southern fiction (Library Journal). “Set in a lake community in the vicinity of Vicksburg, Miss., the story revolves around a fellow named Man Mortimer, a thief, pimp and murderer—and those are his good qualities—who physically resembles the late country singer Conway Twitty. On his trail are Byron Egan, a somewhat reformed biker-turned-preacher and prophet, and Max Raymond, a former doctor who plays saxophone in a bar band and has an attractive Cuban wife who sings, sometimes for the band, sometimes nude in her backyard. Meanwhile, the young town sheriff, distrusted since he hails from the North, manages to shock even the most degenerate denizens of the area with his affair with a luscious 72-year-old widow. The plot is kaleidoscopic, with flashes and slashes of wonder, humor and the macabre expertly mixed…Reading today's fiction is too often like eating stale bread. With Hannah, just imagine your most mouthwatering meal, take a double helping and you've come close to the pleasure of reading this book.”—Publishers Weekly (starred review) “Maddeningly brilliant…a stunning assemblage of characters: ruffians, high rollers, heartbroken lushes, prostitutes, bikers-turned-preachers, dead ringers, drug addicts, third-rate porn stars, lounge lizards…They do not so much interact as collide, like atomic particles in a cyclotron.”—The Hartford Courant “An electrifying prose style, memorable characters, plot lines laced with violence and absurdity, and humor as black as an Ace comb…an expert navigator of the back roads of the human heart.”—The Denver Post “Like moonshine whisky, [Hannah’s fiction] packs quite a wallop.”—The Wall Street Journal
Winner of the PEN/Malamud Award, Airships is a “strong, original, tragic and funny” story collection of “the creative Southern tradition” (Alfred Kazin). One of the most revered short story collections of the past fifty years, Airships remains a vital text in the history of the American short story. The award-winning contemporary classic features twenty wildly original, exuberant, often hilarious stories that celebrate the universal peculiarities of the new American South—a land of high school band contests where good old boys from Vicksburg are reunited in Vietnam, and petty nostalgia and the incessant pain of disappointed love prevail in spite of our worst efforts. Hailed by none other than Larry McMurtry as “the best young writer to appear in the South since Flannery O’Connor,” Barry Hannah’s immense storytelling gifts are on striking display in this essential work. “Hannah takes fiction by surprise—scenes, shocks, sounds and amazements: an explosive but meticulous originality.” —Cynthia Ozick
Contributions by Melanie R. Benson, Thomas Ærvold, Bjerre, Martyn Bone, Mark S. Graybill, Richard E. Lee, Kenneth Millard, James B. Potts III, Scott Romine, Matthew Shipe, and Daniel E. Williams Perspectives on Barry Hannah is a collection of essays devoted to the work of the award-winning fiction writer Barry Hannah (1942–2010). The anthology features a broad range of critical approaches and covers the span of Hannah's career from Geronimo Rex (1972) to Yonder Stands Your Orphan (2001). The book also includes a previously unpublished interview with Hannah. The ten essays cover all of Hannah’s thirteen published books. The contributors give fresh perspectives on Hannah’s classic works (Airships and Ray), provide illuminating readings of important fiction that has received less critical attention (Night–Watchmen, Hey Jack!, and Never Die), and offer the first sustained criticism of Hannah’s acclaimed later fiction (Bats Out of Hell, High Lonesome, and Yonder Stands Your Orphan). As Martyn Bone explains in his introduction, the essays—though varied in approach and style—consistently hone in on the recurrent themes that characterize Hannah’s career: his relationship to postmodernism; his interrogation of traditional ideas of masculinity and heroism; his complex engagement with southern history, literature, and culture; and his growing concern with spirituality and morality. The essays in Perspectives on Barry Hannah make connections between Hannah’s work and that of several prominent modern and postmodern authors, including William Faulkner, Ernest Hemingway, James Joyce, Allen Tate, John Irving, J. M. Coetzee, and Cormac McCarthy. Contributors also consider Hannah’s fiction in relation to non-literary cultural forms such as sports, film, and popular music. Ultimately, Perspectives on Barry Hannah affirms Hannah’s status as a leading figure in contemporary American literature.
“A shorthand epic of extraordinary power . . . A novel of brilliant particulars and dizzying juxtapositions” from the acclaimed southern author of Geronimo Rex (Newsweek). Nominated for the American Book Award, Ray is the bizarre, hilarious, and consistently adventurous story of a life on the edge. Dr. Ray—a womanizer, small-town drunk, vigilante, poet, adoring husband—is a man trying to make sense of life in the twentieth century. In flight from the death he dealt flying over Vietnam, Dr. Ray struggles with those bound to him by need, sickness, lunacy, by blood and by love. “This novel hangs in the memory like a fishhook. It will haunt you long after you have finally put it down. Barry Hannah is a talent to reckon with, and I can only hope that Ray finds an audience it deserves.” —Harry Crews, The Washington Post Book World
WINNER OF THE NOBEL PRIZE IN LITERATURE A beautiful, comprehensive volume of Dylan’s lyrics, from the beginning of his career through the present day—with the songwriter’s edits to dozens of songs, appearing here for the first time. Bob Dylan is one of the most important songwriters of our time, responsible for modern classics such as “Like a Rolling Stone,” “Mr. Tambourine Man,” and “The Times They Are a-Changin’.” The Lyrics is a comprehensive and definitive collection of Dylan’s most recent writing as well as the early works that are such an essential part of the canon. Well known for changing the lyrics to even his best-loved songs, Dylan has edited dozens of songs for this volume, making The Lyrics a must-read for everyone from fanatics to casual fans.