Partners

Partners

Author: Ydessa Hendeles

Publisher: Köln : W. König

Published: 2003

Total Pages: 248

ISBN-13:

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Werke von Diane Arbus, Maurizio Cattelan, James Coleman, Hanne Darboven, Walker Evans, Luciano Fabro, Paul McCarthy, On Kawara, Giulio Paolini, Bruce Nauman, Jeff Wall und Lawrence Weiner Ydessa Hendeles - Kunstammlerin, geboren 1948 in Deutschland, lebt in Kanada. Ihre Sammlung gilt als eine der bedeutendsten und zugleich am wenigsten bekannten Sammlungen zur zeitgenössischen Kunst überhaupt. Große Teile ihrer Sammlung werden erstmals in diesem Katalog gezeigt. Hendeles stellt ihre Ausstellungen selbst zusammen. Von ihr stammt auch das Konzept des Buches. Unter dem Titel "Partners" hat sie Kunstwerke sowie Serien von Pressefotografien, anonymen Amateurfotografien und Alltagsgegenständen miteinander kombiniert.


About Face

About Face

Author: John Reeves

Publisher: Exile Editions, Ltd.

Published: 1990

Total Pages: 100

ISBN-13: 9781550960006

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Staging the Archive

Staging the Archive

Author: Ernst van Alphen

Publisher: Reaktion Books

Published: 2014-11-15

Total Pages: 303

ISBN-13: 1780234147

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Dedicated to art practices that mobilize the model of the archive, Staging the Archive demonstrates the ways in which such “archival artworks” probe the possibilities of what art is and what it can do. Through a variety of media, methodologies and perspectives, the artists surveyed here also challenge the principles on which the notions of organization, evidence, and documentation are built. The earliest examples of the modern archival artwork were made in the 1930s, but only since the 1960s have artists really embraced archival principles to inform, structure, and shape their works. This includes practices that consist of archive construction, archaeological investigation, record keeping, and the use of archived materials, but also interrogations of the principles, claims, and effects of the archive. Staging the Archive shows how artists read the concept of the archive against the grain, questioning not only what the archive is and can be but what materials, images, or ideas can be archived. Ernst van Alphen examines these archival artists and artworks in detail, setting them within their social, political, and aesthetic contexts. Exploring the works of Marcel Duchamp, Marcel Broodthaers, Christian Boltanski, Annette Messager, Fiona Tan, and Sophie Calle, among others, he reveals how modern and contemporary artists have used and contested the notion of the archive to establish new relationships to history, information, and data.


Tracing the Autobiographical

Tracing the Autobiographical

Author: Marlene Kadar

Publisher: Wilfrid Laurier Univ. Press

Published: 2009-10-22

Total Pages: 462

ISBN-13: 1554587166

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The essays in Tracing the Autobiographical work with the literatures of several nations to reveal the intersections of broad agendas (for example, national ones) with the personal, the private, and the individual. Attending to ethics, exile, tyranny, and hope, the contributors listen for echoes and murmurs as well as authoritative declarations. They also watch for the appearance of auto/biography in unexpected places, tracing patterns from materials that have been left behind. Many of the essays return to the question of text or traces of text, demonstrating that the language of autobiography, as well as the textualized identities of individual persons, can be traced in multiple media and sometimes unlikely documents, each of which requires close textual examination. These “unlikely documents” include a deportation list, an art exhibit, reality TV, Web sites and chat rooms, architectural spaces, and government memos, as well as the more familiar literary genres—a play, the long poem, or the short story. Interdisciplinary in scope and contemporary in outlook, Tracing the Autobiographical is a welcome addition to autobiography scholarship, focusing on non-traditional genres and on the importance of location and place in life writing. Read the chapter “Gender, Nation, and Self-Narration: Three Generations of Dayan Women in Palestine/Israel” by Bina Freiwald on the Concordia University Library Spectrum Research Repository website.


Intercultural Aesthetics

Intercultural Aesthetics

Author: Antoon van den Braembussche

Publisher: Springer Science & Business Media

Published: 2008-12-03

Total Pages: 218

ISBN-13: 1402057806

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In this book the editors brought together outstanding articles concerning intercultural aesthetics. The concept ‘Intercultural aesthetics’ creates a home space for an artistic cross-fertilization between cultures, and for heterogeneity, but it is also firmly linked with the intercultural turn within Western and non-Western philosophy. The book is divided into two parts, yet one can sense a clear unity throughout the whole book. This unity is related to the underlying subject that the different authors, each in their own way and from their own background, try to reveal. They use related, and overlapping terms such as ‘the suchness of things’, ‘dancing and shaping lives’, ‘presenting a meaning beyond words, presenting the unpresentable, experiencing’, in order to bring to our awareness the genuine importance of the non-conceptual, next to the conceptual. Several authors moreover take on a reflective, and at times even a self-reflective stance, pointing to the intrinsic relation between cultural aesthetics and ethics, making this book unique in its kind.


The Cinema of Agns Varda

The Cinema of Agns Varda

Author: Delphine Benezet

Publisher: Columbia University Press

Published: 2014-04-14

Total Pages: 170

ISBN-13: 0231169744

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Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volme considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director’s multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.


The Keeper

The Keeper

Author: Massimiliano Gioni

Publisher:

Published: 2016

Total Pages: 287

ISBN-13: 9780915557127

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Artists' projects and texts concerned with the impulse to "collect," and how this undertaking may define, inspire, and chronicle the individual colector.


Creative Enterprise

Creative Enterprise

Author: Martha Buskirk

Publisher: A&C Black

Published: 2012-04-12

Total Pages: 389

ISBN-13: 1441188207

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Intertwines a dual emphasis on evolving institutional priorities and major shifts in artistic production.