"I'm an Arab Jew. I listen to classical music in the morning and Arabic music in the evening." Surprisingly for someone so young, Nuri Imari (whose family we encountered in The Dove Flyer), is appointed advisor on Arab affairs to the Israeli government. With little guidance he is asked by his boss to "set up an office in East Jerusalem, sniff around to see what's happening there, meet their effendis, and provide me with your evaluations." Everyone is reeling from the aftermath of the Six Day War. The Palestinians cannot comprehend their losses, whilst the Israelis are waking up to a new political reality - and new responsibilities. Nuri discovers complexities and loyalties he could never have imagined. He tries to steer a humane course but soon finds himself confronting bigotry and hatred on both sides. And then he meets Yasmine, a Palestinian woman recently returned from Paris...
Meet Yasmin! Yasmin is a spirited second-grader who's always on the lookout for those aha moments to help her solve life's little problems. Taking inspiration from her surroundings and her big imagination, she boldly faces any situation-assuming her imagination doesn't get too big, of course! A creative thinker and curious explorer, Yasmin and her multi-generational Pakistani American family will delight and inspire readers.
Chloe loves kitties. She wants a cat so much that she sees Kitty everywhere she goes: at the bus stop, in her backyard, in the starry night sky, even in her dreams. A loveable and curious toddler, Chloe's experience encourages readers to find Kitty in the world around them. In the tradition of iconic preschool books like Where's Spot?, I See Kitty uses bright, bold artwork to appeal to very young readers and charm them for generations to come.
Everyone seems to have a great idea for the makerspace project, everyone except for Yasmin All the good ideas are taken. Luckily, recess solves everything Inspiration strikes and Yasmin creates something that brings the whole class together.
Please note: This is a companion version & not the original book. Sample Book Insights: #1 I was six years old, and I had to memorize three short surahs from the Quran. If I made one mistake, my father would show me how he could really hurt me. #2 I was terrified of Allah, the Day of Judgment, and burning in Hell. I was also terrified of being punished by my parents if I did not memorize. The Internet is full of YouTube videos of children being abused in madrasas. #3 Islam requires parents to beat their children if they are not devout Muslims. The parents are afraid that if they do not beat their children, they will not be able to beat their sins, and will have to answer to Allah on the Day of Judgment.
A young Egyptian woman recounts her personal and political coming of age in this brilliant debut novel. Cairo, 1984. A blisteringly hot summer. A young girl in a sprawling family house. Her days pass quietly: listening to a mother’s phone conversations, looking at the Nile from a bedroom window, watching the three state-sanctioned TV stations with the volume off, daydreaming about other lives. Underlying this claustrophobic routine is mystery and loss. Relatives mutter darkly about the newly-appointed President Mubarak. Everyone talks with melancholy about the past. People disappear overnight. Her own father has left, too—why, or to where, no one will say. We meet her across three decades, from youth to adulthood: As a six-year old absorbing the world around her, filled with questions she can’t ask; as a college student and aspiring filmmaker pre-occupied with love, language, and the repression that surrounds her; and then later, in the turbulent aftermath of Mubarak’s overthrow, as a writer exploring her own past. Reunited with her father, she wonders about the silences that have marked and shaped her life. At once a mapping of a city in transformation and a story about the shifting realities and fates of a single Egyptian family, Yasmine El Rashidi’s Chronicle of a Last Summer traces the fine line between survival and complicity, exploring the conscience of a generation raised in silence.
In a series of riveting dispatches, Cairo native Yasmine El Rashidi provides an eyewitness account of the entire 2011 Egyptian Revolution as it unfolded, from its origins in the days leading up to the first January 25 protest in Tahrir Square through the violent confrontations with the regime and the fall of Egyptian President Hosni Mubarak, to the subsequent military takeover and the March 2011 constitutional referendum. Drawing on her deep knowledge of the Egyptian capital and its underlying social divisions, El Rashidi brings together a vivid story of the uprising itself with subtle insights about the strengths—and limits—of the protest movement and the prospects for large-scale political change in the September 2011 parliamentary elections. With a preface by the Oxford scholar of revolutions Timothy Garton Ash. The Battle for Egypt is available as an e-book only. There is no print edition of this book.
“[A]n electric new translation . . . Each page is adorned with illustrations and photographs from other translations and adaptations of the tales, as well as a wonderfully detailed cascade of notes that illuminate the stories and their settings. . . . The most striking feature of the Arabic tales is their shifting registers—prose, rhymed prose, poetry—and Seale captures the movement between them beautifully.” —Yasmine Al-Sayyad, New Yorker A magnificent and richly illustrated volume—with a groundbreaking translation framed by new commentary and hundreds of images—of the most famous story collection of all time. A cornerstone of world literature and a monument to the power of storytelling, the Arabian Nights has inspired countless authors, from Charles Dickens and Edgar Allan Poe to Naguib Mahfouz, Clarice Lispector, and Angela Carter. Now, in this lavishly designed and illustrated edition of The Annotated Arabian Nights, the acclaimed literary historian Paulo Lemos Horta and the brilliant poet and translator Yasmine Seale present a splendid new selection of tales from the Nights, featuring treasured original stories as well as later additions including “Aladdin and the Wonderful Lamp” and “Ali Baba and the Forty Thieves,” and definitively bringing the Nights out of Victorian antiquarianism and into the twenty-first century. For centuries, readers have been haunted by the homicidal King Shahriyar, thrilled by gripping tales of Sinbad’s seafaring adventures, and held utterly, exquisitely captive by Shahrazad’s stories of passionate romances and otherworldly escapades. Yet for too long, the English-speaking world has relied on dated translations by Richard Burton, Edward Lane, and other nineteenth-century adventurers. Seale’s distinctly contemporary and lyrical translations break decisively with this masculine dynasty, finally stripping away the deliberate exoticism of Orientalist renderings while reclaiming the vitality and delight of the stories, as she works with equal skill in both Arabic and French. Included within are famous tales, from “The Story of Sinbad the Sailor” to “The Story of the Fisherman and the Jinni,” as well as lesser-known stories such as “The Story of Dalila the Crafty,” in which the cunning heroine takes readers into the everyday life of merchants and shopkeepers in a crowded metropolis, and “The Story of the Merchant and the Jinni,” an example of a ransom frame tale in which stories are exchanged to save a life. Grounded in the latest scholarship, The Annotated Arabian Nights also incorporates the Hanna Diyab stories, for centuries seen as French forgeries but now acknowledged, largely as a result of Horta’s pathbreaking research, as being firmly rooted in the Arabic narrative tradition. Horta not only takes us into the astonishing twists and turns of the stories’ evolution. He also offers comprehensive notes on just about everything readers need to know to appreciate the tales in context, and guides us through the origins of ghouls, jinn, and other supernatural elements that have always drawn in and delighted readers. Beautifully illustrated throughout with art from Europe and the Arab and Persian world, the latter often ignored in English-language editions, The Annotated Arabian Nights expands the visual dimensions of the stories, revealing how the Nights have always been—and still are—in dialogue with fine artists. With a poignant autobiographical foreword from best-selling novelist Omar El Akkad and an illuminating afterword on the Middle Eastern roots of Hanna Diyab’s tales from noted scholar Robert Irwin, Horta and Seale have created a stunning edition of the Arabian Nights that will enchant and inform both devoted and novice readers alike.
We’re the D’Artigo sisters: Half-human, half-Faerie, we’re savvy—and sexy—operatives for the Otherworld Intelligence Agency. But our mixed-blood heritage short-circuits our talents at all the wrong times. My sister Delilah shapeshifts into a tabby cat whenever she’s stressed. Menolly’s a vampire who’s still trying to get the hang of being undead. And me? I’m Camille—a wicked-good witch. Except my magic’s as unpredictable as the weather, as my enemies are about to find out the hard way... At the Wayfarer Inn, a portal to Otherworld and the local hangout for humans and beasties alike, a fellow operative, Jocko, has been murdered. Every clue points to Shadow Wing, the soul-munching, badass leader of the Subterranean Realms. He’s made it clear that he aims to raze humankind to the ground, turning both Earth and Otherworld into his private playground. Our assignment: Keep Shadow Wing and his minions from creeping into Earth via the Wayfarer. The demons figure they’re in like Flynn. After all, with only my bumbling sisters and me standing in the way, how can they miss? But we’ve got a secret for them: Faulty wiring or not, nobody kicks ass like the D’Artigo girls...
The mother of Yasmine Naghdi, Principal ballerina of The Royal Ballet, takes you on a journey from her daughter's years in classical ballet training to dancing on the stage of the Royal Opera House
