LOVE AND WAR Cabot Murray first came to Williamsburg, Virginia, in the tense autumn of 1860. He was looked upon with suspicion because he was a Yankee. Then Cabot met redheaded Eden Day. Theirs was a wild, blind young love at first sight. Whispering in her hair, what did it matter that he was a Northerner and she from the South... But then came the Civil War. With the tide of battle Cabot returned as an enemy spy. In Eden he found the hatred of a woman who has learned desire. Could the bitterness of war be softened in the arms of lovers?
This book tells the story of Harriet Beecher Stowe (author of Uncle Tom's Cabin), her brother Charles, and a small group of Yankee reformers who lived in Reconstruction Florida.
Elswyth Thane is best known for her Williamsburg series, seven novels published between 1943 and 1957 that follow several generations of two families from the American Revolution to World War II. Dawn's Early Light is the first novel in the series. In it, Colonial Williamsburg comes alive. Thane centers her novel around four major characters: the Aristrocratic St. John Sprague, who becomes George Washington's aide; Regina Greensleeves, a Virginia beauty spoiled by a season in London; Julian Day, a young schoolmaster who arrives from England on the eve of the war and initially thinks of himself as a Tory; and Tibby Mawes, one of his less fortunate pupils, saddled with an alcoholic father and an indigent mother. But we also see Washington, Jefferson, Lafayette, Greene, Patrick Henry, Francis Marion, and the rest of that brilliant galaxy playing their roles not as historical figures but as men. We see de Kalb's gallant death under a cavalry charge at Camden. We penetrate to the swamp-encircled camp which was Marion's stronghold on the Peedee. We watch the cat-and-mouse game between Cornwallis and Lafayette, which ended in Cornwallis's unlucky stand at Yorktown. Dawn's Early Light is the human story behind our first war for liberty, and of the men and women loving and laughing through it to the dawn of a better world.
This book grew out of a private correspondence, which the author, at the solicitation of his friends, has been led to throw into the present form, modifying in a great measure the epistolary vein, and excluding, so far as possible, such portions of the original papers as were of too personal a nature to be intruded upon the majesty of the public – while he has embodied, so far as was compatible with the new arrangement, everything likely to interest the general reader. The author has not written exclusively as a traveller or journalist. His aim has been to present the result of his experience and observations during a residence of several years in the South-West. This extensive and important section of the United States is but little known. Perhaps there is no region between the Mississippi river and the Atlantic shores, of which so little accurate information is before the public; a flying tourist only, having occasionally added a note to his diary, as he skirted its forest-lined borders.
This book grew out of a private correspondence, which the author, at the solicitation of his friends, has been led to throw into the present form, modifying in a great measure the epistolary vein, and excluding, so far as possible, such portions of the original papers as were of too personal a nature to be intruded upon the majesty of the public – while he has embodied, so far as was compatible with the new arrangement, everything likely to interest the general reader. The author has not written exclusively as a traveller or journalist. His aim has been to present the result of his experience and observations during a residence of several years in the South-West. This extensive and important section of the United States is but little known. Perhaps there is no region between the Mississippi river and the Atlantic shores, of which so little accurate information is before the public; a flying tourist only, having occasionally added a note to his diary, as he skirted its forest-lined borders.
The powerful novelist here turns penetrating critic, giving usâe"in lively styleâe"both trenchant literary analysis and fresh insight on the art of writing. âeoeWhen African American writers began to trust the literary possibilities of their own verbal and musical creations,âe writes Gayl Jones, they began to transform the European and European American models, and to gain greater artistic sovereignty.âe The vitality of African American literature derives from its incorporation of traditional oral forms: folktales, riddles, idiom, jazz rhythms, spirituals, and blues. Jones traces the development of this literature as African American writers, celebrating their oral heritage, developed distinctive literary forms. The twentieth century saw a new confidence and deliberateness in African American work: the move from surface use of dialect to articulation of a genuine black voice; the move from blacks portrayed for a white audience to characterization relieved of the need to justify. Innovative writingâe"such as Charles Waddell Chesnuttâe(tm)s depiction of black folk culture, Langston Hughesâe(tm)s poetic use of blues, and Amiri Barakaâe(tm)s recreation of the short story as a jazz pieceâe"redefined Western literary tradition. For Jones, literary technique is never far removed from its social and political implications. She documents how literary form is inherently and intensely national, and shows how the European monopoly on acceptable forms for literary art stifled American writers both black and white. Jones is especially eloquent in describing the dilemma of the African American writers: to write from their roots yet retain a universal voice; to merge the power and fluidity of oral tradition with the structure needed for written presentation. With this work Gayl Jones has added a new dimension to African American literary history.
Our captain and leader has not left us, today, tomorrow, this year, next … Our endeavors will reflect our love and admiration for him.” —Honorary plaque to Munson in Yankee Stadium Thurman Munson is remembered by fans as the fiercely competitive, tough, and—most of all—inspiring Yankee captain and champion from the wild Bronx Zoo years. He is also remembered for his tragic death, at age thirty-two, when the private plane he was piloting crashed in Canton, Ohio, on August 2, 1979. Munson is the intimate biography of a complex and larger-than-life legend. Written by former Yankees public relations director Marty Appel, who worked closely with Thurman throughout his career, Munson captures the little-known details of the young man from Canton and his meteoric rise to stardom in baseball’s most storied franchise. Appel examines the tumultuous childhood that led Thurman to work feverishly to escape Canton—and also the marriage and cultural roots that continually drew him back. Appel also opens a fascinating door on the famed Yankees of the 1970s, recounting moments and stories that have never been told before. From the clubhouse and the dugout to the front office and the owner’s box, this thoughtful baseball biography delves into the affectionately gruff captain’s relationships with friends, fans, and teammates such as Lou Piniella, Bobby Murcer, Graig Nettles, and Reggie Jackson, as well as his colorful dealings with manager Billy Martin and his surprisingly close bond with owner George Steinbrenner. Munson paints a revealing portrait of a private Yankee superstar, as well as a nostalgic and revelatory look at the culture—and amazing highs and lows—of the 1970s New York Yankees teams. More than a biography, Munson is the definitive account of a champion who has not been forgotten and of the era he helped define—written with the intimate detail available only to a true insider. www.doubleday.com
Madison & Adams Press presents the Civil War Memories Series. This meticulous selection of the firsthand accounts, memoirs and diaries is specially comprised for Civil War enthusiasts and all people curious about the personal accounts and true life stories of the unknown soldiers, the well known commanders, politicians, nurses and civilians amidst the war. "In and Out of Rebel Prisons" is a book based on a Lieutenant Alonzo Cooper's diary. During his ten months imprisonment in the South, Cooper kept a complete diary of events which occurred there and gave a reliable account of what came under his personal observation. "Many books have been written upon prison life in the South, but should every survivor of Andersonville, Macon, Savannah, Charleston, Florence, Salisbury, Danville, Libby and Belle Island write their personal experiences in those rebel slaughter houses, it would still require the testimony of the sixty-five thousand whose bones are covered with Southern soil to complete the tale."
