"The divine is seemingly ubiquitous in Mesopotamian society, yet despite its all-pervasiveness, it remains conceptually elusive. The divine sphere is vast and complex, such that it is hard to delimit and to distinguish between its various parts. In fact, there is no simple answer to even the most basic question: what is a god? The divine world is also characterized by a fluidity not found in modern western religions. For example, Ištar-of-Arbela, Ištar-of-Nineveh, and Ištar, the-Planet-Venus are all Ištar, yet in different contexts are treated as different Ištars. In addition, although the divine is present seemingly everywhere, Mesopotamians themselves make little attempt to systematically unravel its complexities"--
Fleeing King Manasseh's tyranny, Joshua leads the faithful remnant to their new home in Egypt. But as years pass, Joshua's desire for vengeance becomes an obsession. Blinded by hatred, he makes rash decisions, placing his loved ones in jeopardy. Amid Joshua's turmoil comes an unexpected awakening of love--a love that burns so intensely it draws him from the dark inner seclusion where he often retreats. But what will it take for him to grasp the great love his Heavenly Father has for him...and for the chosen people of Judah? (Chronicles of the King Book 5)
In this book devoted exclusively to temples and perceptions of the divine presences that inhabit them, Michael B. Hundley focuses on the official religions of the ancient Near East and explores the interface between the human and the divine within temple environs. Hundley identifies common ancient Near Eastern temple systems and examines issues that include what temple structures communicate, how temples were understood to function, temple ideology, the installation of divine presence in a temple, the connection between presence and physical representation, and human service to the deity. Drawing on architectural and spatial theory, ritual theory, theories of language, art history, archaeology, sociocultural anthropology, and comparative studies, Hundley offers a single interpretive lens through which to view temple worship. Features: A close examination of temples in Egypt, Mesopotamia, Hittite Anatolia, and Syria-Palestine An interdisciplinary treatment of architecture, language, ritual, and art A dual focus on how a deity's divine presence connects to space and art and how human service to the deity maintains the deity's active presence
The obvious riddles and difficulties in Exod 3:13–15 and Exod 6:2–8 have attracted an overwhelming amount of attention and comment. These texts make important theological statements about the divine name YHWH and the contours of the divine character. From the enigmatic statements in Exod 3:13–15, most scholars reconstruct the original form of the name as “Yahweh,” which is thought to describe YHWH’s creative power or self-existence. Similarly, Exod 6:3 has become a classic proof-text for the Documentary Hypothesis and an indication of different aspects of God’s character as shown in history. Despite their seeming importance for “defining” the divine name, these texts are ancillary to and preparatory for the true revelation of the divine name in the book of Exodus. This book attempts to move beyond atomistic readings of individual texts and etymological studies of the divine name toward a holistic reading of the book of Exodus. Surls centers his argument around in-depth analyses of Exod 3:13–15, 6:2–8 and Exod 33:12–23 and 34:5–8. Consequently, the definitive proclamation of YHWH’s character is not given at the burning bush but in response to Moses’ later intercession (Exod 33:12–23). YHWH proclaimed his name in a formulaic manner that Israel could appropriate (Exod 34:6–7), and the Hebrew Bible quotes or alludes to this text in many genres. This demonstrates the centrality of Exod 34:6–7 to Old Testament Theology. The character of God cannot be discerned from an etymological analysis of the word yhwh but from a close study of YHWH’s deliberate ascriptions made progressively in the book of Exodus.
Professor Albright speaks to a new generation of scholars through this reprint of his classic work contrasting Israelite and Canaanite religions. The five chapters were originally presented as seven lectures and discuss Poetry and Prose, the Patriarchal Background, Canaanite Religion in the Early Bronze Age, the Struggle between Yahweh and the Gods of Canaan, and the Religious Cultures of Israel and Phoenicia.
The Bible says that YHWH alone is God and that there is none like him—but texts and artwork from antiquity show that many gods looked very similar. In this volume, scholars of the Hebrew Bible and its historical contexts address the problem of YHWH’s ancient look-alikes, providing recommendations for how Jews and Christians can think theologically about this challenge. Sooner or later, whether in a religion class or a seminary course, students bump up against the fact that God—the biblical God—was one among other, comparable gods. The ancient world was full of gods, including great gods of conquering empires, dynastic gods of petty kingdoms, goddesses of fertility, and personal spirit guardians. And in various ways, these gods look like the biblical God. Like the God of the Bible, they, too, controlled the fates of nations, chose kings, bestowed fecundity and blessing, and cared for their individual human charges. They spoke and acted. They experienced wrath and delight. They inspired praise. All of this leaves Jews and Christians in a bind: how can they confess that the God named YHWH was (and is) the true and living God, in view of this God’s profound similarities to all these others? The essays in this volume address the theological challenge these parallels create, providing reflections on how Jews and Christians can keep faith in YHWH as God while acknowledging the reality of YHWH’s divine doppelgängers. It will be welcomed by undergraduates studying religion; seminarians and graduate students of Bible, theology, and the ancient world; and adult education classes.
Who invented God? When, why, and where? Thomas Römer seeks to answer these questions about the deity of the great monotheisms—Yhwh, God, or Allah—by tracing Israelite beliefs and their context from the Bronze Age to the end of the Old Testament period in the third century BCE. That we can address such enigmatic questions at all may come as a surprise. But as Römer makes clear, a wealth of evidence allows us to piece together a reliable account of the origins and evolution of the god of Israel. Römer draws on a long tradition of historical, philological, and exegetical work and on recent discoveries in archaeology and epigraphy to locate the origins of Yhwh in the early Iron Age, when he emerged somewhere in Edom or in the northwest of the Arabian peninsula as a god of the wilderness and of storms and war. He became the sole god of Israel and Jerusalem in fits and starts as other gods, including the mother goddess Asherah, were gradually sidelined. But it was not until a major catastrophe—the destruction of Jerusalem and Judah—that Israelites came to worship Yhwh as the one god of all, creator of heaven and earth, who nevertheless proclaimed a special relationship with Judaism. A masterpiece of detective work and exposition by one of the world’s leading experts on the Hebrew Bible, The Invention of God casts a clear light on profoundly important questions that are too rarely asked, let alone answered.