Ya Sankofa! By: Torrance R. Harvey M.S. ED. Sometimes I must move slowly like a cat... Sometimes I must move with dispatch. There are times I must be silent, unheard. Just like the morning spring sun shining over the harmonious tweeting birds. Then, there is that one moment in time I must ROAR loudly For everyone to hear and fear everywhere. Bringing their hearts and minds to understand ONE THING. I AM the TRUE Lion and the King! Ya Sankofa! is a literary journey of reflection. It is an artistic expression of cultural awareness in a contemporary sense from a historical lens in the form of a series of poems.
Ben Gracik is a troubled man, barely coping with life as he struggles to make sense of the death of his young daughter. It was accidental, yes, but the overwhelming guilt combined with his wife's absence makes it almost impossible for Ben to be a father to his two surviving children. Following his wife's untimely exit, Ben wrestles with unspeakable sorrow and anger-feelings that ultimately drive him to begin searching for her whereabouts. Thus begins a journey that forces him to face his painful past, a dismal present, and an uncertain future. He meets up with several people along the way-an anxious single mother, a kindly old man, an odd cemetery caretaker-all of which who play a part in the bigger picture. Finding truth and healing will take deep soul searching and a profound faith that Ben scarcely believes in. Will he finally come to understand the meaning of it all?
An alien artifact turns a young girl into Death's adopted daughter in Remote Control, a thrilling sci-fi tale of community and female empowerment from Nebula and Hugo Award-winner Nnedi Okorafor “She’s the adopted daughter of the Angel of Death. Beware of her. Mind her. Death guards her like one of its own.” The day Fatima forgot her name, Death paid a visit. From hereon in she would be known as Sankofa—a name that meant nothing to anyone but her, the only tie to her family and her past. Her touch is death, and with a glance a town can fall. And she walks—alone, except for her fox companion—searching for the object that came from the sky and gave itself to her when the meteors fell and when she was yet unchanged; searching for answers. But is there a greater purpose for Sankofa, now that Death is her constant companion? Winner of the AudioFile Earphones Award (audiobook version). At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A REESE WITHERSPOON BOOK CLUB PICK A BBC 2 BETWEEN THE COVERS BOOK CLUB PICK SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION FUTURES PRIZE AN AMAZON BEST BOOK OF THE YEAR 'A captivating story about a mixed-race British woman who goes in search of the West African father she never knew' REESE WITHERSPOON Anna is at a stage of her life when she's beginning to wonder who she really is. She has separated from her husband, her daughter is all grown up, and her mother - the only parent who raised her - is dead. Searching through her mother's belongings, she finds clues about the West African father she never knew. Through reading his student diary, chronicling his involvement in radical politics in 1970s London, she discovers that he eventually became the president (some would say the dictator) of a small nation in West Africa - and he is still alive. She decides to track him down and so begins a funny, painful, fascinating journey, and an exploration of race, identity and what we pass on to our children. 'A real pleasure, it's funny, thought-provoking and holds a light up to everything from cultural differences to colonialism' STYLIST 'I LOVED Sankofa SO MUCH' MARIAN KEYES 'Slick pacing and unpredictable developments keep the reader alert right up to the novel's exhilarating ending' GUARDIAN BOOK OF THE DAY 'Onuzo's sneakily breezy, highly entertaining novel leaves the reader rethinking familiar narratives of colonisation, inheritance and liberation' NEW YORK TIMES BOOK REVIEW 'A really great book, very poignant' SARA COX
Last night Charlie went on a bender. Today he woke up with a tattoo of the mythical African sankofa bird on his right shoulder blade. The solid black tribal tattoo was probably too dark for his pale white skin, but he hadn't actually chosen the tattoo himself. The sankofa bird looked back over its shoulder as it flew forward justifying its meaning - one can not move intelligently into the future without paying attention to the past. Contrasting again with the too dark tattoo and the too light skin was the pretty brown face of the little girl peaking over her father's shoulder as he cradled her. What on earth was he going to do with this little life? Two days ago he didn't even know she existed. Yesterday he woke up with this strange tattoo. Today he decided to go to the hospital and take responsibility for his daughter. He didn't even know what the tattoo was and why those men had taken it upon themselves to have it given to him. Today it was just some dumb bird that he was contemplating having removed. It would be quite a while before he would find out why he had gotten it and what the significance of it really was. He repositioned her into his arms and tenderly kissed little Sankofa on the forehead. "We can do this."
Border of Lights, a volunteer collective, returns each October to Dominican-Haitian border towns to bear witness to the 1937 Haitian Massacre ordered by Dominican dictator Rafael Leónidas Trujillo. This crime against humanity has never been acknowledged by the Dominican government and no memorial exists for its victims. A multimodal, multi-vocal space for activists, artists, scholars, and others connected to the BOL movement, The Border of Lights Reader provides an alternative to the dominant narrative that positions Dominicans and Haitians as eternal adversaries and ignores cross-border and collaborative histories. This innovative anthology asks large-scale, universal questions regarding historical memory and revisionism that countries around the world grapple with today. "By bringing together in one volume poetry, visual arts, literary analysis, in-depth interviews and historical analysis this volume will provide its readers with a comprehensive view of the causes and the aftermath of the massacre." —Ramón Antonio Victoriano-Martínez, University of British Columbia Contributions by Julia Alvarez, Amanda Alcántara, DeAndra Beard, Nancy Betances, Jésula Blanc, Matías Bosch Carcuro, Cynthia Carrión, Raj Chetty, Catherine DeLaura, Magaly Colimon, Juan Colón, Robin Maria DeLugan, Lauren Derby, Rosa Iris Diendomi Álvarez, Polibio Díaz, Rana Dotson, Rita Dove, Rhina P. Espaillat, Maria Cristina Fumagalli, Saudi García, Scherezade García, Juan Carlos González Díaz, Kiran C. Jayaram, Pierre Michel Jean, Nehanda Loiseau Julot, Jake Kheel, Carlos Alomia Kollegger, Jackson Lorrain “Jhonny Rivas”, Radio Marién, Padre Regino Martínez Bretón, Sophie Maríñez, April J. Mayes, Jasminne Mendez, Komedi Mikal PGNE, Osiris Mosquea, Megan Jeanette Myers, Rebecca Osborne, Ana Ozuna, Edward Paulino, John Presimé, Laura Ramos, Amaury Rodríguez, Doña Carmen Rodríguez de Paulino, The DREAM Project, Silvio Torres-Saillant, Ilses Toribio, Deisy Toussaint, Évelyne Trouillot, Richard Turits, William Vazquez, Chiqui Vicioso, Bridget Wooding, and Óscar Zazo.
“Fun and juicy.”—New York Times “A solid story of summer growth and exploration.”—Kirkus Reviews Marigold Johnson is looking forward to a future full of family, friends, and fashion—but what will she do when it all explodes in her face? When she discovers that her entire life is a lie? Paula Chase, the author of So Done, Dough Boys, and Turning Point, explores betrayal, conformity, and forgiveness—and what it means to be family—in this stand-alone novel perfect for fans of Jason Reynolds, Rebecca Stead, and Renée Watson. Marigold Johnson can’t wait to attend a special program at her family’s business, Flexx Unlimited, for teens who love fashion. But Mari quickly realizes that she’s out of place compared to the three other trainees—and one girl, Kara, seems to hate her on sight. As tension builds and the stakes at the program get higher, Mari uncovers exactly why Kara’s been so spiteful. She also discovers some hard truths about herself and her family. Paula Chase explores complex themes centering on friendships, family, and what it means to conform to fit in. Keeping It Real is also a powerful exploration of what happens when parents pick and choose what they shield their children from. Timely and memorable, Paula Chase’s character-driven story touches on creativity, art, fashion, and music. A great choice for the upper middle grade audience.
