Home is where the Wind Blows

Home is where the Wind Blows

Author: Fred Hoyle

Publisher: University Science Books

Published: 1994

Total Pages: 502

ISBN-13: 9780935702279

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In Home Is Where the Wind Blows, Sir Fred Hoyle, one of this century's most eminent scientists and author of dozens of successful books, both fiction and nonfiction, offers a revealing and charming account of his life and work. Mathematician, physicist, astronomer, cosmologist - Sir Fred is perhaps best known, in scientific circles, for his brilliant explanation of the origin of the elements from hydrogen nuclei in stars (a process known as nucleosynthesis) and for developing (with Sir Hermann Bondi and Thomas Gold) the elegant but controversial steady-state theory of the Universe (which assumes the continuous creation of matter). In 1950, in the last of a series of radio lectures on astronomy that he delivered on the air for the BBC, Sir Fred coined the term "Big Bang" to characterize the competing expanding-Universe theory, which has since become the dominant paradigm. Ironically, the term has become a permanent addition to the language of cosmology. Sir Fred's name has become well known to the general public because of his unusual ability to describe the ideas of science in a simple and accessible way. In addition to his scientific work, he has written more than a dozen works of popular science (many of them widely translated) and more than a dozen works of science fiction (most of them in collaboration with his son, Geoffrey). In all his work, Sir Fred has shown himself to be ready and able to challenge established thinking. In the author's amusing and memorable account of his childhood in Home Is Where the Wind Blows, the reader will see how this came to be true. Possessed since infancy with a strong streak of independence, he was encouraged by his parents, throughout his schoolyears, to trust his own judgment and to think for himself.


The Iron Bridge

The Iron Bridge

Author: Neil Cossons

Publisher:

Published: 2002

Total Pages: 176

ISBN-13:

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The Iron Bridge that spans the River Severn at Coalbrookdale in Shropshire is the most enduring symbol of the Industrial Revolution. Built in 1779, the bridge changed forever the lives of the local people, settlement patterns, communication and the economy of the area.


Occidentalism : Images of the West

Occidentalism : Images of the West

Author: James G. Carrier

Publisher: Clarendon Press

Published: 1995-04-13

Total Pages: 286

ISBN-13: 0191590843

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This is an investigation of Western cultural identity. It shows how people's images of themselves and others reflect the power that different groups in a society have to shape these images. The contributors describe these images in Western academic writing, popular Western culture, and societies outside the West, in this counterpart to Edward Said's Orientalism. - ;Occidentalism is an investigation of images of Western cultural identity. Edward Said's Orientalism revolutionized Western understanding of non-Western cultures by showing how Western projected images shaped the Occidental of the Orient, but those who follow Said have not until now reflected that understanding back onto Western societies. Occidentalism shows how images of the West shape people's conceptions of themselves and others, and how these images are in turn shaped by members of Western and non-Western societies alike. The contributors describe and explicate these images in a variety of areas, from Western academic writing to popular Western culture, from societies within and outside the West, to show how power and conflict shape such conceptions. -


An Ottoman Traveller

An Ottoman Traveller

Author: Evliya Çelebi

Publisher: Eland Publishing

Published: 2011

Total Pages: 0

ISBN-13: 9781906011581

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Evliya Celebi was the Orhan Pamuk of the 17th century, the Pepys of the Ottoman world - a diligent, adventurous and honest recorder with a puckish wit and humour. He is in the pantheon of the great travel-writers of the world, though virtually unknown to western readers. This translation brings his sparkling work to life.


The Intimate Life of an Ottoman Statesman, Melek Ahmed Pasha (1588-1662)

The Intimate Life of an Ottoman Statesman, Melek Ahmed Pasha (1588-1662)

Author: Evliya Çelebi

Publisher: SUNY Press

Published: 1991-01-01

Total Pages: 322

ISBN-13: 9780791406403

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Robert Dankoff has culled passages from Evliya Çelebi's Book of Travels that deal directly with the life and times of Çelebi's patron, Melek Ahmed Pasha, an outstanding seventeenth-century military and administrative leader. Çelebi's account is sensitive to all the currents of his age and reflects them in his narrative. His wry comments and observations extend from the intimate details of daily life, and the attitudes of the lower classes, to the deeds of the mighty, the ideals of the age, and the fate of the empire. He concentrates on the later phase of Pasha's career, beginning with his appointment as Grand Vizier in 1650. Because Çelebi was Pasha's confidant as well as his protege, there is a level of intimacy, almost a psychological portrait, quite unusual in Ottoman and Islamic literature. The narrative highlights the private side of this public figure -- his weaknesses as well as his heroics; his religious life and domestic affairs -- in particular, his relations with his two successive wives, both sultanas or princesses.


The Zen Arts

The Zen Arts

Author: Rupert Cox

Publisher: Routledge

Published: 2013-11-05

Total Pages: 300

ISBN-13: 1136855580

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The tea ceremony and the martial arts are intimately linked in the popular and historical imagination with Zen Buddhism, and Japanese culture. They are commonly interpreted as religio-aesthetic pursuits which express core spiritual values through bodily gesture and the creation of highly valued objects. Ideally, the experience of practising the Zen arts culminates in enlightenment. This book challenges that long-held view and proposes that the Zen arts should be understood as part of a literary and visual history of representing Japanese culture through the arts. Cox argues that these texts and images emerged fully as systems for representing the arts during the modern period, produced within Japan as a form of cultural nationalism and outside Japan as part of an orientalist discourse. Practitioners' experiences are in fact rarely referred to in terms of Zen or art, but instead are spatially and socially grounded. Combining anthropological description with historical criticism, Cox shows that the Zen arts are best understood in terms of a dynamic relationship between an aesthetic discourse on art and culture and the social and embodied experiences of those who participate in them.


Russia's Own Orient

Russia's Own Orient

Author: Vera Tolz

Publisher: OUP Oxford

Published: 2011-02-10

Total Pages: 216

ISBN-13: 0191616443

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Russia's own Orient examines how intellectuals in early twentieth-century Russia offered a new and radical critique of the ways in which Oriental cultures were understood at the time. Out of the ferment of revolution and war, a group of scholars in St. Petersburg articulated fresh ideas about the relationship between power and knowledge, and about Europe and Asia as mere political and cultural constructs. Their ideas anticipated the work of Edward Said and post-colonial scholarship by half a century. The similarities between the two groups were, in fact, genealogical. Said was indebted, via Arab intellectuals of the 1960s who studied in the Soviet Union, to the revisionist ideas of Russian Orientologists of the fin de siècle. But why did this body of Russian scholarship of the early twentieth century turn out to be so innovative? Should we agree with a popular claim of the Russian elites about their country's particular affinity with the 'Orient'? There is no single answer to this question. The early twentieth century was a period when all over Europe a fascination with things 'Oriental' engendered the questioning of many nineteenth-century assumptions and prejudices. In that sense, the revisionism of Russian Orientologists was part of a pan-European trend. And yet, Tolz also argues that a set of political, social, and cultural factors, which were specific to Russia, allowed its imperial scholars to engage in an unusual dialogue with representatives of the empire's non-European minorities. It is together that they were able to articulate a powerful long-lasting critique of modern imperialism and colonialism, and to shape ethnic politics in Russia across the divide of the 1917 revolutions.