"Thank you. This is absolutely first-class in all respects. The reprinted 1850 poems and the contemporary reviews unveil insights unsuspected by the majority of readers; and the selection of current views and criticism is sensitive and representative." --N. S. Asbridge, Central Connecticut State University "A fine new edition at an affordable price." --Bernard Duyfhuizen, University of Wisconsin-Eau Claire
The text of the novel is based on the first edition of 1847. For the Fourth Edition, the editor collated the 1847 text with the two modern texts (Norton’s William J. Sale collation and the Clarendon), and found a great number of variants, including accidentals. This discovery led to changes in the body of the Norton Critical Edition text that are explained in the preface. New to "Backgrounds and Contexts" are additional letters, a compositional chronology, related prose, and reviews of the 1847 text. "Criticism" collects five important assessments of Wuthering Heights, three of them new to the Fourth Edition, including Lin Haire-Sargeant’s essay on film adaptations of the novel.
Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.
Wuthering Heights is an 1847 novel by Emily Brontë, published under the pseudonym Ellis Bell. It concerns two families of the landed gentry living on the West Yorkshire moors, the Earnshaws and the Lintons, and their turbulent relationships with Earnshaw's adopted son, Heathcliff. It was influenced by Romanticism and Gothic fiction. From Wikipedia, the free encyclopedia. This book is also available in special formats: Extra small size edition (4" x 6") Super large print 24 point enhanced edition, white and cream paper Large print 18 point edition, white and cream paper Note-taker's editions Visit our site to see all available titles: http: //specialbookformats.com
The story of life on a French olive farm continues with this moving memoir of hard work, hard luck, and waiting for the return of happiness. Carol Drinkwater and her husband, Michel, arrive at their villa in Provence in anticipation of another glorious summer. Unfortunately, they find the farm unkempt and suffering from lack of rainfall. When their gardener, Monsieur Quashia, finally shows up, he cheerfully explains the shed-building project he’s working on as a surprise for them—a surprise that will send their expenses skyrocketing. But there are bigger problems to come than wild boars tearing through fences and other everyday challenges of farming. After a terrifying accident in Monte Carlo and a hospital stay, Michel is barely functional, and Carol soon realizes she must fend for herself. Burdened with problems from a financial reversal to the threat of nearby wildfires, she will experience firsthand the uncertainties that have plagued farmers since the dawn of agriculture—and hold on to hope that in the end, nature will provide. “A storyteller of great economy and deftness.” —The Telegraph
At the centre of this novel is the passionate love between Catherine Earnshaw and Heathcliff - recounted with such emotional intensity that a plain tale of the Yorkshire moors acquires the depth and simplicity of ancient tragedy.
A lighthearted chronicle of how foods have transformed human culture throughout the ages traces the barley- and wheat-driven early civilizations of the near East through the corn and potato industries in America.
She’s going to write her own happy ending. English professor Athena Murphy is an authority on the novels of the Brontë sisters. But as they say in academia, publish or perish. To save her job, Athena decides to write a biography of C.L. Garland, the author heating up bestseller lists with spicy retellings of classic literature. Tracking down the reclusive writer and uncovering her secret identity, though, means Athena must return to her small midwestern hometown where Garland—and her ex-boyfriend, Thorne Kent—live. Seeing Thorne again reminds Athena that real life never lives up to fiction. He was the Heathcliff to her Catherine, the Mr. Rochester to her Jane. Not only did their college breakup shatter that illusion, but they also broke each other’s hearts again a second time. Now she has to see him nearly every...single…day. The only solution is to find C.L. Garland as quickly as possible, write the book, and get the heck out of town. As her deadline looms and the list of potential C.L. Garlands dwindles, Athena and Thorne bicker and banter their way back to friendship. Could it really be true that the third time’s a charm? Athena and Thorne have a love story only a Brontë could write, and the chance for their own happily-ever-after, but first, they’ll need to forgive the mistakes of the past.
