"Writing the Terrain is the first anthology dedicated solely to the poetry of the Alberta landscape and cityscape, by authors who have travelled the main roads, back roads, and gravel roads of this vast province. This collection offers a series of poetic journeys through Calgary and Edmonton, through the Foothills, the Badlands, the Rockies, the Central Parklands, and the Northern Boreal forests. Following in the Canadian literary tradition of "preoccupation with place," these are poems that demonstrate a response to the landscape and ponder its effect on the body, mind, and spirit."--BOOK JACKET.
Introduces the reader to programming 3D terrain engines, from the simplest terain engine possible to one of the most complex and useful terrain engines around. Presented in a very easy-to-read and fun format. CD contains source code for all demos and programs in the book, OpenGL SDK, Paint Shop Pro 7, terrain textures, etc.
Founded in a historic nursery in southeast Pennsylvania, Terrain is a nationally renowned garden, home, and lifestyle brand with an entirely fresh approach to living with nature. It’s an approach that bridges the gap between home and garden, the indoors and the outdoors. An approach that embraces decorating with plants and inviting the garden into every living space. Terrain, the book, not only captures the brand’s unique and lushly appealing sensibility in over 450 beautiful photographs but also shows, in project after project, tip after tip, how to live with nature at home. Here are ideas for flower arranging beyond the expected bouquet, using branches and wild blooms, seed heads and bulbs. Ten colorful container gardens inspired by painterly palettes. Dozens of ideas for making wreaths out of vines, dried stems, evergreens, and fresh leaves and fern fronds (which you learn to preserve in glycerin). Here are secrets for forcing branches to bloom in the middle of winter. Decorating with heirloom pumpkins, including turning them into tabletop planters. Simple touches—like massing high-summer hydrangeas into weathered baskets and scattering them around the patio—and more involved projects, including taking inspiration from Scandinavia and Britain to create a truly natural Christmas. With inspiration for every season, Terrain blurs the indoors and out to bring the subtle and surprising joys of nature into our lives every day.
In his debut volume, Richard Meier risks "an affront to the personal" by dismantling and reassembling the lyric "I." His poems demonstrate a dizzying grace while uncovering a terrain less vague than tremendously powerful. The emotional tenor of Meier's poems work with the strong intellect behind them to produce a captivating collection. Winner of the 2000 Verse Prize, selected by Tomaz Salamun.
At the time of his death in 1921, John Burroughs (1837-1921) was America’s most beloved nature writer, a best-selling author whose friends and admirers included Walt Whitman, Theodore Roosevelt, John Muir, Henry Ford, and Thomas Edison. Burroughs was second only to Emerson in fostering the nature study movement of the nineteenth- century, and the popularity of his work inspired Houghton Mifflin to publish or reissue the work of numerous other nature writers, including that of Thoreau and Muir. His first collection of essays, Wake-Robin, was published in 1871, and over the next fifty years Burroughs wrote almost two dozen books, and hundreds of essays—not only on nature, but on literature, travel, philosophy, religion, and science. By the turn of the century, Burroughs was America’s most beloved nature writer, whose friends and admirers included Walt Whitman, Theodore Roosevelt, John Muir, Henry Ford, and Thomas Edison. Burroughs died in 1921 while on a train ride back to his New York from California. His final words—"Are we home yet?"—were a remarkably fitting coda to the career of a writer so closely identified with his native Catskill region of New York State. In many of his essays, Burroughs explores the woods and fields of home, and in doing so, like Henry Thoreau and his explorations of Concord, Massachusetts, he transcends the local and examines the universal theme of our relation with nature and our native landscape. Burroughs’s emphasis on "place" and the local now seems modern once again; as the current interest in bioregionalism and climate change demonstrates, it has become increasingly evident that "thinking locally" is "thinking globally." Since 1992, the SUNY College at Oneonta has hosted the biannual John Burroughs Nature Conference and Seminar ('Sharp Eyes'), which honors the influence of Burroughs on American nature writing. Distinguished keynote speakers who have addressed the conference include John Elder, John Tallmadge, Joy Harjo, Robin Wall Kimmerer, Edward Kanze, James Perrin Warren, and Edward J. Renehan, Jr. The scope of the conference is not limited solely to Burroughs, however, as each year the writers and scholars in attendance direct their attention toward a particular issue of significance to contemporary nature writers and scholars of environmental literature. The theme of this collection, "Writing the Land: John Burroughs and his Legacy" was featured in the 2006 conference, and includes essays on John Burroughs as well as essays on the work of other writers who, like Burroughs, are linked closely through their work to a particular landscape or region. The third and final section of this book features invited essays by three distinguished scholars, John Tallmadge, Robert Beuka, and Charlotte Zoë Walker, who consider the topic of what writing about the land and nature means from three different perspectives—urban, suburban, and rural.
If you have read other books about love that have fallen short, read this book. Mapping the Terrain of the Heart is an eloquent guide through love's diverse landscapes that provides a whole new way to think about love relationships. Both descriptive and prescriptive, it is a book for anyone looking to experience a committed relationship full of passion and tenderness. In the labyrinth of love, every one of us has his or her own inner map. Psychologists Goldbart and Wallin lead us along the metaphorical superhighways on the map of love by charting six easily grasped skills—the six capacities of love—that are all necessary to a long-term, stable love relationship: the capacities for erotic involvement, for merging, for idealization, for integration, for "refinding," and for self-transcendence. The authors demonstrate in a very practical, hands-on way how individuals and couples can use these capacities to work on breaking down their usual defenses and grow toward a deeper understanding and connection. In defending ourselves against disappointment in love, we frequently—and often unknowingly—throw up obstacles, create roadblocks, and take detours around these six capacities. We think such detours will take us where we want to go in a relationship, but too often they do not. Goldbart and Wallin's sophisticated but accessible approach—using case studies and practical pointers throughout—based on solid psycho-analytic theory while creating a completely new model for love relationships that also makes intuitive sense. Mapping the Terrain of the Heart offers a comprehensive psychology of love that maps out the paths to a successful relationship and shows how both individuals and couples can progress toward that ever-elusive goal of lasting and passionate love.
Contested Terrain explores the competing understandings of how best to manage this spectacular natural resource. Terrie introduces the key players and events that have shaped the region and its use, from early settlers and loggers to preservationists, year-round residents, and developers. This new edition includes a comprehensive account of the Pataki years, an era of stunning conservation triumphs combined with unprecedented pressures on the region’s ecological integrity.
The book shows how the Franciscans in Jerusalem in the fourteenth to sixteenth centuries wrote works which standardized the cultural memory of the Holy Land. The experience of the late medieval Holy Land was deeply connected to the presence of the Franciscans of the Convent of Mount Zion in Jerusalem, who welcomed and guided pilgrims. This book analyses this construction of a shared memory based on the continuous availability of these texts in the Franciscan library of Mount Zion, where they were copied and adapted to respond to new historical contexts. This book shows how the Franciscans developed a representation of the Holy Land by elaborating on its history and describing its religious groups and the geography of the region. This representation circulated among pilgrims and influenced how contemporaries imagined the Holy Land
With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.
