Exploring how the region is changing today - as transnational solidarity and a single regional economy remove the distinctions between national and international politics - he asks whether South African domination can finally be overcome and considers what sort of cosmopolitan political arrangement will be appropriate for southern Africa in the new century."--BOOK JACKET.
Democracy came to South Africa in April 1994, when the African National Congress won a landslide victory in the first free national election in the country’s history. That definitive and peaceful transition from apartheid is often cited as a model for others to follow. The new order has since survived several transitions of ANC leadership, and it averted a potentially destabilizing constitutional crisis in 2008. Yet enormous challenges remain. Poverty and inequality are among the highest in the world. Staggering unemployment has fueled xenophobia, resulting in deadly aggression directed at refugees and migrant workers from Zimbabwe and Mozambique. Violent crime rates, particularly murder and rape, remain grotesquely high. The HIV/AIDS pandemic was shockingly mishandled at the highest levels of government, and infection rates continue to be overwhelming. Despite the country’s uplifting success of hosting Africa’s first World Cup in 2010, inefficiency and corruption remain rife, infrastructure and basic services are often semifunctional, and political opposition and a free media are under pressure. In this volume, major scholars chronicle South Africa’s achievements and challenges since the transition. The contributions, all previously unpublished, represent the state of the art in the study of South African politics, economics, law, and social policy.
From the ongoing war in Angola, to sporadic instability in Zimbabwe and Lesotho, to the conflict in Congo, to issues of land reform and the ravages of AIDS, southern Africa faces varied and complex threats to its peace and security. The authors of From Cape to Congo assess the region's major security challenges, as well as the roles of local, regional, and external actors in managing them. Their theoretically informed - but practical - approach encompasses the political, economic, and military arenas.
In the aftermath of World War II, South Africa's white government decreed a brutal system of segregation at the very moment when the United states began wresting with the civil rights movement. In "Loosing the Bonds", Robert Massie recreates the passions and struggles of these years, deftly exposing the way politics and personalities, money and morality interact in modern America. 40 photos. National print ads, media.
Conventional historical and political analyses of South Africa have frequently neglected the vital role of sport in general, and rugby in particular. This book fills the gap through a critical interpretation of rugby's role in the development of white society, its role in shaping significant social divisions, and its centrality to the apartheid era "power elite".
This book is a critical study of South African literature, from colonial and pre-colonial times onwards. Christopher Heywood discusses selected poems, plays and prose works in five literary traditions: Khoisan, Nguni-Sotho, Afrikaans, English, and Indian. The discussion includes over 100 authors and selected works, including poets from Mqhayi, Marais and Campbell to Butler, Serote and Krog, theatre writers from Boniface and Black to Fugard and Mda, and fiction writers from Schreiner and Plaatje to Bessie Head and the Nobel prizewinners Gordimer and Coetzee. The literature is explored in the setting of crises leading to the formation of modern South Africa, notably the rise and fall of the Emperor Shaka's Zulu kingdom, the Colenso crisis, industrialisation, the colonial and post-colonial wars of 1899, 1914, and 1939, and the dissolution of apartheid society. In Heywood's study, South African literature emerges as among the great literatures of the modern world.
In this collection, some of South Africa's most distinguished historians and social scientists present their views on the importance of history and heritage for the transformation of the South African society. Although popular use of history helped remove apartheid, the study of history lost status during the transition process. Some of the reasons for this, like the nature of the negotiated revolution, social demobilization, and individualization, are analyzed in this book. The combination of scholarly work with an active role in changing society has been a central concern in South African history writing. This book warns against the danger of history being caught between reconciliation, commercialization, and political correctness. Some of the articles critically examine the role of historians in ideological debates on gender, African agency, Afrikaner anti-communism, early South African socialism, and the role of the business world during late apartheid. Other contributions explore continuing controversies on the politics of public history in post-apartheid South Africa, describe the implementation of new policies for history education, or investigate the use of applied history in the land restitution process and in the TRC. The authors also examine a range of new government and private initiatives in the practical use of history, including the establishment of new historical entertainment parks and the conversion of museums and heritage sites. For readers interested in nation building processes and identity politics, this book provides valuable insight.
Analyzing postapartheid culture in South Africa, this book critically examines music, cinema, social media, and the politics of change after apartheid. It cuts across academic disciplines, the creative arts, and the media to pose two central questions: Is South Africa changing for the better, or are we static? Is there too much static for us to hear each other clearly? The various chapters provide key insights into recent media phenomena, such as Die Antwoord, a South African rap-rave group; the 2010 Soccer World ∪ Bok van Blerk, a South African musician; Tsotsi, a 2005 film; Kuli Roberts’ Sunday World newspaper column on “coloureds”; the revisionist film Afrikaaps; and the University of the Free State’s Reitz video scandal. The close readings of lyrics, videos, and films are loaded with keen insights explaining what the cultural issues are and why they matter.