Wretched writing is the lowest of the low; it is a felonious assault on the English language. Exuberantly excessive, it is a sin committed often by amateurs and all-too-frequently by gifted writers having an off day. In short, it’s very bad writing. Truly bad. Appallingly bad. It’s also very funny. A celebration of the worst writing imaginable, Wretched Writing includes inadvertently filthy book titles, ridiculously overwrought passages from novels, bombastic and confusing speeches, moronic oxymorons, hyperactive hyperbole, horribly inappropriate imagery in ostensibly hot sex scenes, mangled clichés, muddled metaphors, and unintended double entendres. Sit back and enjoy these deliciously dreadful samples, and try not to cringe too much.
World Literature for the Wretched of the Earth recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. Framed by a suggestive reading of the surprising affinities between Frantz Fanon’s political writings and Erich Auerbach’s philological project, World Literature for the Wretched of the Earth foregrounds anticolonial theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise but as a way, rather, to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of the British Empire and European fascism, which prized self-mastery, authority, and national sovereignty. Bringing together the histories of comparative literature and anticolonial thought, Elam demonstrates how these early-twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.
In Hito Steyerl's writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl's landmark essays from recent years in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the art system as a vast mine of labor extraction and passionate commitment, of occupation and internship, of structural and literal violence, enchantment and fun, of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses and their unanticipated openings. e-flux journal Series edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle
The sixtieth anniversary edition of Frantz Fanon’s landmark text, now with a new introduction by Cornel West First published in 1961, and reissued in this sixtieth anniversary edition with a powerful new introduction by Cornel West, Frantz Fanon’s The Wretched of the Earth is a masterfuland timeless interrogation of race, colonialism, psychological trauma, and revolutionary struggle, and a continuing influence on movements from Black Lives Matter to decolonization. A landmark text for revolutionaries and activists, The Wretched of the Earth is an eternal touchstone for civil rights, anti-colonialism, psychiatric studies, and Black consciousness movements around the world. Alongside Cornel West’s introduction, the book features critical essays by Jean-Paul Sartre and Homi K. Bhabha. This sixtieth anniversary edition of Fanon’s most famous text stands proudly alongside such pillars of anti-colonialism and anti-racism as Edward Said’s Orientalism and The Autobiography of Malcolm X.
They had reached the very limits of space. Nothing lay ahead except the evil planet, waiting to destroy. NOTES FROM CAPTAIN BRONET'S LOG: It looked like a lizard, or a snake with legs. It had a large flattish head, three eyes set in triangular formation, and a round food-intake in the centre of the "face." There was no chin. The head perched high on a mottled, leathery neck. The skin on its back was ribbed and corrugated. This creature was the first living thing we encountered on the sinister planet...
A Booklist Best Literary Travel Book (2017) and Kirkus Reviews Best Nonfiction Book (2016) “A penetrating study of human character in a challenging environment. . . . [David Welky’s] seamless narrative, chilling at times and always thought-provoking, transports the reader to a time when the Arctic was virtually as harsh and inaccessible a place as the Moon or Mars.” —Natural History From a snow-swept hill in the ice fields northwest of Greenland, famed Arctic explorer Robert E. Peary spots a line of mysterious peaks dotting the horizon. In 1906, he names that distant, uncharted territory “Crocker Land.” Years later, two of Peary’s disciples, George Borup and Donald MacMillan, take the brave steps Peary never did: with a team of amateur adventurers and intrepid native guides, they endeavor to reach this unknown land and fill in the last blank space on the globe. What follows is hardship and mishap the likes of which none of the explorers could possibly have imagined. From howling blizzards and desperate food shortages to crime and tragedy, the explorers experience a remarkable journey of endurance, courage, and hope. Set in one of the world’s most inhospitable places, A Wretched and Precarious Situation is an Arctic tale unlike any other.
Bruce Mclean has experienced more tragedy and blessing in his forty-five years than most people would over several lifetimes. Orphaned at six when his mother died of a heroin overdose, he was fortunate enough to be adopted by a loving and caring couple - but tragedy returned to strike again at twelve, when his adoptive mother died of cancer, and yet again in high school, when his adoptive father was killed in a car accident. Bruce enters adulthood completely alone in life and haunted by dreams of a mother he barely remembers. Both exceptional and flawed in many ways, Bruce perseveres and marries a beautiful woman with whom he fathers a daughter. He goes on to build a successful business empire and considerable wealth. But fate isn't anywhere near finished with Bruce. Years later, divorced, he makes a lifestyle choice to relocate to a small idyllic mountain town. He is determined to move on to a new phase in his life. There he meets Tara, a very sexy and very dangerous woman, and is suddenly thrust into a web of sex, lies, deceit, and betrayal that threaten not only his business and wealth, but everything he holds dear. Like Bruce, Tara is extremely active, and after a few sessions of tearing up the mountain bike trails as well as ravaging each other, Bruce is completely under the spell of this alluring woman. But all is not what it seems, for Tara is from a different world than Bruce. As an ex-marine and mercenary, she is a very strong female but she is also an unapologetic psychopath. Bruce soon finds that to protect his loved ones, he must navigate through the impossible odds stacked against him by those who would seek his destruction, while at the same time dealing with his own inner demons and a tragic past that seems determined to follow him. This novel contains some sexually explicit content.
