Honours the life and career of Professor Allan, commemorating at the same time the occasion of his 70th birthday. Brings together top-level researchers in linguistics who have all been inspired by Allan's work in some way. Offers glimpses into corpus linguistics, cognitive linguistics and cultural linguistics as well as the more traditional descriptive, diachronic and typological perspectives.
For too long, vocabulary instruction has suffered from inattention and quick fixes. Sometimes thought of as an instructional stepchild, many students are denied the power of a rich vocabulary. When teachers don't fully understand the various components of a robust program, instruction often boils down to copying definitions or memorizing static word meanings. Pouring over research and proven strategies from literacy experts, Aaron Daffern has identified five parts of a powerful vocabulary program: prepare, present, place, process, and play. By utilizing these five components, students will go beyond simple knowledge and will begin to wrestle with words as they integrate new vocabulary into their semantic knowledge systems. The first component, prepare, details how to select the highest impact words and avoid spending instructional time on words that are either obscure or common. Second, presenting new words is more than simply telling students what a word means. Teachers can utilize activating prior knowledge, bases/affixes, context clues, descriptive definitions, example/non-examples, friendly words/synonyms, and even grammar usage to define new terms. The third component, place, provides a variety of methods for students to take new words and tie them into what they already know. The fourth and largest component is process. Both basic and complex tasks should be employed to help students wrestle with new terms and analyze them in a variety of contexts. Finally, students can play with words to extend knowledge and explore shades of meaning. As a teacher, campus principal, and district instructional specialist and curriculum coordinator, Aaron Daffern has been educating students in Texas since 2000. He trains schools and districts around the country in student engagement and vocabulary instruction. Check him out online at AaronDaffern.com.
A contemporary replacement for the classic "Vine's Expository Dictionary," this newly written reference book covers the key vocabulary of the Bible with an integrated coverage of the Old Testament and New Testament words. Students of the Bible will be able to uncover the meaning of the original biblical text whether or not they have a working knowledge of Hebrew or Greek. Each English word entry includes the Hebrew or Greek for that word and explains its nuances and variations in meaning. It is coded to Strong's numbering and is a valuable resource for students, pastors, or the layperson interested in word studies.
Written by a leading researcher in the field, this fascinating examination of the relations between grammar, text, and discourse is designed to provoke critical discussion on key issues in discourse analysis which are not always clearly identified and examined. Written by a leading researcher in the field Continues the enquiry into discourse analysis that Zellig Harris initiated 50 years ago, which raised a number of problematic issues that have remained unresolved ever since Introduces the notion of pretext as an additional factor in the general interpretative process Focuses attention specifically on the work of critical discourse analysis (CDA) in light of the issues discussed
The fast and easy way to pin down the sport of wrestling Wrestling is a fast-paced sport with many technicalities, rules, and ways to score points—making it difficult for spectators to follow the score and understand whistles and restarts. In Wrestling For Dummies, author and 2008 Olympic Gold medalist Henry Cejudo explains the scoring system and unique rules of wrestling to new competitors, confused parents, and fans of this ancient and captivating sport. Wrestling For Dummies also explains the rich history of the sport and covers the six styles of competitive wrestling and their distinction from the modern entertainment-based "pro wrestling." Covers Greco-Roman and freestyle wrestling Plain-English explanations of wrestling rules Details the history of wrestling Whether you're just getting started as a wrestler or enjoy it as a spectator sport, Wresting For Dummies makes this sport accessible and easy to understand.
New York Times bestselling author and six-time WWE champion Chris Jericho shares 20 of his most valuable lessons for achieving your goals and living the life you want. Chris Jericho has known what he wanted out of life since he was a teenager: to be a pro wrestler and to be in a rock 'n' roll band. Most of his high school friends felt that he lacked the tools necessary to get into either, but Chris believed in himself. With the wise words of Master Yoda echoing through his head ("Do or do not. There is no try."), he made it happen. As a result, Chris has spent a lifetime doing instead of merely trying, managing to achieve his dreams while learning dozens of invaluable lessons along the way. No Is a Four-Letter Word distills more than two decades of showbiz wisdom and advice into twenty easy-to-carry chapters, including: Developing a strong work ethic thanks to WWE chairman Vince McMahon, Remembering to always look like a star from Gene Simmons of KISS, Learning to let it go when the America's Funniest Home Videos hosting gig goes to his rival, Adopting a sense of perpetual reinvention from the late David Bowie, Making sure to sell himself like his NHL-legend father Ted Irvine taught him, and Going the extra mile to meet Keith Richards (with an assist from Jimmy Fallon). Now, in the hopes that those same principles might help and inspire his legions of fans, Chris has decided to share them while recounting the fantastic and hilarious stories that led to the birth of these rules. The result is a fun, entertaining, practical, and inspiring book from the man with many scarves but only one drive: to be the best. After reading No Is a Four-Letter Word, you'll discover that you might have what it takes to succeed as well...you just need to get out there and do it. That's what Jericho would do.
Wrestling as a legitimate contest is one of the oldest, if not the oldest form of sport. There are cave drawings depicting memorable matches in France, which are over 15,000 years old. Egyptian and Babylonian reliefs depict wrestling bouts where wrestlers are using most of the holds known to the modern-day sport. Wrestling was also a big part of ancient Greek literature and legend and historical records of sport indicate that wrestling under various sets of rules was contested at the Ancient Olympic Games in Greece. Today’s modern wrestling is a form of "sports entertainment" in which highly skilled athletes enact wrestling matches in such a way so that their opponents do not get hurt and the matches' endings are scripted (although the audience is not aware of the script). This Historical Dictionary of Wrestling covers the history of Wrestling through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on important amateur and professional wrestling, wrestling personalities, announcers, managers and promoters from all eras, and wrestling organizations. This book is an excellent access point for students, researchers, and anyone wanting to know more about the sport of Wrestling.
Titled Four Quartets in the Light of the Chinese Jar, this is the first book that discusses how Four Quartets should be explored afresh with a prosodic-philosophically sustained interdisciplinary and cross-cultural literary approach in ways as the often overlooked pivotal image of the Chinese jar so indicates in the great sequence; the pivotal image suggests the subtle but vital elixir from both “The ‘shores of Asia and the Edgware Road’ [which] are brought together as they had been brought together to The Waste Land.” With a steady focus on the function words-mediated and phonemes-facilitated, and “autochthonously” void-suggesting verbal transformation, the book shows how the verbal transformation, especially of the cases with “parts of speech” in the live context, makes Four Quartets truly a “rhythmical creation of [meaningful] beauty”; it demonstrates how the meaningful poetic beauty culminates in a quintessential state or being of poetry not merely being “poetic” particularly in terms of its prosodically sustained philosophical tenets, which are often so serendipitously transformed into “virtuoso mastery of verbal music.” As genuine poetry, the great sequence flows freely from inside out at once in accordance with and in spirt of any given rhythmical form or rhyming pattern.
