"Wrestling to Rasslin' traces the roots of one of man's oldest competitive sports. Beginning in sporting bars in the late 1800s and graduating to Barnum sideshow tents, wrestling has thrilled the world over with such early athletes as William Muldoon, George Hackenschmidt, and Tom Jenkins. After World War II and the advent of television, wrestling took a turn toward the dramatic, emphasizing conflicts between good and evil.
Neither an exposé of the dark underbelly of wrestling nor a justification of its existence, Red Headed Geek is a loving, firsthand look inside the regional wrestling circuits of yesteryear by a former manager who's been tossed from the ring, bashed with a folding chair, and had painfully honest conversations with the wrestlers themselves. Billy C. Wirtz gives a distinct view of the strange world of wrestling, offering a look into the actual workings of the business and the underlying reasons for its popularity, as well as an explanation for its status as an often maligned and misunderstood subculture and its vital role in American working-class entertainment. He recounts his painful &“on-the-job&” training—explaining certain practices and dispelling some commonly held myths and beliefs—and discusses his personal and professional relationships with wrestlers such as the Fabulous Moolah, Diamond Lil, Sir Oliver Humperdink, and dozens of others, from the legendary to the never-heard-ofs. The book also contains a glossary of wrestling slang for those who aren't as familiar with the sport. For the die-hard fan or the total nonbeliever, this book presents one man's honest perspective and observations on a fascinating subculture.
Promoter Peter Birkholz tells all the stories from inside the ring and behind the scenes of nostalgic wrestling history based on his decades of experience with the Houston Wrestling Promotion. The world-famous Promotion, along with territorial promotions throughout the country, produced plenty of wild and exciting action for thousands of fans every Friday night, and shaped the landscape of professional wrestling for decades. Come along with stars like Rick Flair, Fritz von Erich, Bronko Nagurski, Lou Thesz, Andre the Giant, Hulk Hogan, and Paul Boesch as they change sports history forever.
Part sport, part performance art, professional wrestling's appeal crosses national, racial and gender boundaries--in large part by playing to national, racial and gender stereotypes that resonate with audiences. Scholars who study competitive sports tend to dismiss wrestling, with its scripted outcomes, as "fake," yet fail to recognize a key similarity: both present athletic displays for maximized profit through live events, television viewership and merchandise sales. This collection of new essays contributes to the literature on pro wrestling with a broad exploration of identity in the sport. Topics include cultural appropriation in the ring, gender non-comformity, national stereotypes, and wrestling as transmission of cultural values.
St. Louis was the capital and Muchnick the ruler of pro wrestling before Vince McMahon's World Wrestling Entertainment took over. Muchnick and St. Louis paved the way for the multi-billion-dollar sports entertainment industry broadcast worldwide from the stadia and showpiece venues of the States. The centre of this magical operation was a TV programme called Wrestling at the Chase', which ran from 1959 to 1983 from the majestic Chase Hotel. Matysik, Muchnick's protege and longtime ringside announcer, recalls with touching fondness the legends of his time.'
Professional wrestling revels in its exaggeration of masculinity. This hyper-masculinity is evident in the physical appearance of wrestlers, the sexuality-charged and violent moves used in and out of the ring, the role assigned to women and the extensive use of weapons such as chains, barbed wire and steel folding chairs. This study explores the link between watching televised wrestling matches and increases in verbal aggression, rebellion and propensity toward violence and retaliation. Wrestling is placed within the larger context of popular culture and other hyper-masculine entertainment. The book begins with a brief history of professional wrestling, a summary of the criticisms of the sport, and a discussion of the author's research methods. One chapter discusses how gender socialization plays a part in the effects of wrestling on its viewers, arguing that wrestling goes beyond the image of physically violent acts to models of interpersonal behavior. The expansion of wrestling into storylines outside the ring includes problem situations involving class, race, homophobia and nationality, to which violence is often presented as a solution. The book concludes with an investigation of the attractiveness of wrestling and its ability to lure fans back year after year.
