An unexpected inheritance gives the Heffley family a chance to make major improvements to their home. But they soon find that construction isn’t all it’s cracked up to be. When things get rough, will the Heffleys be able to stay ... or will they be forced to move?
With her marriage on the rocks, Sophia lets her baby sister whisk her away to Mexico to allow herself some distance from her husband. Her sister Tia's company along with her boyfriend Antonio offer Sophia the distraction she needs, but no matter what she does her mind keeps finding its way back to her husband and reliving how they once had the passion and fire other couples envied. Will Brandon be able to pull Sophia back in and make her his once again? Only time will tell and the clock is ticking.... Synopsis: When Brandon and Sophia met, something clicked. A guy who didn't believe in love at first sight, suddenly believed. A girl who believed a bad boy would always be bad, changed her mind. With Sophia by Brandon's side, he knew he could conquer the world, and Sophia had never felt more loved or wanted in her life. They were good together.But even the strongest of foundations can be crumbled. Sometimes all it takes is one moment, fleeting as it may be, to crush what was once strong and indestructible, like a wrecking ball. Now Sophia has left and as she rediscovers herself, Brandon is left holding the shattered pieces of their lives, trying to figure out how to put them back together. He loves her.She loves him.All he needs now is to make her remember that.
Included in Backchannel’s (WIRED.com) “Top Tech Books of 2017” An “important” book on the “pervasive influence of Silicon Valley on our economy, culture and politics.” —New York Times How the titans of tech's embrace of economic disruption and a rampant libertarian ideology is fracturing America and making it a meaner place In The Know-It-Alls former New York Times technology columnist Noam Cohen chronicles the rise of Silicon Valley as a political and intellectual force in American life. Beginning nearly a century ago and showcasing the role of Stanford University as the incubator of this new class of super geeks, Cohen shows how smart guys like Jeff Bezos, Peter Thiel, Sergey Brin, Larry Page, and Mark Zuckerberg fell in love with a radically individualistic ideal and then mainstreamed it. With these very rich men leading the way, unions, libraries, public schools, common courtesy, and even government itself have been pushed aside to make way for supposedly efficient market-based encounters via the Internet. Donald Trump’s election victory was an inadvertent triumph of the "disruption" that Silicon Valley has been pushing: Facebook and Twitter, eager to entertain their users, turned a blind eye to the fake news and the hateful ideas proliferating there. The Rust Belt states that shifted to Trump are the ones being left behind by a "meritocratic" Silicon Valley ideology that promotes an economy where, in the words of LinkedIn founder Reid Hoffman, each of us is our own start-up. A society that belittles civility, empathy, and collaboration can easily be led astray. The Know-It-Alls explains how these self-proclaimed geniuses failed this most important test of democracy.
Marking his 17th studio album, 'Wrecking Ball' features 11 new Springsteen recordings and was produced by Ron Aniello with Bruce Springsteen and executive producer Jon Landau. Said long-time manager Jon Landau, "Bruce has dug down as deep as he can to come up with this vision of modern life. The lyrics tell a story you can't hear anywhere else and the music is his most innovative of recent years. The writing is some of the best of his career and both veteran fans and those who are new to Bruce will find much to love on 'Wrecking Ball.'" This special edition of 'Wrecking Ball' includes two bonus tracks and exclusive artwork and photography.
"Little rig, little rig, let me come in!" "Not by the chrome on my chinny chin chin." "Then I’ll crash and I’ll bash and I’ll smash your house in." When the three little rigs set out to build their own garages, each one thinks that his is going to be the strongest. But then the big bad wrecking ball comes to call and threatens to smash their new homes to smithereens. The brothers learn that it’s only by bravery and teamwork that they can win the day. A comic sequel to the ugly truckling.
Psychomachia reads like an NA meeting with Donna Tartt, Joan Didion, DBC Pierre, James Frey, Angela Carter, Reinaldo Arenas, Virginia Despentes and JT Leroy battling their collective consciousness. Literature like this is usually presented through the male gaze, hence the fashion and rock n roll literati naming Kirsty Allison London's finest. She's hilarious - she's fucked up. Scarlet Flagg is so wasted, she doesn't know if she killed the arch patriarch of rock n roll, Malachi Wright of Wright States International Touring after he raped her at a festival at 14. Scarlet is the kinda girl you wanna help, fuck, and leave. But is she dangerous? Did she murder Malachi or was it her boyfriend, Iggy Papershoes, frontman of Heroshima? Or perhaps her drug-dealing father? Scarlet doesn't remember - she hardly remembers her own name. This is brutal female drug-lit at its finest. The first novel of the real nineties, Scarlet is an unreliable narrator of epic fin-de-millennia proportions floating in a Shoreditch-warehouse haze. Her fast moving chronicle of the secret drug-filled, love starved, sex satiated-nightmare world of East End fashion, art and music afterparties is set in an era before MeToo, when stigmas meant keeping schtum, and getting in with the male-dominated in-crowd relied on copious amounts of class-As. Like Jean Genet in a prison cell, without camera phones, social media or mental health awareness, Scarlet searches for redemption in the pursuit of revenge through blurred lines in Ibiza, Paris, London and New York.
The pressure's really piling up on Greg Heffley. His mom thinks video games are turning his brain to mush, so she wants her son to put down the controller and explore his "creative side." As if that's not scary enough, Halloween's just around the corner and the frights are coming at Greg from every angle. When Greg discovers a bag of gummy worms, it sparks an idea. Can he get his mom off his back by making a movie . . . and will he become rich and famous in the process? Or will doubling down on this plan just double Greg's troubles?
The Wrecking Ball is a collection of Aislin's recent favourite cartoons. All of the choice political material is here: Pauline Marois as Miley Cyrus, the Parti Québécois's Charter of Quebec Values, student demonstrators wandering through Montreal's deteriorating streets, corruption inquires and Montreal's succession of mayors, the Harper Tories and the Canadian Senate debacle, the coronation of Justin Trudeau, Toronto Mayor Rob Ford, the Habs and the Sochi Olympics. Whew!
One of the secrets to Bruce Springsteen’s enduring popularity over the past fifty years is the way fans feel a deep personal connection to his work. Yet even as the connection often stays grounded in details from his New Jersey upbringing, Springsteen’s music references a rich array of personalities from John Steinbeck to Amadou Diallo and beyond, inspiring fans to seek out and connect with a whole world’s worth of art, literature, and life stories. In this unique blend of memoir and musical analysis, John Massaro reflects on his experiences as a lifelong fan of The Boss and one of the first professors to design a college course on Springsteen’s work. Focusing on five of the Jersey rocker’s main themes—love, masculinity, sports, politics, and the power of music—he shows how they are represented in Springsteen’s lyrics and shares stories from his own life that powerfully resonate with those lyrics. Meanwhile, paying tribute to Springsteen’s inclusive vision, he draws connections among figures as seemingly disparate as James Joyce, Ta-Nehisi Coates, Thomas Aquinas, Bobby Darin, and Lin-Manuel Miranda. Shades of Springsteen offers a deeply personal take on the musical and cultural legacies of an American icon.