Libelle. A Roamer in Time. The Fate of Camborin Evenchor. Almost a Zombie ...Or! The Gods Themselves.105,430 Word Count. 238 pages. Bexhill City. AD 2384. It had to be night time; otherwise I'd get a bad dose of sunburn and it’s not every night you see a skimpily-dressed, curvy blonde with a white stick tapping her way along a dimly-lit city street with her hand outstretched in angst and desperation. I laugh when I think about the excuse the guy will give his wife when he gets home minus his wallet, watch and any rings he was wearing, looking pale and tired with a whopping great love-bite and two punctures on his neck after having trying to have his way with me down a dark entry. They say being blind has its disadvantages. Maybe, but not if you’re a vampire, a female one that is....
A New York Times Bestselling AuthorCarly Andrews knew the type. Adam Noble was one of the rich and famous who whiled away his summers in beautiful Bar Harbor, Maine. Yet there was a powerful attraction between them, and Carly found herself drawn to a man hopelessly out of her league. Caught in a summer storm of passion, she reveled in his embrace. But would Carly ever know the real Adam Noble, apart from his wealth and status - and could she ever trust him with her heart?
How to repair the disconnect between designers and users, producers and consumers, and tech elites and the rest of us: toward a more democratic internet. In this provocative book, Ramesh Srinivasan describes the internet as both an enabler of frictionless efficiency and a dirty tangle of politics, economics, and other inefficient, inharmonious human activities. We may love the immediacy of Google search results, the convenience of buying from Amazon, and the elegance and power of our Apple devices, but it's a one-way, top-down process. We're not asked for our input, or our opinions—only for our data. The internet is brought to us by wealthy technologists in Silicon Valley and China. It's time, Srinivasan argues, that we think in terms beyond the Valley. Srinivasan focuses on the disconnection he sees between designers and users, producers and consumers, and tech elites and the rest of us. The recent Cambridge Analytica and Russian misinformation scandals exemplify the imbalance of a digital world that puts profits before inclusivity and democracy. In search of a more democratic internet, Srinivasan takes us to the mountains of Oaxaca, East and West Africa, China, Scandinavia, North America, and elsewhere, visiting the “design labs” of rural, low-income, and indigenous people around the world. He talks to a range of high-profile public figures—including Elizabeth Warren, David Axelrod, Eric Holder, Noam Chomsky, Lawrence Lessig, and the founders of Reddit, as well as community organizers, labor leaders, and human rights activists.. To make a better internet, Srinivasan says, we need a new ethic of diversity, openness, and inclusivity, empowering those now excluded from decisions about how technologies are designed, who profits from them, and who are surveilled and exploited by them.
Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.
Worlds Beyond Time is the definitive visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of 1970s paperback sci-fi art and the artists who created these extraordinary images. In the 1970s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves (or spinner racks). Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race–fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward. In Worlds Beyond Time: Sci-Fi Art of the 1970s, Adam Rowe—who has been curating, championing, and resurrecting the best and most obscure art that 1970s sci-fi has to offer on his blog 70s Sci-Fi Art—introduces readers to the biggest names in the genre, including Chris Foss, Peter Elson, Tim White, Jack Gaughan, and Virgil Finlay, as well as their influences. With deep dives into the subject matter that commonly appeared on these covers—spaceships, alien landscapes, fantasy realms, cryptozoology, and heavy machinery—this book is a loving tribute to a unique and robust art form whose legacy lives on both in nostalgic appreciation as well as the retro-chic design of mainstream sci-fi films such as Guardians of the Galaxy, Alien: Covenant, and Thor: Ragnarok. Includes Color Illustrations
Graphic Novel. From the creative vision of writer B. Clay Moore, best known for his creation Hawaiian Dick, comes an action-packed adventure in which a young woman must rapidly come to terms with her incredible new life! Casey Blue is an average high school senior - until the moment she snaps into action, savagely murdering a stranger with her bare hands, leading to revelations about her role in preventing a full-scale invasion of earth! The only problem? She has no idea she's humanity's salvation.
The visionary science fiction author of Fahrenheit 451 shares his imaginative visions of the future in this collection of musings and memoirs. Combining a series of recollections alongside his personal contemplation about the future, protean master of storytelling Ray Bradbury outlines his thoughts on the state of the world—how the past and present are reflected in society, technology, art, literature, and popular culture—as well as the need for creative thinkers to be the architects of the future. In this extraordinary collection of essays, poetry, and philosophical reflection, readers glimpse inside the mind of one of the twentieth century’s most celebrated and prolific authors. Bradbury reveals the creative sparks that led to some of his most well-known and enthralling stories, along with the influences on his journey to becoming a prominent figure in modern literature. Part journal, part commentary, these writings are an exploration and celebration of a dreamer whose ideas had no bounds.
As the landscape of teacher education developed during the late 1800s, historical antecedents of Butler University's College of Education initiated what we now know as long-term commitments to work and service at local, state, and national levels. This historical account of the College brings to light how teachers, leaders, and colleagues possessing vision, a shared commitment to children, excellence in education, and humor have inspired and influenced generations. Those who are aware of Butler University and those who have yet to learn of the quiet excellence that lives within the north-side Indianapolis neighborhood will glean lessons of collaboration, struggle, success, and the innate power of being able to dream as the history of the College of Education unfolds. In 1961, for his undergraduate application for student teaching at Butler University, Roger William Boop wrote, "I certainly believe in change, but change is not good for change's sake because change does not always imply progress." His belief in change, a personal commitment to education, and a love of history that allows one to look closely at the facets leading to progress, underscore his research some 46 years later as he shares the story of the College of Education and more...
