Worlds at War, Nations in Song

Worlds at War, Nations in Song

Author: Kendra Haloviak Valentine

Publisher: Wipf and Stock Publishers

Published: 2015-01-12

Total Pages: 203

ISBN-13: 1498204899

DOWNLOAD EBOOK

Rather than representing the book of Revelation as a single "apocalyptic" genre, Kendra Haloviak Valentine demonstrates that the work in fact reflects several genres--apocalyptic, prophetic and liturgical--within the overall framework of an epistle. This study focuses on the sixteen hymns, a largely neglected part of the literary construction of the work. Responding to the insight of Mikhail Bakhtin that literary genres carry ways of thinking about the world, this important study calls attention to the multiple voices within the text that need to be heard--voices that soften the book's transcendent, future focus so that it is not allowed complete dominance. Hymns, as the sites of colliding and collaborating genres, engage the reader. Worlds at War, Nations in Song explores the role of these liturgical elements within the moral enterprise to suggest that the book of Revelation provides readers with a moral vision linking the future with the present. Readers are called to respond in worship and witness. By calling attention to the multiple voices within Revelation, Haloviak Valentine demonstrates the invalidity of seeking "one" correct interpretation. Recognizing this dialogic approach may help prevent the misinterpretations that led to such tragedies as Waco and Jonestown.


The Music of World War II: War Songs and Their Stories

The Music of World War II: War Songs and Their Stories

Author: Sheldon Winkler

Publisher: Lulu.com

Published: 2019-07

Total Pages: 158

ISBN-13: 035976486X

DOWNLOAD EBOOK

Merriam Press World War 2 History. Some of the most memorable and enduring popular music of the Twentieth Century was written during the Second World War. With patriotism at an all-time high, the war effort became an integral part of the entertainment industry, creating an emotional wartime dream world of heroes, love, remembrance, reflection, and introspection. The Music of World War II tells the stories behind the origins of many of these musical compositions, some of which have survived to become standards still popular today. Contents: Preface; Introduction: The Music of the Second World War; My Sister and I: The True Story; Love, Separation, and Homecoming; Patriotism; Tribute; Military Service; Faith, Hope, and Devotion; Novelty; Epilogue; Acknowledgments; Bibliography. 54 photos and illustrations, bibliography.


Nations, Identities and the First World War

Nations, Identities and the First World War

Author: Nico Wouters

Publisher: Bloomsbury Publishing

Published: 2018-07-12

Total Pages: 319

ISBN-13: 1350036455

DOWNLOAD EBOOK

Nations, Identities and the First World War examines the changing perceptions and attitudes about the nation and the fatherland by different social, ethnic, political and religious groups during the conflict and its aftermath. The book combines chapters on broad topics like propaganda state formation, town and nation, and minorities at war, with more specific case studies in order to deepen our understanding of how processes of national identification supported the cultures of total war in Europe. This transnational volume also reveals and develops a range of insightful connections between the themes it covers, as well as between different groups within Europe and different countries and regions, including Western and Eastern Europe, the Ottoman Empire and colonial territories. It is a vital study for all students and scholars of the First World War.


Music of the World War II Era

Music of the World War II Era

Author: William H. Young

Publisher: Bloomsbury Publishing USA

Published: 2007-12-30

Total Pages: 285

ISBN-13: 0313084270

DOWNLOAD EBOOK

In the World War II era, big bands and swing music reached the heights of popularity with soldiers as well as friends and loved ones back home. Many entertainers such as Glenn Miller also served in the military, or supported the war effort with bond drives and entertaining the troops at home and abroad. In addition to big band and swing music, musicals, jazz, blues, gospel and country music were also popular. Chapters on each, along with an analysis of the evolution of record companies, records, radios, and television are included here, for students, historians, and fans of the era. Includes a timeline of the music of the era, an appendix of the Broadway and Hollywood Musicals, 1939-1945, and an appendix of Songs, Composers, and lyricists, 1939-1945. An extensive discography and bibliography, along with approximately 35 black and white photos, complete the volume.


Cold War Country

Cold War Country

Author: Joseph M. Thompson

Publisher: UNC Press Books

Published: 2024-03-22

Total Pages: 201

ISBN-13: 1469678373

DOWNLOAD EBOOK

Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on military service while selling the music to servicemembers. Beginning in the 1950s, the military flooded armed forces airwaves with the music, hosted tour dates at bases around the world, and drew on artists from Johnny Cash to Lee Greenwood to support recruitment programs. Over the last half of the twentieth century, the close connections between the Defense Department and Music Row gave an economic boost to the white-dominated sounds of country while marginalizing Black artists and fueling divisions over the meaning of patriotism. This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad.


Country Music Goes to War

Country Music Goes to War

Author: Charles K. Wolfe

Publisher: University Press of Kentucky

Published: 2021-11-21

Total Pages: 341

ISBN-13: 0813187508

DOWNLOAD EBOOK

"Listening to the Beat of the Bomb" UPK author Charles Wolfe discusses his work and his new book Country Music Goes to War in the NEW YORK TIMES. While Toby Keith suggests that Americans should unite in support of the president, the Dixie Chicks assert their right to criticize the current administration and its military pursuits. Country songs about war are nearly as old as the genre itself, and the first gold record in country music went to the 1942 war song "There's a Star Spangled Banner Waving Somewhere" by Elton Britt. The essays in Country Music Goes to War demonstrate that country musicians' engagement with significant political and military issues is not strictly a twenty-first-century phenomenon. The contributors examine the output of country musicians responding to America's large-scale confrontation in recent history: World War II, the Korean War, Vietnam, the cold war, September 11, and both conflicts in the Persian Gulf. They address the ways in which country songs and artists have energized public discourse, captured hearts, and inspired millions of minds. Charles K. Wolfe, professor of English and folklore at Middle Tennessee State University, is the author of numerous books and articles on music. James E. Akenson, professor of curriculum and instruction at Tennessee Technological University, is the founder of the International Country Music Conference. Together they have edited the collections The Women of Country Music, Country Music Annual 2000, Country Music Annual 2001, and Country Music Annual 2002.


"Cashville" - Dilution of Original Country Music Identity Through Increasing Commercialization

Author: Stephanie Sch„fer

Publisher: Diplomica Verlag

Published: 2012-04

Total Pages: 125

ISBN-13: 3842878451

DOWNLOAD EBOOK

Where I come from, it?s cornbread and chicken... This line from Alan Jackson?s country hit defines the genre as the music of the American South. All its ambiguity set aside, the South stands proudly for its hospitality, politeness, sense of place and community. Family and religion are traditionally more important down there than in the rest of the country. As Southern culture becomes more and more americanized and the music of the small town Southern man (another Jackson song) is adapted for a mainstream audience, the original rustic identity that defines the true American genre loses its charm. Modern country music has become slick and professionalized and sounds more and more like common pop music to make it more profitable. This study focuses on the authentic country music identity and how it is threatened by increasing commercialization. It defines said identity and the working class culture from which it springs. It traces the history of country music and its different genres from the 19th and early 20th century cowboy music over Western Swing and Honky-Tonk of the 1930s and 1940s, the progressive movements of the 1960s and 1970s up to today?s mainstream Country Pop, and shows how its target audience has changed over time and how the opposition tries to preserve traditional sounds. Authentic Texas Country is set in contrast to the commercial Nashville recording industry and both are compared in their respective developments over the years. In the face of terrorism, which poses a threat to the American National identity, country music with its representative American values has become increasingly popular and enforces a strong collective identity on a national level. However, in doing so, it also dilutes the original identity that was once restricted to life in a small town community rather than the country as a whole. What sets country music as a genre apart is its narrative structure. Every song has a story to tell: Be it about ?The Cold Hard Facts of Life?, a prayer finally answered, or the first kiss on a Saturday night.


Manifestations of Collective Identity in Country Music - Cultural, Regional, National

Manifestations of Collective Identity in Country Music - Cultural, Regional, National

Author: Stephanie Schäfer

Publisher: diplom.de

Published: 2011-12-01

Total Pages: 117

ISBN-13: 3842823010

DOWNLOAD EBOOK

Inhaltsangabe:Introduction: All American music reflects the landscape from which it springs and as that landscape changes, chewed up by the developments and industry and environmental disasters, as the air we heave in and out of our lungs is filled with new particles, as the water we drink gets its fluoride levels regulated and mineral content tweaked, it makes perfect sense that American music becomes slicker, more machinated, less like reality. We are all subject to our environs, fashioned and chiseled and sanded into shapes We have highways for arteries and clouds for brains and sticks for bones, The sounds we make are Americana. As one of the first musical expressions of the United States, country music represents the values and ideals on which the nation was founded. Country music can be seen as the epitome of the American Dream. It has its origins in the 19th century, when cowboys were working in the fields and riding through the lonely prairie, an image that has been romanticized by numerous Hollywood movies. This thesis focuses on country music as a genre as well as the identity which it represents and by which audience and performers are linked. Country music can be regarded as the music of Southern working class Americans. Since before the Civil War, the South has always been looked down upon as being primitive, simple-minded, and extremely religious. Having its roots in the South, country music has had to face substantial criticism in terms of unsophistication and over-sentimentalization. Due to a shift in national economic power, the United States have become increasingly Southernized, both culturally and musically. Southern culture and identity have become desirable. This phenomenon allowed country music to shed its dubious reputation and gain popularity across the country. This paper will shine a light on the American South as a cultural region that has more to offer than what meets the eye. Southern working class culture and its core values are going to be described and put in context with country music as a form of cultural expression. Central themes in American country music are family, love, heartbreak, work, friends, religion, and patriotism. Characteristic for the country music genre are its narrative structures, which by telling a story, enhance its ability to form a collective identity as well as a connection between the narrator, the performer, and the audience. However, country musicians are not solely messengers of the [...]


Teaching Representations of the First World War

Teaching Representations of the First World War

Author: Debra Rae Cohen

Publisher: Modern Language Association

Published: 2017-07-01

Total Pages: 304

ISBN-13: 160329306X

DOWNLOAD EBOOK

The First World War saw staggering loss of life and was a catalyst for many political and social changes. It was also shaped by the media and art forms that expressed it: film, photography, poetry, memoir, posters, advertisements, and music. This volume's scope shows that today's instructors contend with many different issues in teaching the First World War in a variety of classroom settings. Among these issues are the war's relation to modernism; global reach in the Middle East and South Asia; influence on psychiatry, pacifism, and consumer culture; and effect on public health and the 1918 influenza pandemic.


Singing, Soldiering, and Sheet Music in America during the First World War

Singing, Soldiering, and Sheet Music in America during the First World War

Author: Christina Gier

Publisher: Rowman & Littlefield

Published: 2016-10-19

Total Pages: 231

ISBN-13: 1498516017

DOWNLOAD EBOOK

An advertisement in the sheet music of the song “Goodbye Broadway, Hello France” (1917) announces: “Music will help win the war!” This ad hits upon an American sentiment expressed not just in advertising, but heard from other sectors of society during the American engagement in the First World War. It was an idea both imagined and practiced, from military culture to sheet music writers, about the power of music to help create a strong military and national community in the face of the conflict; it appears straightforward. Nevertheless, the published sheet music, in addition to discourse about gender, soldiering and music, evince a more complex picture of society. This book presents a study of sheet music and military singing practices in America during the First World War that critically situates them in the social discourses, including issues of segregation and suffrage, and the historical context of the war. The transfer of musical styles between the civilian and military realm was fluid because so many men were enlisted from homes with the sheet music while they were also singing songs in their military training. Close musical analysis brings the meaningful musical and lyrical expressions of this time period to the forefront of our understanding of soldier and civilian music making at this time.