In 1970 Ford loaned every Wolrd Cup squad member the greatest saloon car in the world. From Gordon Banks at the back to Geoff Hurst at the front they all got a Ford Cortina 1600E. This is a truly confusing book - it's slightly about football, but also about cars too: footballers and cars; footballers and their cars; why George Best could never get enough Jaguar E-Types; and just how big is David Beckham's garage?
FOUR FOR ENGLAND. THREE FOR HURST. 'Images of us celebrating have taken their place in the nation’s photo album. Trophy aloft, smiling into our future. Banksy, George, Jack, Mooro, Ray, Nobby, Bally, Bobby, Martin, Roger. My ten teammates. My old friends. They’ve now all gone. Heroes from an era that is slipping into sepia.' But it isn't all over. Not yet. One of them is still here, and before he goes, Geoff wanted to get down his final thoughts about 1966. He talks about Alf Ramsay - his vision, his drive, his loyalty. Also his shyness, even awkwardness. About his teammates, about Jimmy Greaves - hard workers, cool heads, dedicated pros. Geoff tells their collective story, digging below the surface, reflecting on their victory, its impact on their lives. It was a bittersweet onward journey for the Boys of '66. Their legacy was squandered and their team uncelebrated. But the eleven of them shared something that no other Englishman has ever experienced. Here Geoff brings them all together, one last time, to see them make history.
Simple, cost-effective, basic and reliable tips to ensure that any rally car stands a chance of reaching the finishing line. If you are planning a road-based rally, don't even think of leaving home before reading this book and implementing the tried and tested mods it describes so well.
Now entering his sixty-seventh year, Chris McCool can confidently call himself a member of the Happy Club: he has an attractive and exceedingly accommodating Croatian girlfriend and has been told he bears more than a passing resemblance to Roger Moore. As he looks back on the glory days of his youth, he recalls the swinging sixties of rural Ireland: a decade in which the cool cats sang along to Lulu and drove around in Ford Cortinas, when swinging meant wearing velvet trousers and shirts with frills, and where Dolores McCausland - Dolly Mixtures to those who knew her best - danced on the tops of tables and set the pulses of every man in small-town Cullymore racing. Chris McCool had it all back then. He had the moves, he had the car, and he had Dolly, a woman who purred suggestive songs and tugged gently at her skin-tight dresses, a Protestant femme fatale who was glamorous, transgressive and who called him her very own 'Mr Wonderful'. She was, in short, the answer to this bastard son of a Catholic farmer's prayers. Except that there was another Mr Wonderful in town, a certain Marcus Otoyo - a young Nigerian with glossy curls and a dazzling devoutness that was all but irresistible. Although Chris, of course, was interested in Marcus only because of their shared religious fervour and mutual appreciation of the finer things. That was all. Besides, Mr McCool was always a hopeless romantic - some even described him as excessively so - but is there anything wrong with that? Spiked with macabre humour and disquieting revelations, The Holy City is a brilliant, disturbing and compelling novel from one of Ireland's most original contemporary writers.
Ford's motorsport center, at Boreham, Essex, first opened in 1963 and finally closed its doors at the end of 2003, bringing to an end 40 years of involvement with Ford's racing, rally and high-performance road car projects. Over the years, Boreham's products have gained fame for success in all the major world rallies and in numerous touring car championships around the world. Here is a unique, behind-the-scenes look at the motorsport center which gave birth to such legends as the Escort RS series, the RS200, the Sierra RS Cosworth and the Escort RS Cosworth.
With an introduction by Alexander McCall Smith, author of The No. 1 Ladies' Detective Agency series. One did not drink sherry before the evening, just as one did not read a novel in the morning. In 1970s London, Edwin, Norman, Letty and Marcia work in the same office and suffer the same problem – loneliness. Lovingly and with delightful humour, Barbara Pym conducts us through their day-to-day existence: their preoccupations, their irritations, their judgements, and – perhaps most keenly felt – their worries about having somehow missed out on life as post-war Britain shifted around them. Deliciously, blackly funny and full of obstinate optimism, Quartet in Autumn shows Barbara Pym's sensitive artistry at its most sparkling. Its world is both extraordinary and familiar, revealing the eccentricities of everyday life.
For more than three decades, Lucien ' one of the most notorious characters in the history of the novel ' has haunted the imaginations of readers around the world. Remarkably, the astounding protagonist of Gabrielle Wittkop's lyrical 1972 novella, The Necrophiliac, has never appeared in English until now. This new translation introduces readers to a masterpiece of French literature, striking not only for its astonishing subject matter but for the poetic beauty of the late author's subtle, intricate writing. Like the best writings of Edgar Allan Poe or Baudelaire, Wittkop's prose goes far beyond mere gothic horror to explore the melancholy in the loneliest depths of the human condition, forcing readers to confront their own mortality with an unprecedented intimacy.
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
Lasting six weeks, and covering 16,000 miles from London to Mexico City via some of the most varying, tortuous and difficult terrain on three continents, the 1970 World Cup Rally was a unique high-speed event, attracting many serious works teams such as Ford and British Leyland. Despite the tremendous amounts of money spent choosing and developing new cars, completing months-long route surveys, and analysing every detail of diets, oxygen provision, and the number of crew members, out of an entry of more than 100 cars, only 23 cars made it to the finish. It was then, and remains now, the toughest rally of all time.
